Oswald Cobblepot, aka The Penguin, made his comic book debut in Detective Comics #58 in 1941. Like Batman, he too was conceived by Bob Kane, but his origins have varied over the decades to suit the needs of the writers. In this most recent incarnation, as is being detailed in Penguin: Pain And Prejudice, written by Gregg Hurwitz with art by Szymon Kudranski, The Penguin’s back story seems to be along the lines of being from a well-off family, but rejected by his father, brothers and school mates for his short stature, beak-like nose and generally milquetoast personality. Indeed, the only person in the world who loves him unconditionally is his mother. He returns her love with a burning affection that would make Oedipus blush.

Well, a boy needs something hold onto in the crazy world of ours, right?

Nah.

It’s just kind of icky and sad.

But does any of this have to do with Ozzie’s rise to the top of the Gotham crime scene beyond making us feel vaguely uncomfortable as we read it?

Spoilers after the jump!

Albert Einstein supposedly said that the definition of insanity is doing the same thing over and over again and expecting a different result. Norman Osborn is insane. Brian Michael Bendis might be too.

Let’s start with the most important thing to keep in mind when reading this review: I didn’t particularly like Marvel’s 2008 – 2009 Dark Reign crossover event all that much. The foundation behind it – that Norman Osborn was made head of S.H.I.E.L.D. (Renamed H.A.M.M.E.R. to sound all badassed during the event) – meant that reading a Marvel comic during that time required a suspension of disbelief that would make Hercules say, “Ah, fuck it.”

Yes, I know Osborn killed that invading Skrull Queen in Secret Invasion. He also killed Gwen Stacy. In cold blood. In the middle of New York City. On camera. Making Osborn the Top Cop was roughly akin to setting Bernie Madoff up as Secretary of the Treasury, or hiring Ted Bundy as the Headmaster of The Finishing School for Aspiring Victoria’s Secret Models.

The biggest thing Osborn did during Dark Reign was create his own “official” version of The Avengers, packed with supervillains dressed as their superhero counterparts. With Daken as Wolverine, Venom as Spider-Man, Bullseye as Hawkeye, et cetera, et cetera. Which is a brilliant and interesting concept… for say, a two or three issue story arc. As a fiendish plot by some master criminal to fool street cops. “I know… while we are robbing the New York Bank of New York, we will dress in the costumes of our enemies! That will make the police mistrust and harass The Avengers, and we will have our revenge! Mwu-hah-hah-ha!”

Instead, the Dark Avengers went on for almost a year and a half, all based on a concept that also only worked if you never stopped and thought about it for even a second: “Hi, Mr. President? Meet Bullseye. Hired assassin. Done years and years in prison. Once had a brain tumor back that made him hallucinate and kill strangers. Also killed Karen Page in cold blood. In a church. And there’s garage surveillance footage of him stabbing Elektra to death floating around on the Internet. Can we get this man a badge and a security clearance? And while you’re working on that, I’d like you to meet Venom…”

Stephanie Meyers inflicted Twilight on the world in 2005 and reminded the everyone that light pop horror sells big with teen girls and soccer mommies. Many authors took advantage of this and the market has been pretty well flooded with many books by hopefuls looking for a piece of the emo-oriented action. The House Of Night series, written by mother-daughter team P.C. and Kristin Cast and first released in 2007, is one of these.

I didn’t know this, when I picked up House Of Night #1, written by the series creators and adapted by screenwriter Kent Dalian. All I knew was that Dark Horse was putting out another vampire book and it was just a dollar. I read the whole thing from cover to cover thinking, “Wow, I feel like this story, this story that is the first issue of what is going to be an on-going series, seems to be dropping me in the middle of events that I should already know about and feels like a pitch to the CW that got turned down because The Vampire Diaries was going to be similar and cheaper to make.” And then I read the inside of the front cover and discovered that:

This series takes place between scenes from Betrayed, the second novel in the House Of Night series.

Oh.

Spoilers that may or may not include the trials and tribulations associated with being a teenage vampire vampyre after the jump.