robocop_vs_terminator_galleryWe’ve talked a lot about Robocop in the past week or so thanks to the rebooted movie version and the associated kinda crappy comics. However, Robocop has long been a subject here; literally in our first week of publication, I wrote a short review of Dynamite Comics’s Terminator / Robocop: Kill Human #2, where I bemoaned writer Rob Williams’s decision to have Robocop scream, “You motherfuckers!” (Shut your mouth! I’m just talking ’bout Robocop…), and pined for the 1992 Dark Horse Comics miniseries Robocop Vs. Terminator, which was written by Frank Miller, drawn by Walt Simonson, and never, ever reprinted.

Well, it seems that all this current excitement about the Robocop reboot (likely to be followed by disappointment, ambivalence, and eventually denial) has lit a fire under Dark Horse, because they have announced that they are finally reprinting the series. And not just in a quickie cash-grab trade paperback version (although as I recall, the story was good enough that even that would be worth your time and money), but in a recolored hardcover edition.

And if that isn’t enough to make you want to shout, “Shut up and take my money!” (which is still closer to authentic Robocop dialogue than Williams wrote in Terminator / Robocop: Kill Human, but that’s not the point), Dark Horse will also be releasing a “gallery edition” of the book, featuring Simonson’s original, uncolored line art.

frank_miller_headshotWe are battening down for our first winter storm here at the Crisis On Infinite Midlives Home Office. These preparations are not really rigorous – as a wiser man than me once said, all a man needs to weather a blizzard is beer and toilet paper – but we need to get to it while the getting’s good.

So in the meantime, let’s all reflect on a place where it never snows (although it always rains when you need to take a long walk to ponder the priest you just shot), which is a good thing because the cars are all convertibles and the babes are all wearing exactly enough to avoid arrest… although it doesn’t really matter because the cops are all dirty anyway.

I’m talking about Basin City, or Sin City to the locals. And Frank Miller and Robert Rodriguez are taking us back there in the sequel to 2005’s Sin City, Sin City: A Dame To Kill For, which is due out on August 22, 2014. And Dimension Films has released a new teaser poster for the flick, which you can check out after the jump.

robocop_last_stand_1_cover_2013-1753134493Robocop is awesome. Sure, there are a lot of questionable moments in the franchise, like parts of Robocop 2… and all of Robocop 3… plus the entirety of the Robocop animated series… not to mention every instant of the live-action Robocop TV series that was created to keep Orion Pictures from being sold for corporate parts in the mid 90s… but that original Paul Verhoeven flick? I can watch that all day.

Frank Miller, too, is awesome… or at least he was once. Sure, there have been a lot of questionable moments, like Holy Terror… and his film adaptation of Will Eisner’s The Spirit… and whenever he goes anywhere near a device that has an Ethernet port… but all those stories like The Dark Knight Returns, and Give Me Liberty, and Batman: Year One? Miller in the late 80s, early 90s, I can read all day.

Now, Miller famously wrote the original screenplays for Robocop 2 and Robocop 3 in the late 80s, before various studio executives and directors ripped the things apart to turn them into the respective okay and awful movies they became. And for a long time through the 90s, those screenplays were kind of legends in the comics world: Miller, working when he was at the top of his game, on a genre franchise that exploded into a classic right out of the gate.

Almost ten years ago, Avatar Press released an adaptation of Miller’s Robocop 2 screenplay, with a comic script by Two Guns writer Steven Grant, that was pretty solid as I recall, and was a hell of a lot darker than the actual movie. But that still left Miller’s Robocop 3 screenplay floating around out there. And in the meantime, Dynamite Comics got their hands on the Robocop license and put out some books that, frankly, made Robocop 2 look like Godfather 2.

However, the license has now moved to Boom Studios, who has put the band back together with Robocop: Last Stand, an adaptation of Miller’s Robocop 3 screenplay again adapted to comics by Steven Grant. So we’ve got an 80s Robocop story based on an 80s story by Frank Miller. On paper, it’s everything I ever wanted when I was 20 years old… but the question is: is it a classic like I always hoped? Or is it another wretchedly disappointing Robocop comic like every one I’ve read since we started this Web site?

The answer is… neither, really. But it is pretty damn good

With Rob and Amanda waist deep in nerd sweat out at San Diego Comic-Con, I’m left to my own thoughts and that’s not usually a good thing.

In an earlier post, Rob alluded to my very subtle unhappiness with what DC, and in particular Rob Liefeld, did to a couple of my favorite New 52 characters.  I was very disappointed with what happened with Voodoo when Ron Marz was relieved of duty. But when Liefeld took over Grifter, I nearly ripped the book in half.   I’ve tried writing a couple reviews of the recent iterations of these books, but I find myself digressing into a raving ball of spit and bile.  And after some soul searching, I had an epiphany….

I don’t like superheroes…

Did you know that mixing chardonnay, two kinds of beer, some cider, and a 12 year old single malt will result in a vicious hangover? Yeah, I did too. But I did it anyway. So, until it abates and I can write something more coherent than “BLEEEEAAAARGH!”, I offer you this tidbit posted by Bleeding Cool – the first teaser poster for Sin City 2, with director credits for Robert Rodriguez and Frank Miller.

Now I’m going to find some Vicodin and a sauna and go all Marv on this hangover. Later y’all.

Hey, didja know Frank Miller has a blog? Me neither! I bet it’s just chock full of little tidbits about Frank’s creative process, how he works, what he’s working on next, and a million other juicy insights that would excite the comics enthusiast! Let’s tune in, shall we?

The “Occupy” movement, whether displaying itself on Wall Street or in the streets of Oakland (which has, with unspeakable cowardice, embraced it) is anything but an exercise of our blessed First Amendment.

Wow! I feel like I have an insider’s view into… Wait, what?

This is no popular uprising. This is garbage. And goodness knows they’re spewing their garbage – both politically and physically – every which way they can find.

Oh, Frank. Who hurt you? Grab a glass, pour a drink, and tell your Uncle Rob –

Maybe, between bouts of self-pity and all the other tasty tidbits of narcissism you’ve been served up in your sheltered, comfy little worlds, you’ve heard terms like al-Qaeda and Islamicism.

Oooookay…

Wow. My two-day hangover tells me that Red Sox season finish was certainly worth staying up for. Let’s pretend that atrocity didn’t happen, and that even if it did that there was something we could do about it, and move back to comics, where the good guys always win, shall we? After all, if that kind of fantasy’s good enough for Frank Miller, it should be good enough for the rest of us.

I’m gonna withhold judgment for just this second as to whether Holy Terror is a good book or not and start with what will be obvious for anyone who reads it: this is a Batman story. It started it’s life as Holy Terror, Batman! when Miller announced it in 2006, and he maintained that it was Batman story until 2008, when he started telling people that it was about a “new hero [he] made up that fights Al Qaeda.”

Sure, Frank. A new hero. You made up. In a cape and a cowl. With a utility belt. And gadgets. And an archenemy who’s a cat burgler. With claws. Who has “nine lives.” And I’m sure it’s purely by coincidence that you technically pulled Batman out of your story about a vigilante who tortures and kills terrorists in 2008, when Warner Brothers was releasing The Dark Knight and making about a bajillion dollars. Sure you made it up, Frank… if by “you” you mean “Legendary Comics’ team of entertainment lawyers.”

So yeah, this is a Batman story. It started its life that way, and Miller clearly left the obvious parallels in there so we’d KNOW it was a Batman story. So let’s just treat it that way – none of the “The Fixer” or “Natalie Stack” or “Detective Dan Donegal” crap Frank ginned up to duck the lawsuit. It’ll just be Batman and Catwoman and Commissioner Gordon for the purposes of this review, partially because I think Miller wants it that way, and partially because I’m too damn lazy to keep flipping back through the book to remember pastiche names.

So anyway – here be spoilery chunks:

As with every other Wednesday since this site’s launch, we must now end our broadcast day. Not just because of the comics, of which we have plenty…

…but because the Boston Red Sox are battling for a berth in the post-season against the Orioles, who are battling for a berth for being the douchebags who kept the Sox out of the playoffs.

But look at those books: the last of the New 52 including Geoff Johns’ Aquaman, All-Star Western, Superman, and Justice League Dark, which Amanda is just ITCHING for.

Plus, Yep: That’s Frank Miller’s Holy Terror, which we paid 30 dollars American (or for our overseas readers: 927,539 Euros) for what appears to be a Dr. Seuss-length treatise on How To Kick Mohammed’s Chosen In The Taint. And we WILL be reviewing it. Once Ortiz’s at-bat is over.

See you tomorrow, suckers!

Daredevil #4 cover, from Marvel Comics.I like to make the occasional joke about Frank Miller, as I am known to do about anyone who seems to be taking seriously their own bullshit, but the fact of the matter is that the man is one the most lauded comic creators of the 1980s for a reason. Just look at the resume: The Dark Knight Returns. Batman: Year One. Ronin. the Wolverine miniseries with Chris Claremont.

And then there’s Daredevil. Say what you want about Miller’s 21st century penchant for drawing two detailed red dirigibles crashing into each other and then sketching a woman’s nose and eyes above them, but Frank Miller changed the face of Daredevil from a second-tier Spider-Man knockoff into a classic of noir storytelling, which cast a long shadow over the way the character was written and drawn for 25 years.

So when I heard that Mark Waid was going to take over the character with a renumbered #1 issue (But Marvel doesn’t do reboots! Also, their poop smells like ROSES!) and make the character lighter and less tortured, I considered dropping my subscription… but considering I was already considering dropping the book thanks to the disappointing Shadowland event (Daredevil’s a ninja! A possessed ninja! Who raises the dead! Hey, where you going?), I decided to give it a day in court (Lawyer pun not intended).

And I’m glad I did, because it turns out that Waid’s Daredevil is one hell of a book. And issue #4 is the best one yet.

Newsarama has an exclusive, three-page preview of Frank Miller’s upcoming Legendary Comics graphic novel Holy Terror, where an “original” superhero named The Fixer hunts and kills Al Qaeda terrorists. Check it out here and come on back.

I put the word “original” in quotes because the book was originally announced as Holy Terror, Batman! at WonderCon more than five years ago. Apparently somewhere between then and now either Miller or DC Comics decided that they didn’t like the idea of a story where Batman might stomp the testicles off of gentlemen of Middle Eastern descent before showing them to him. Or maybe people just started questioning where the phrase “Don’t forget to dip the batarangs in pig’s blood, Robin,” might fit into continuity even after the New 52 reboot.

Either way, somewhere along the line Miller took the white-out to Batman’s ears and finally put the finishing touches on the book. And checking out the preview, all I can say is, MAN… I am REALLY looking forward to Sin City 2.

Holy Terror comes out next Wednesday, September 28th.