As with every other Wednesday since this site’s launch, we must now end our broadcast day. Not just because of the comics, of which we have plenty…

…but because the Boston Red Sox are battling for a berth in the post-season against the Orioles, who are battling for a berth for being the douchebags who kept the Sox out of the playoffs.

But look at those books: the last of the New 52 including Geoff Johns’ Aquaman, All-Star Western, Superman, and Justice League Dark, which Amanda is just ITCHING for.

Plus, Yep: That’s Frank Miller’s Holy Terror, which we paid 30 dollars American (or for our overseas readers: 927,539 Euros) for what appears to be a Dr. Seuss-length treatise on How To Kick Mohammed’s Chosen In The Taint. And we WILL be reviewing it. Once Ortiz’s at-bat is over.

See you tomorrow, suckers!

Promo image for DC Comics Aquaman 1, by Geoff Johns and Ivan ReisToday marks the last drop of DC’s New 52, which includes Aquaman #1, written by Geoff Johns with pencils by Ivan Reis (Who penciled Johns’ scripts on Green Lantern and the Blackest Night event). Which means yesterday Johns was making the rounds of the reputable comics sites (Hello? Is this thing on? It is? Fuck you, then!) trying to drum up hype for the book. Why? Because the book is fucking AQUAMAN. Without Johns’ hype? There would BE NO HYPE. None more hype. Hypeless.

So lay it on us, Geoff: why should we give Aquaman a shot?

…we just talked about [Aquaman] himself and why he does everything, how he feels about it, what he thinks when people crack the Aquaman jokes that are extremely easy to make. It’s all about responsibility and standing tall for what you believe in and not worrying about what other people think. It’s all about being an underdog. I think it’s much more based on stuff we deal with than any old comics.

Ah, yes. Because if I had a nickel for every time I was mocked for my green spandex pants, orange shirt and public affinity for “Sending a telepathic summons to the sperm whale,” well… I would have a nickel, because once would be enough to convince me that suicide was the only viable option.

Okay, all kidding aside, Geoff: what do you have in mind for Aquaman?

Dynamite Comics The Bionic Man #2, by Kevin Smith, Phil Hester and Jonathan LauAnd, as is becoming a tradition, one final quick review from last week before the comic stores open for New Comics Day…

“I know Steve Austin is going away… but I’ll never forget him.” That, as my parents are fond of reminding me, is what I said about the cancellation of The Six Million Dollar Man. They also like to remind me that I was crying and cuddling my Steve Austin action figure when I said this. I was 24 years old.

Just kidding. If you were of an age and a type to be predisposed to liking comic books in the late 1970’s, The Six Million Dollar Man was required viewing. And I know that Time / Life’s released the entire four-year run of the show on DVD, but I’ve resisted dropping the cash or looking for rips online because no matter what nostalgia I feel for the show, I know that if I watch it now, it will suck out loud. It’s one thing to nostalgically go, “Bin-nin-nin-nin-nin-nin-nin-nin…” under your breath when you lift a heavy box. It’s quite another to sit down to watch a show where you know full well that you will see Steve Austin befriend Bigfoot, and worse: William Shatner.

And yet I’ve been picking up Dynamite Comics’ modernized adaptation of the story, The Bionic Man, written by Kevin Smith and Phil Hester and drawn by Jonathan Lau… and I am HOOKED.

Don’t misunderstand me: there is no objective reason for me to be into this comic. Smith is indulging in the worst form of decompressed storytelling, as he did in Batman: The Widening Gyre when he took six issues and 120ish pages to say “And one time? Batman peed in his pants.”

Vampires and minions and shootists, oh my!

Both Newsarama and Ape Entertainment have a preview up for a new book called Helldorado: East Eats Westwhich is thusly described:

Gunfights! Kung fu! Monsters! If Hammer Films had hired a band of Hong Kong filmmakers to create a Spaghetti Western, they’d have created HELLDORADO! An unspeakable act of violence has altered reality itself, and a supernatural evil looms over the town of El Dorado. The most horrific myths of the Far East threaten to engulf the American West in darkness, and the only thing standing between a vengeful Chinese vampire, its army of undead minions, and the end of humankind is an unlikely band of erstwhile heroes: an heiress, a gambler, an aging sheriff, his deputy, and a warrior priest. Horror, fantasy, kung fu, and Western action combine in this bizarre genre mash-up.

Teen Titans writer Scott Lobdell, who made a splash in the DC New 52 last week by portraying pre-reboot Titan Starfire as an amoral, cock-hungry nymphomanic, gave an exclusive interview with USA Today yesterday where he described what other… brilliant… plans he had for the rest of the new Teen Titans… wait – old Teen Titans? old New Teen Titans? New new old New… I’ve had a lot of cold medicine, I’d better lie down and let Scott take this:

“It’s designed specifically so that as you’re sitting down to read this book, you’re learning about Kid Flash, Red Robin and Wonder Girl,” [Lobdell] says. “Pretty much what you see on the paper is what we know about them and what they know about each other.”

But… but… wait… so there’s never been a Teen Titans? Right, Scott? Um…

From Red Hood and The Outlaws. Written by Scott Lobdell. LAST. FUCKING. WEEK.

This is the story of Jaime Reyes, a normal teenager living in suburban New Mexico with his best friends Paco – a gangbanger with a sense of humor and a heart of gold – and Brenda – a redhead who happens to be the niece of La Dama – a female crime lord with a stable of superpowered minions. Jaime finds himself fused with the Scarab – a piece of alien technology from something called The Reach – that bestows upon him a suit of powered armor that he doesn’t know how to use and might be operating under its own agenda.

Sound interesting? It should: it’s the plot of Blue Beetle. Written by Keith Giffen and John Rogers. In 2006.

It’s ALSO the plot of Blue Beetle #1, written by Tony Bedard and penciled by Ig Guara, released last Wednesday. And that’s the problem.

Don’t get me wrong: Blue Beetle is a well-executed and entertaining origin issue. It lays out where the Scarab comes from, it introduces all the main players, gets the Scarab on Jaime, all in 20 pages. Of all the New 52 books from DC, it probably meets the stated goal of the reboot, to create an entry point for new, non-comic readers, most effectively. Sure, there’s still a writing-for-the-trade feel since Jaime doesn’t become Blue Beetle until the last page, but Bedard tells us what we need to know without requiring any knowledge of continuity. It’s somewhat refreshing… or it would be if Bedard DIDN’T require a fluency in a second Goddamned language.

There are at least ten or eleven panels in this book that include Spanish or Spanglish – to the point where Bedard puts the ol’ footnote asterix next to the phrase “La casa de Amparo Cardenas” to tell us in caption that it is “Translated from the Spanglish”… except he NEVER FUCKING TRANSLATES IT. He might as well have wasted panel real estate with “Translated into Spanglish from Klingon by way of Helen Keller’s homemade tappity language.” For all I know, Jaime spend half the book saying, “You, reader, are a racist, provincial dingus.”

Marvel Comics' Castle: Richard Castle's Deadly Storm by Brian Michael Bendis, Kelly Sue DcConnickSo now the both of us have caught this wretched head ebola, which means that posting may slow while we lie around looking for mindless entertainment to feed our middle brains while we slowly undergo the process of turning cold medicine into snot… but don’t worry about us, we have a tool for dealing with this. It’s called a screwdriver.

And a likely candidate for tonight’s distraction from our various aches, pains and uncomfortable viscous bubblings is Castle, starring Nathan Fillion, on ABC at 10 p.m. eastern time. It’s not a regular view for us, but ABC is owned by Disney, as is Marvel, and since, purely by coincidence, Marvel’s releasing a Castle graphic novel Wednesday, it seems that tonight’s episode has a distinctly Marvel Comics feel to it, which you can see in the preview after the jump:

We bought some more bourbon, which means here’s another exciting episode of the Crisis On Infinite Midlives Podcast!

Why “The Knockers Of Justice”? There’s actually a reason this time, and it’s Catwoman and Starfire. Plus, “The T*ts Of Justice” just sounded crass for a family site. F**k you; don’t look at us like that.

Other topics include Nightwing #1, Kevin Smith’s The Bionic Man, and Event Fatigue, or: If Wolverine Begins Fighting Cyclops in Schism at 6 a.m., Stops To Fight Juggernaut in Fear Itself  at 8 a.m. and Arrives To Fight With Spider-Man in Spider Island at noon, At What Time Does Marvel Start To Give a F**k About Continuity?

Plus, here are a few links to items we discussed in the show:

Enjoy! Or at least don’t complain too loudly!

Brian Azzarello might be my favorite person in the comic book world, this week. First, he published this great letter on Vertigo’s editorial board, On The Ledge, in which he rails against the future for not delivering the goods it promised:

Dear Future,

F**k you.

You promised me a jetpack, and didn’t deliver. You’ve led me on and really let me down, so you can go to hell.

I’ll admit it: when you handed me a glass of Tang and a Space Food Stick I fell for you hard. You told me you were gonna be beyond my wildest dreams and we would be going places (using that jetpack, right?). You literally promised me the moon and I bought in hook, line and sinker. Well, if I still had that Space Food Stick I’d shove it up your fat bony ass, you two-faced, fun-squashing bag of woe. You can go to hell.

I, too, am disappointed by my lack of cheap, afforable jet-pack ownership. It would make going to my local comic book store ever so much easier and cooler. However, I did manage to get there this week and was rewarded for my efforts with Wonder Woman #1, also written by Mr. Azzarello with art by Cliff Chiang.

Backstage picture of Anne Hathaway as Catwoman in The Dark Knight RisesSome celebrity gossip site called Just Jared got their hands on some more pictures of Anne Hathaway in the Catwoman costume she’s wearing for The Dark Knight Rises.

Here’s one; you can go here for the rest if you don’t mind that their second top story is about Justin Bieber going to Chik-Fil-A… and if you do mind (Please God, if you’re reading this Web site, tell me you fucking mind), Bleeding Cool has all the pictures plus a few more exclusives you can check out.

There seems to be a lot of negative buzz in the comics world about the new costume ever since the first official photo of Hathaway in the suit came out about a month and a half ago – not enough cat ear, too much cat ear but the mask is stupid, no tail, the high heels are dumb for a cat suit – all of which make comics people look less like they’re interested in a good Batman movie and more like petulant, disappointed furries losing their boners.