avengers_8_cover_2013Editor’s Note: A White Event creates / alters heralds to spoil this ascension.

Since taking over Avengers back in December, writer Jonathan Hickman has clearly been pushing toward some kind of huge, extinction-level event that is meant to go down in legend – he all but comes out and says it in his movie trailer-like first issue. And since that time, Hickman has marched Avengers through ever-increasing threats, cosmic and not, moving inexorably to whatever massive event he has in mind. And all that has occurred in the series has been used in subservience of that plot, including little things like consistency of characterization or focus on anybody in particular.

Which means that, in Avengers #8, Hickman has given us an portrayal of The Avengers where Captain America is ignored by several members, three members of the team actively try to kill or demand that someone kill a teenaged boy, and all in all lead with their fists against a confused kid who doesn’t know what’s happened to him and in no way acts as an aggressor until several of The Avengers big guns take a poke at him. All to allow Hickman to put a bunch of power in front the Ex Nihilo guy he introduced back in the first issue.

In short: yeah, I’m pretty close to giving up on Avengers entirely.

new_avengers_1_cover_2013Christ, he thinks he’s making movies. That’s why I wasn’t completely satisfied by Avengers #1, and was actually kinda pissed off by New Avengers #1: they’re not really stories. But I don’t want to get ahead of myself here.

So let me start with a personal note to Jonathan Hickman: Hi, Jon? There is a difference between an action movie and a comic book. An action flick costs ten bucks and usually lasts between 100 and 140 minutes. A comic book costs just about half as much as a movie, but is 20 to 24 pages, and lasts about 15 minutes, or maybe 20 if you’ve eaten a lot of cheese and let yourself become dehydrated.

A full-screen title card in a movie usually takes maybe 10 seconds, or fifteen if the director is a bombastic prick – about 0.002 percent of a movie, or about 2 cents worth of screen time in a best-case scenario. In a comic? it’s two pages out of 22 – about nine percent of a comic, or about 36 cents worth of the book. And yes: I sat down with a calculator and did the math.

My point is: the big, movie-style title cards you insist on chucking into the first issue of each Avengers book you’ve taken over? Save that shit for the movies. Reading comics is more expensive than going the movies. If you want to write a movie? Call Avi Arad. If you’re writing comics? We’re paying by the page, champ. Don’t waste those pages on your James Cameron fantasies.

Okay, now that my pet peeve is out of the way, we can talk about New Avengers #1.

nicolas_cage_supermanIt is New Year’s Day, and thanks to about fifteen glasses alternating between Milwaukee’s and Lynchburg, Tennessee’s finest products last night, it feels like my brain has been taken over and occupied by Doctor Octopus. Or at least part of Doctor Octopus. Part of Doctor Octopus after a meal of bad sushi and piss-warm Chango. And to add insult to injury, I flipped on the TV this morning to be subjected to Ghost Rider: Spirit of Vengeance, which, as comic book movies go, certainly is one (man, Stringer Bell and Sailor Ripley sure have let themselves go).

Chuck on top of that steaming mess that there are no new comics until tomorrow, and nothing whatsoever apparently going on in the world of comics, and what we have is a new year that, so far, is… disappointing. And with that feeling in mind, and 2012 at our backs, it seems like as good an opportunity as any to revisit the biggest disappointments in comics and geek culture that occurred in 2012.

And given that the memory is so fresh, we might as well start with (although this list is in no particular order):

Editor’s Note: It was the spark that started the fire — a legend that grew in the telling. Some believe it began the moment Spoilers were rescued from a dying universe…

Before you ask, no, I don’t know who all those people are. The floating chick on the left is an incarnation of Captain Universe (who I remember from Micronauts comics when I was a kid), and if I had to hazard a guess based on the nuclear symbol on the team diagram, the dude on the right apparently flying in an effort to escape the fire pouring out of his ass is Nuke from Squadron Supreme. But there are at least four people on that last page I couldn’t pull out of a lineup if my life depended on it.

So now that we have the fanboy gymnastics out of the way, we can actually talk about Avengers #1.

First of all, there is no doubt that this is no longer Brian Michael Bendis’s Avengers. From the opening pages implying that “Previously in Avengers” was a cataclysm of cosmic creation, followed immediately by the representation of the Avengers lineup by an abstract diagram, this issue is a shot across the bow that this is indeed Jonathan Hickman’s Avengers. And that means that, after years of stories that seemingly always hinged around a bunch of guys shooting the shit around the kitchen table, we are in for something very different.

And that is not a bad thing. At least not yet. But we might get there.

Marvel’s first post-Bendis issue of Avengers, written by Jonathan Hickman and drawn by Jerome Opena, will be in comic stores tomorrow. But is Marvel taking it easy and banking on the fact that the pre-Marvel Now version of the book was one of their bigger sellers, or that its being written by one of their A-List creators, or that it shares the name with a near-billion dollar movie that just came out just six months ago to sell the thing? Fuck no; that would be lazy. Besides, why rest on your laurels and prior achievements when you’ve got motion comics algorithms, a microphone with a dude with a semi-deep voice, and possibly and purely by speculation a pile of pure flake cocaine burning holes in your pocket and / or nose (if you believe the rumor that I made up just now)?

Stack on top of those assets about 15,000 comic Web sites looking for something cool to talk about on a lazy night before New Comics Day, and it means that Marvel’s created a trailer for Avengers #1, which you can check out after the jump.

Editor’s Note: Those spoilers are some bad mother – shut your mouth! I’m just talking about spoilers…

Well, that’s it. With New Avengers #34, Brian Michael Bendis is (for now) finished with the Avengers books. And, as he did in the core Avengers book, he uses this issue as an opportunity to repair all the toys he played with and damaged during his time on the floor, and clears the decks for Jonathan Hickman and Steve Epting to give New Avengers its third first issue in less than ten years, making New Avengers only one comeback short of Lindsey Lohan in that same time period.

With multiple comic series, crossover events, and an Avengers movie under our belts since Bendis started on Avengers, it’s easy to forget that this all really started about a decade ago, when I walked into my local comic store where they know me by name and ask me to stop yanking at my belt and screeching, “Avengers Disassemble!”, and saw a book named Alias that I bought for Amanda, thinking it was a comic adaptation of the new Jennifer Garner ABC TV series. It most certainly was not. It was a crime story taking places on the dirty fringes of the Marvel Universe, involving B-Lister Scott Lang and the first real rehabilitation of Luke Cage since his introduction (we’re gonna claim convenient amnesia about Brian Azzarello’s attempt to turn Cage into a mix of 50 Cent and Leone’s Man With No Name).

Bendis brought Jessica Jones and Luke Cage with him into The New Avengers, and it is somewhat fitting that he closes out his run with them here… with a pretty exciting and well-drawn mystical battle thrown in to boot.

Hey, remember, about two weeks ago on Saturday Night Live, when Louis C.K. delivered one of the most kickass monologues to introduce the program in recent memory and gave everyone about six minutes of hope that SNL wasn’t going to suck anymore? Yeah, that’s over. Meanwhile, this week Jeremy Renner is at least a good sport about Hawkeye’s place in the scheme of things in The Avengers. Have a shot of whiskey or two to offset the cringe that this clip will induce. Ready? Here we go:

Maybe SNL should have Joss Whedon just come in and write and direct their show? At least he knows how to make ensembles come off as smart and funny.

When I was but a lad, back in the dark and mystical age modern man knows only as the mysterious “Me Decade“, when collars were wide, all toys were choking hazards, and “flame retardant” was but a French phrase for, “If your moronic child lights a match, his polyester pants will go up like Nagasaki,” a four-year war took place in New England. It was a brutal, nonsensical conflict that pitted not only brother against brother but universe against universe. It featured bloody battles such as Superheroes versus Shogun Warriors. Imperial Stormtroopers against Micronauts. Cylon Centurions battling The Six Million Dollar Man. And one time, the entire Rebel Alliance X-Wing fleet versus Barbie, when General Debbie Stinkypants from the Nation State of Three Doors Down refused to respect hostilities and maintain neutrality, leading not only to Barbie’s summary decapitation under the accepted Rules of Engagement, to a brutal and crippling outbreak of incurable cooties to all combatants.

This war, known only as the Battle Of Every Action Figure In My Toy Box Against Every Action Figure In Every Other Neighborhood Kid’s Toy Box, waged continuously from about 1975 until Janine Wilson started sprouting boobs and my fellow combatants and I started focusing on diplomacy and foreign affairs. But in the intervening years, I have learned that this war was waged in every neighborhood in America during that time. It is a war that left many scars – for me, the worst was when Janine said, “Why would I care what an Acroyear is? Anyway, you smell like an armpit. C’mon Debbie; let’s go listen to the Flashdance soundtrack again and moon over older, Junior High School boys!” – but at least my war is over. For some poor bastards, the fighting has never stopped, leaving them broken, unable to maintain standard, acceptable gainful employment, and looking for the enemy around every corner.

Brian Michael Bendis is one of those shattered warriors, still fighting battles in a long-forgotten war. His latest conflict? The Avengers Vs. The Micronauts. He’s put the action figures on the battlefield in Avengers #32, and while it’s too early to tell if it will be good, the fact that he’s fighting the battle is exciting to someone who served on the same army in the 70s (I was with the 77th Awesome Division out of Massachusetts. Motto: “No, you wet the bed!”).

Brian Michael Bendis is soon leaving the Avengers titles after extended runs writing them going back around eight years. That’s a lot of story, including an immeasurable amount of character development, plot twists, and universe building. Most of it good and compelling, some of it not, but no matter what you think of the years of storytelling, you have to admit that it’s had an impact.

Or at least you have to admit that it had an impact. Because regardless of tenure or reach, Bendis does not own the Avengers. And now that he is moving on to Marvel’s X-Men titles, it is now apparently time to take some of the most impactful events of his time at the wheel… and roll them back to the 2003 status quo, just in time for the next guy to take over, do some stuff, and inevitably roll that back when a new person wants to play with the old toys.

In short, welcome to Avengers #31, the first part of the End Times storyline, and what appears to be the final retcon of a couple of the remaining epic events of Bendis’s Avengers story. He appears to be taking this final opportunity to glue the heads back on the last couple of action figures he mangled while he had custody of the toy box… and while it is giving me a temporary feeling of, “Goddammit, again?”, it is probably a wise long-term choice for Marvel… and one that could wind up being satisfying if executed well, if yet another example of showing that, in the comics world, Thomas Wayne, Martha Wayne and Uncle Ben are the unluckiest sons of bitches in the world.

EDITOR’S NOTE: If we can’t save the Earth… you can be damn sure we’ll spoil it.

It is never a promising sign when the very first page of a new comic book is so confusing and misleading, it forces you to flip back from the middle of the book to the beginning to understand what the hell is going on.

Welcome to Uncanny Avengers #1, a decent book with some good dialogue that, unfortunately, opens with the storytelling equivalent of a dude putting down his beer, picking up an M-80, shouting “check this out!” and blowing off all his fingers.

Here’s what I’m talking about: