batman_the_killing_joke_first_print_coverLast week, in Batgirl #49 – a comic with an apparent target demographic of Millennials – writer Cameron Stewart and artist Babs Tarr told a story that could be seen as retconning the events of Alan Moore’s and Brian Bolland’s 1988 one-shot, Batman: The Killing Joke.In the wake of that story, Stewart argued that his story could be seen as a retconning of The Killing Joke, or not, depending on how you interpret the story… as if the plot of a story that is intertwined in almost 30 years of DC history and countless dozens of titles and stories could be considered subjective to “your own personal truth.”

During that same week, another comics podcast – one hosted by Millennials – that we greatly respect did an episode calling The Killing Joke problematic due to its treatment of Barbara Gordon, and arguably overrated and unnecessary.

These attitudes toward The Killing Joke are somewhat understandable, given the concept of “women in refrigerators” that arose in comics fandom in 1999, and the fact that Moore chose to have Joker sexually assault Barbara Gordon in the story. Because of these elements, it’s easy to dismiss the story as dated and problematic… especially if you weren’t alive and actively reading comics in 1988.

Which we were. Which means that we remember that Barbara Gordon wasn’t Batgirl at the time of The Killing Joke. And that The Joker wasn’t really defined as a character at all after Crisis On Infinite Earths until The Killing Joke. And that comics fandom was, at the time, strongly against even Robin, let alone any character from the 1966 Batman television show.

So we decided to, at least up to a point, defend The Killing Joke. Not just from a historical standpoint, but from one of story, questioning whether Barbara was, in fact, fridged in the classic sense… while still agreeing that the sexual assault aspect of the story is completely unnecessary, and asking once question we’ve never seen asked: why didn’t Moore just have Joker kill Barbara?

We also discuss:

  • Escape From New York #15, written by Christopher Sebela with art by Maxim Simic, and
  • Doctor Strange #6, written by Jason Aaron with art by Chris Bachalo!

And, the disclaimers:

  • This show contains spoilers. While we try to shout out warning ahead of time, be aware that we’re going to ruin the ending of a story written 28 years ago that has been referenced in literally hundreds of comic books since then.
  • This show contains adult, profane language, and is therefore not safe for work. If you don’t want your significant other to learn why Alan Moore could have sold a million photocopies of his butt in 1988, get some headphones.

Thanks for listening, suckers!

fly_outbreak_1_cover_2015It has been, bar none, the crappiest week in comics news in recent memory – when the high point of the week’s news is that Larry Wilmore hosted a nationally televised round table discussion on how comics aren’t diverse enough (bookended by nerds-in-basement gags), it’s probably best to just pretend the whole thing just didn’t happen.

So that’s what we pretend. Instead, we took the occasion of the release of IDW’s The Fly: Outbreak #1, written by Brandon Seifert with art by Menton3, as an excuse to revisit one of our favorite movie franchises. Sure, The Fly might seem like simple Cronenberg body horror, but if you take a few steps back, what you really have is, starting with the original short story, a series of classic tales of science gone wrong, with unintended circumstances that imbue someone with extraordinary abilities in the face of terrible tragedy. Sure, it’s presented as horror… but if Jack Kirby or Steve Ditko had drawn it, we’d be arguing over which actor should be playing Seth Brundle right now.

We also discuss:

  • The Amazing Spider-Man #16.1, written by Gerry Conway with art by Carlo Barberi, and:
  • Batgirl #40, written by Cameron Stewart and Brenden Fletcher, with art by Babs Tarr!

And now the disclaimers:

  • We record this show live to tape. While this might mean a looser comics podcast than you’re used to, it also means that anything can happen. Like a discussion over why real superheroines know to avoid a stack overflow error (and why that isn’t a reference to a wardrobe malfunction).
  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware that we might ruin the ending of a 29-year-old horror movie (that’s based on a 57-year-old short story).
  • This show used adult, profane language, and is therefore not safe for work. You want your boss to know how many Godzilla wangs worth of snow we got this winter? Didn’t think so. Get some headphones.

Enjoy the show, suckers!

BatgirlNewCostumeThere has been another creative team change on Batgirl, by all reports due to editorial edict. So Amanda and I talk not only about the proposed new direction for the character, but we about the increasing influence over story and tone that editorial seems to have been gaining over creative teams as opposed to the early 2000s, when comics were doomed and writers and artists could seemingly do any damn thing they wanted if the sales numbers this month were higher than the ones from last month.

We are also just over a week away from San Diego Comic-Con 2014, so we talk about some of the scheduled panels, and how the wealth of content can make it infuriating, if not impossible, see everything you want at the show.

Finally, we discuss and review The Walking Dead #129, and Grayson #1!

And now the usual legalese:

  • We record this show live to tape. While that might mean some parts are a little rough around the edges compared to your regular comics podcast, it also means that anything can happen.
  • This show contains spoilers. We try to give a shout-out ahead of time, but we drink while recording. So tread lightly.
  • This podcast contains adult, explicit language, and is not safe for work. If you don’t want your boss hearing us talk about how superhero costumes contain compartments for each boob, wear headphones.

Enjoy the show, suckers!