tmp_avengers_assemble_20_cover_20131359336571Avengers Assemble #20 does a lot in 20 pages. First of all, it’s a rare one-and-done, which is refreshing in the middle of the Infinity event that has been going on for a couple of months but which sometimes makes me feel like we have always been at war with The Builders. Second, it gives a spotlight to Wonder Man, Wasp and Scarlet Witch, who have been inveterate second stringers recently (when one character has become a pacifist and another who just about a  year ago was valiantly fighting to remain dead. Third, it gives us a taste of what we can expect from the Great Terrigen Mist Release of 2013 (the fact that what we can expect is a bunch of people with new superpowers all reliving the first season of Heroes is beside the point). And finally, it wraps all of this in a relatable story about side characters who were damaged long before they were affected by the Terrigen Mist.

But this is not a perfect story. In order to fit everything into a single issue, writer Al Ewing has Wasp make a couple of quick and significant leaps in logic to get the story from Point A to Point B. Further, in order to balance Wonder Man’s out-front and obvious pacifism, Ewing contrasts it with a child gleefully stomping bad guys to death.

So there’s a lot here, some of which works and some of which doesn’t. But is does it work as a coherent whole?

avengers_endless_wartime_coverAvengers: Endless Wartime, the new original graphic novel written by Warren Ellis with art by Mike McKone, is, for all intents and purposes, an effective sequel or side tale about The Avengers from the Joss Whedon movie. It is a sequel to The Avengers that, unlike Marvel Studios, has no rights issues or special effects budget constraints to deal with, and therefore can include fan favorite characters, like Wolverine and Captain Marvel, that the movies can’t. And it is a sequel that is printed on really shitty paper.

Seriously: I got my copy shrinkwrapped and therefore never opened before I got it back to the Crisis On Infinite Midlives Home Office, and the pages in the front and back third of the book were wrinkled to hell and back. And on top of that, a couple of panels had printing errors that smudged the shit out of the lettering. It’s not the worst thing in the world – it doesn’t make the book unreadable or anything, and I lost all my resale value, defects or not, the minute I stripped the shrink wrap to read the thing – but when you’re dropping $25 clams on a piece of shelf porn, you expect the thing to be printed at least as well as it would have been had it been broken into a six-issue miniseries. Your mileage may vary, and God knows you won’t spend the full $25 if you buy the thing off of Amazon or something, but I bought it at my local comic store, where they know me by name and ask me to stop threatening to demand $25 if they don’t let me strip off my shrink wrap for a close inspection.

But let’s forget about the printing issues and go back to the story, which takes place pretty much outside of current Avengers continuity, includes all the players from the Avengers movie – and they are far more recognizable as the characters from the movies than they are most modern versions of the characters in the comics –  and has the global scale of a major motion picture. And while it feels like there are a couple of stories jammed together that make things a little confusing now and again, it’s packed with familiar character notes, catchphrases, and Warren Ellis dialogue. Dialogue that would jeopardize a PG-13 rating if it actually was a movie.

avengers_age_of_ultron_movie_logo_1301720927While we did attend this year’s San Diego Comic-Con, we were not able to attend the big Marvel Studios Hall H panel that hyped Thor: The Dark World, Captain America: The Winter Soldier and, most prominently, Avengers: Age of Ultron. We weren’t able to get in for a variety of reasons, the most important being that we didn’t even try. Seriously: have you seen the line to get into the Big Room for the past several years? It looks like the aftermath of one of the battles from Kingdom Come, only with a significantly higher body fat percentage. It’s easier to break into the comic industry proper than it is to get into Hall H, for Christ’s sake.

So despite being among the lucky few to even be at the convention, we were not amongst the few thousand hardy (and sweaty. And exhausted.) few who saw Joss Whedon introduce the first teaser reel for Avengers: Age of Ultron. And for two months, I have consoled myself by trying to remember that, while those people were watching that video, I had access to unclogged toilets and food that had a surprisingly small amount of cheez dust.

Well, to hell with that small consolation. Because that video has finally made its way to the Internet. Which means that you can watch it from the comfort of the device of your choice… but if you want a truly authentic experience, I recommend going without showering before sitting in your least comfortable chair for several hours, and then watching the video on your cell phone… which you have placed on the other side of the room, preferably behind a volunteer wearing either a Batman cowl or a Heisenberg hat.

Regardless of your viewing preferences, you can check the video out after the jump.

avengers_endless_wartime_coverIt has been a good long while since we have seen any new mainstream comics work from Warren Ellis, what with his book deals and his columns in the mainstream press (well, “mainstream” compared to the comics press, which is widely populated by drunken amateurs who have just enough brain power to buy a domain name and install a content management system that allows them to publicly rant about comic books. Hi, Warren!) and his fat movie deals.

That drought will, however, be coming to a close with the upcoming release of the original graphic novel Avengers: Endless Wartime, with art by Mike McKone, in a couple of weeks (Amazon has a listed release date of October 1st). And if you’ve missed the news, here’s the official blurb as to what it’s about:

An abomination, long thought buried, has resurfaced in a war-torn land…

Hi, Warren!

…But now it wears an American flag. Faced with another nightmare reborn, Captain America will not stand for yet more death at the hands of a ghost from his past. Haunted by his greatest shame, Thor must renew the hunt for a familiar beast. At their side, an assemblage of allies united to end the threats no one of them could face alone. They are soldiers. Warriors. Comrades-in-arms. Mighty heroes led by a living legend, stronger together than apart. They are the Avengers. Also includes exclusive AR video content, a free digital download of the book, and an introduction written by Agent Coulson himself Clark Gregg!

It is safe to say that we will be picking up and reviewing the graphic novel when it drops, but if you’re on the fence, well, Google Books has released he first few pages of the book to review at your leisure. And if you don’t feel like logging into Google to see how it’s gonna look (hi, NSA!), well, you can see those pages after the jump.

mighty_avengers_1_cover-468210056I’m having a hard time deciding if I like the first issue Marvel’s new Avengers title Mighty Avengers – and I do like it – purely on its own merits, or because of Jonathan Hickman’s work on the main Avengers titles.

It’s been about nine months since Hickman took those books over from Brian Michael Bendis, and in that time those books have been notable for their huge plots and cosmic scope, often, in my opinion, at the detriment to the characters. There have been issues of Avengers where the members of the team have acted like the worst kind of taser-happy, steroid-ridden, ex-high-school bully suburban cops, just because they needed to in order to advance Hickman’s master plot plans. We’ve spent months where we normally only see The Avengers competently analyzing a threat or competently meeting a threat, with their most human moments being only when they fuck up egregiously, causing them to return to the competent analysis phase of the story (see, for example, most of the Infinity event, on sale now!

So the first issue of Mighty Avengers, written by Al Ewing with art by Greg Land, is a comparative breath of fresh air. Sure, it is debuting smack in the middle of Infinity, but this is a book about, you know, The Mighty Avengers. Despite the cosmic nature of the threat to New York, we spend most of our time with the actual characters, watching them interact and bicker and try to get along. And we get a sense of many of their motivations for grouping together and acting as Avengers, beyond the simple expediency of “if they don’t, I can’t show off my nifty extinction-level plot I’ve designed” we’ve been getting much of the time in the core titles.

In short, Mighty Avengers #1 is about people, not spectacle. Which makes it a damn good read compared to a lot of the other Avengers books out there.

avengers_age_of_ultron_movie_logo_1301720927So the big geek news today was that James Spader has been cast to play Ultron in Joss Whedon’s upcoming Avengers: Age of Ultron, to which my initial reaction was, “Huh. Whatever.”

Seriously, I didn’t have much of an initial positive reaction to the news, firstly because early this morning, I read a wild-assed rumor on Ain’t It Cool News that the plan for Ultron was to make Tony Stark’s JARVIS artificial intelligence go rogue and start tearing shit up for, I don’t know, being forced to spend four movies as part of the programming for Stark’s jockstrap or something. And while I didn’t know whether there was any truth to the rumor or not (clearly, there was not), the idea made a lot of sense to me. It utilized an existing character, it completely cut around the inclusion of Hank Pym in Ultron’s creation, and most importantly: it would have eliminated the need for probably at least 20 minutes of story setup to get Ultron off his ass, on his feet, and whimpering about his daddy issues in ways that would embarrass Lena Dunham.

But James Spader? Who really gives all that much of a damn about James Spader?

iron_man_3_animaticHere’s the thing about making movies: there isn’t a screenplay out there that doesn’t go through a half a dozen revisions and rewrites before they get locked down. Sometimes they’re not locked until after principal photography begins.

Which is all well and good for some indie flick made on a Flip Cam, but when it comes to big special effects extravaganzas, the visual effects guys can’t wait for the Suits in Corporate to get tired of giving notes like, “More edgy,” and “Can we get anyone on the planet other than Edward Norton?” They need to start planning stuff out quick, usual with animatics: little flipbook animations of the SFX sequences, done in varying degrees of detail, to give a movie storyboard of what the finished effects shots are gonna look like. And if they do an animatic for a sequence that winds up getting cut or altered? Well, that’s tough luck, Charlie; go to whatever bar Edward Norton’s drinking his sorrows away in so you can whimper to someone who gives a fuck.

But those animatics don’t just disappear… and sometimes, they make their way onto the Internet. Case in point: animator Federico D’Alessandro, who has done work on more than a dozen movies – including, most pertinent to readers of this site, every Marvel Studios movie since Thor, did a bunch of animatics of scenes from Iron Man 3 and The Avengers that didn’t make the final movie… and some of those animatics have made their way to the Web.

Now, I’ve seen plenty of animatics that are, at best, mild curiosities showing only some raw visuals. But these, however, are a little different. All of them include background music and sound effects, some of them have dialogue subtitles laid in, and all of them are just damn cool to watch, to get a sense of what we might have gotten from those two movies… including if The Wasp were part of The Avengers. And you can check them out after the jump.

infinity_1_cover_2013300439282For years, whenever Marvel kicked off a big event comic, they made a point of swearing before God and everybody that the story could be read on its own, without needing to track down a bunch of other comics to understand what’s going on. It was all bullshit, of course; be it Civil War or Secret Invasion or Avengers Vs. X-Men, the second the event kicked off, it crossed into every title Marvel published. Sure, you didn’t need to read those other comics to understand the whole story, provided you were okay with taking certain things you saw on faith. Things like just assuming that, somewhere in the gutters of the main title, D-Man obtained the Infinity Gauntlet while Batroc The Leaper’s big toes were turned to Mrs. Dash Onion Seasoning.

That, however, was the past. Welcome to Infinity, a book not only with a final page consisting of a diagram telling you what other comic books you should be following to get the whole story, but one which, if you haven’t been reading both Jonathan Hickman’s Avengers and New Avengers since launch day, will be difficult to follow from the first page. Which is fine for people like me who have been getting those books all along, but which isn’t exactly welcoming to any poor schmuck who wanders into a comic store after, say, seeing The Wolverine, and saying to himself, “Ooh! That comic has the dude from the credits of The Avengers movie!”

And that wouldn’t be a bad thing if Infinity #1 was character-driven, and gave you compelling people to follow through this unfamiliar scenario. Unfortunately, this book is all about plot and putting pieces into place to eventually blow some shit up. And the characters are simply pushed through this clockwork, normally almost indistinguishable from each other except for the colors of their costumes.

Hell, one of the main heroes of the story is featured in a four-page sequence where he is asleep, for Christ’s sake.

sdcc_logoAnd finally, here is the last of it. The last panel we attended at San Diego Comic-Con on Sunday, July 21st, before the convention-closing screening of Buffy The Vampire Slayer‘s musical episode, Once More With Feeling: The Avengers, X-Men, Dr. Strange and Sgt. Fury 50th Anniversary panel, featuring classic Marvel writer Roy Thomas, current writer Brian Michael Bendis, and artist John Romita, Jr.

There wasn’t anything revealed that you could particularly call “news” at this panel. Hell, there wasn’t even a hell of a lot of information about the creations of The Avengers, The X-Men, or any of the rest (although we did learn that Thomas made The Vision an android because hey! Stan Lee says stuff sometimes!). But what we did get were some cool and inspirational stories of what it was like to be at Marvel right around the time when Fantastic Four was breaking, what it was like to grow up around one of the premier Spider-Man artists of the late 60s, early 70s, and what it was like to grow up in Brian Michael Bendis’s broken home! Well, I guess some stories are inspirational only in their aftermath.

But even if the panel didn’t have anything new to say about the modern world of comics, I can think of worse ways to close out the convention than to hear about what the world of comics was like when legends were being created every month, when characters who would literally change some of our lives were being spitballed to meet a deadline on a Sunday afternoon, and when a man could get a gig writing some of the most legendary books in Marvel history by filling out a workbook on his lunch break.

And even if you weren’t there, you can check some of it out right here. We have a few videos of some of the cooler stories – not the best videos we’ve ever shot, but you can see who’s talking and get the whole stories – right here after the jump.

avengers_11_cover_2013 Avengers #11 has all the components of an interesting, short-term change in direction to keep the book from getting bogged down in giant international and even cosmic events. A one-and-done that still services the longer story Hickman has been spinning out, this issue has several members of the team go undercover in an overseas resort to find out what AIM is up to and discovering that they are getting ready to auction off a superpowered weapon in a particular form. It allows the characters to show some humor, demonstrate how they play off each other when they’re out of costume, and try to deal with an independent nation-state that has diplomatic immunity when the team is not in a position to just use their powers and let loose.

So Avengers #11 really has all the hallmarks of a cool, quirky, one-of-a-kind issue, and that is good after several issues of giant stakes and a lot of bombast. However, it is also bad, because Avengers #11 also bears the hallmarks of Justice League International #16 from August, 1988. Where members of the team go undercover in an overseas resort to find out what Bialya is up to and discovering that they are getting ready to auction off a superpowered weapon in a particular form. And they show humor while demonstrating how they play off each other out of costume. And they try to deal with an independent nation-state. That has diplomatic immunity.

Seriously: there are about a half-dozen obvious parallels between Avengers #11 and Justice League International #16 and #17. And hey: these things happen. There are no new ideas under the sun, and I take it as a given that any similarities between these two books is either a matter of parallel thinking or simple homage, because while I think Hickman’s writing is often clinical and bloodless, I have never seen it be anything but relentlessly original. And I will therefore try to review Avengers #11 on its own merits as much as I can… but that will honestly only go so far. Because the fact of the matter is that my entire experience of reading this book was colored by that feeling of familiarity, to the point where the first thing I did after finishing it was to dig out my Justice League International trades to find the issue to see if my instincts were right (if you’re curious, the issue is in JLI volume three).

So yeah: I’ll try to review Avengers #11 on its own, but it’s gonna be like reminiscing about a high school misadventure with an old buddy over beers: it’s fun to revisit, but it’s not like you can forget living it the first time, when you were young.