Episode 58: Go Eat Shawarma And Get Your Kumbayayas Out

It’s been a packed week here at the Crisis On Infinite Midlives Home Office. We spent a lot of time watching, and rewatching, and re-rewatching the new trailer for Avengers: Age Of Ultron, and, like all good comic book enthusiasts, we spend a bunch of time dissecting what we saw, speculating on what we didn’t see, and ghostwriting what we’d like to see.

In addition, since we finally had our cable and Internet back online long enough for the Home Office TiVo to get the episodes of The Walking Dead that we missed, we binge-watched it and discussed what we liked, what we didn’t like, subtlety versus heavy-handedness, plot versus theme, and why it is more likely that AMC would kill Robert Kirkman this season than it is they would Daryl Dixon.

We also talk about:

• All-New Hawkeye#1, written by Jeff Lemire with art by Ramon Perez, and:
• Guardians Team Up #1, written by Brian Michael Bendis with art by Art Adams!

And now the disclaimers:

• We record this show live to tape. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like an argument over whether The Walking Dead is in dire need of a musical episode.
• This show contains spoilers. While we try to shout out warnings ahead of time, be aware that we might ruin everything from the ending to last week’s The Walking Dead to the fact that Avengers: Age of Ultron is going to be rated PG-13.
• This show contains adult, profane language, and is therefore not safe for work. You want your Mom to hear what we think about “sweet biscuits”? Get some headphones.

Podcast: Play in new window | Download (Duration: 2:09:16 — 116.5MB)

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Enjoy the show, suckers!

Sibling Rivalry: Hawkeye #12 Review

I normally try not to review the same title two months in a row unless it’s a big event comic – my reviews take a while to write thanks to my congenital case of diarrhea of the keyboard, and there are only so many hours in the day – but what the hell can I tell you? Hawkeye #12 is just that Goddamned good.

Seriously, I don’t know how Matt Fraction ever got this series greenlit without having photos of Axel Alonso in a compromising position with some form of beast of burden or something. Hawkeye barely appears in this book. There are exactly four panels of bow and arrow action. The closest thing to a supervillain is a Russian cocksucker in a tracksuit. The closest thing to a superhero battle and strategy is when a guy decides that he’s earned that money the Russians offered him in exchange for letting them kick the shit out of him. And this is in a Marvel superhero comic; for contrast, imagine a Superman comic that was about Jimmy Olsen getting ripped to the tits on laudanum while bemoaning his childhood by letting strange women pay him to take a dump on his chest.

This kind of superhero comic simply shouldn’t work; describing it on paper makes it sound like an inventory fill-in issue by a writer who was instructed to turn in something that doesn’t directly fuck around with the main character’s status quo. But it’s not like that at all; instead, we get a solid show-don’t-tell character study of Clint’s brother Barney, a snapshot of Clint and Barney’s childhood that uses artist Francesco Francavilla’s skills to show us a lot of information without having to waste a lot of time with unnecessary exposition, and for me, the first time I’ve ever seen a reason I can believe why Clint wouldn’t just write his brother – a Dark Avenger who stole Clint’s Hawkeye identity only weeks ago – completely off. All without seeing Hawkeye for more than a single page.

It shouldn’t work. But it does. Because it’s a superhero story about people, with some of the best pulpy art you can find anywhere.

Dog’s Eye View: Hawkeye #11 Review

Hawkeye #11 is turning out to be one hell of a hard book to review in the way that I normally do it. Oh, I can hear you: “But Rob,” you’re saying, “You normally review comic books drunk, and you’re looking a little weavy right now. Plus, you smell an awful lot like a fraternity carpet.”

Well… yeah, Fair enough. But most of the time, the comics I review are about guys and women in tights, smacking the crap out of each other when they’re not trying to accomplish normal, human-type things. And Hawkeye #11 isn’t like that.

Because Hawkeye #11 is about a dog. Specifically, Hawkeye’s dog Lucky. Formerly known as Arrow, when he was owned by Russian mobsters. And known by Twitter as Pizzadog. And while I have seen comic books about dogs ever since I was a kid – Krypto and Rex The Wonder Dog from Steve Englehart’s old Justice League of America books leap to mind – those dogs were always presented as having human thoughts and motivations. Human thoughts and motivations that somehow elevated above, “I can lick my own sack! I will be busy for the immediate future!” but human thoughts nonetheless.

Hawkeye #11 writer Matt Fraction and artist David Aja try something very different. These guys are trying like hell to put us readers into the head of Pizzadog, and they do it with the full recognition that dogs don’t think in complete sentences, and they don’t think in terms like “conspiracy,” or “treachery,” or, “long-term goals.” They think in smells and in immediate motivations and in sounds and in vague memories, and their loyalties are based on a combination of simple and complex motivations that come from current need and prior treatment.

And the end result is a comic book that you don’t read so much as decode and experience. And while I don’t think the result is completely successful – show me, for example, a dog that can salute out of nothing but pride, and the next time you’ll see my fat ass will be on Letterman – what it is is one of the most interesting single issues of a comic book you’ll find, and one of the best books I’ve read all damn year.

Hawkguy Trouble: Hawkeye #9 Review

Hawkeye is one of the best superhero comic books that you can currently buy, and it is because it isn’t about superheroes. Oh sure: it has all the trappings of a standard superhero comic book: it stars an Avenger, it features The Black Widow and Spider-Woman, it has fistfights and a motorcycle chase and international crime and women of mystery, but those aren’t the things that Hawkeye, and in particular Hawkeye #9, is about. For all the action and the trappings, Hawkeye #9 is about a guy who has made some bad decisions  – some for good reasons and some not – and is dealing with the consequences of how those decisions have affected the women in his life, and by extension how those women’s reactions are affecting him.

So Hawkeye #9 is a story about some superheroes, but it is not a superhero story. It is, instead, a very human story that anyone with any regrets over how they have treated someone close to them, or anyone who has felt let down by someone close to them, can relate to. And it includes Russian mobsters getting the living shit kicked out of them on more than one occasion. Which means that this is an extraordinary issue of an extraordinary comic book, and one of the best books in the past several weeks.

Seriously: considering there’s another issue this week where Hawkeye fights Ultrons, it says a lot that Hawkeye’s most compelling conflict this week is with Spider-Woman over an old girlfriend. This is a good one, kids.

Bullseye: Francesco Francavilla To Pencil Hawkeye

This is about the best news from Marvel Comics in a while: artist Francesco Francavilla, who did such good, pulp-inspired work on 2011’s Black Panther: The Most Dangerous Man Alive (which came about a week too early to make my list of the best of 2012) and on this week’s Dark Horse The Black Beetle (which is really pretty good, and which we will be reviewing sometime in the next few days), will be taking over art duties on Matt Fraction’s Hawkeye for two issues.

“On Hawkeye, we’ve been blessed with not only one of the biggest writers in comics with Matt Fraction, but also some of the best artists like David Aja, Javier Pulido and now Francesco Francavilla,” said the book’s editor Stephen Wacker in a statement accompanying Marvel’s announcement of Francavilla’s addition to the team. “Though he’s only on the series for issues #10 and #12, Francesco is going to leave his mark on Clint with some of the most beautiful art you’ll see all year!”

Hawkeye is about the best match for Francavilla’s art style that I can currently think of at Marvel. The book has a healthy mix of street level crime and weird, S.H.I.E.L.D. superspy action that are pulpy and grimy, with enough big, overblown action, to really pop under Francavilla’s pencils. The dude gives solid, old-school action-adventure illustrations, and is probably my favorite artist discovery since we started Crisis On Infinite Midlives in 2011. Francavilla will be drawing Hawkeye #10 and #12, and you can check out his cover to issue 10 after the jump.

Dropping Balls: Rob’s Top 10 Comics of 2012

It is New Year’s Eve of the first complete year of the existence of Crisis On Infinite Midlives. We have all the comics we’re going to get in 2012, so it is time to publish my list of the best comics of the year… mostly because with no new comics, there isn’t much to review, and the biggest comics news we’re likely to get between now and Wednesday is likely to be “Frank Miller Publicly Intoxicated, Yells At ‘Hippies.’ Must Be Tuesday.”

So here’s my list; Amanda’s will appear later today. It is in no particular order, it encompasses everything from single issues to multi-issue story arcs to series that started in 2011 and ended this year. And I know what you’re thinking: “Rob,” you’re thinking, “Why don’t you organize things a little more? And use some consistent criteria for your list?” Well, because fuck you, that’s why. Look: it’s New Year’s Eve, and I intend to be recklessly intoxicated within about 90 minutes from the time I press the “publish” button.

So without further (or any) ado: here’s my list!

Who Wants To Be An Avenger? Jonathan Hickman’s Avengers Lineup Revealed

We’ve known for quite some time that Brian Michael Bendis’s run on the various Avengers titles was coming to an end, and it was recently announced that current Fantastic Four writer Jonathan Hickman was going to be taking over the two main titles, Avengers and The New Avengers. But one of the burning questions leading into the transfer of power has been: after the Avengers Vs. X-Men event shakes out and Hickman takes over, who’s gonna be on which team?

Well, some of those questions have been answered, as Marvel has released the first three covers to Avengers, written by Hickman with art by Jerome Opena, picturing a pretty big gathering of superheroes (and, as did Pinocchio, I question the correct term for a gathering of multiple superheroes. For today, I will eschew “gaggle” and “pride,” and will go with “wad.”):

Purple-Headed Warrior: Hawkeye #1 Review

From one point of view, Matt Fraction’s and David Aja’s Hawkeye #1 is a truly crappy Hawkeye comic book. Hawkeye doesn’t appear in costume for more than five panels, and he is getting the shit kicked out of him for each and every one of those panels. Other than those five illustrations, Hawkeye never holds a bow, we never see an arrow, there are no other Avengers, and there is a cab ride instead of a bitchin’ skycycle run.

So yeah: as a traditional Hawkeye comic book, one could make the argument that this is a pile of shit, an experience akin to buying a porno with certain expectations in your mind (and pants), and finding you’ve taken home a 90-minute video of a fully-clothed woman repeating, “Fuck. Fuck. Fuck.” The elements are there, but it’s not what one necessarily wants from an item of that type.

However, some dingbat could also make the argument that it would be a colossal disappointment to open a box of Cracker Jacks and finding a giant wad of gold bullion – just because it’s not what you expected based on your prior experiences doesn’t make it bad. Rather, Hawkeye #1 is a pulpy, character-driven, street-level crime story that not only made me care about the purple-headed warrior (get it?) for the first time almost ever, but which is arguably the best comic book you’ll read this week.

Crisis On Infinite Midlives Podcast Episode 9: Doublefisting Justice

I know what you’re saying: “Rob,” you’re saying, “It has been a month since Amanda’s and your last podcast. What’s the occasion?” Which would be an excellent question had Avengers not opened in American theaters last Friday, so asking it makes you look foolish. So stop it. You’re better than that.

Here is the pure hell of being editors of a comics Web site: Amanda and I watched Avengers together Saturday afternoon, and rather than discuss it, we agreed to see it again on Sunday… and still not discuss it until we got home and did it into microphones. And discuss it we did; in this Avengers podcast, we discuss:

• The Avengers 3D vs. 2D Experience from the point of view of people getting old with slowly failing vision!
• The Hulk: Great Avenger or Greatest Avenger?
• The Hulk can lift tanks, so why can’t he carry his own movie?
• Our Friend, The Thrice-Nightly Screening, or: Why Can’t Johnny Edit?
• Black Widow as best developed Avenger (insert your own boob joke here)!
• Hawkeye: Redundant Avenger or Redundant Avenger?
• I Can Has Justis Leeg Moovee Nao?, and:
• AAAvengers: who do we want to bring up from the minors?

As always, if you intend to listen to this at work, we recommend you wear headphones unless you want your boss to hear phrases like, “Lokif***er,” “Mjolnir… is not the hammer,” or, “You just want a Dirty Ruffalo!” Besides, with headphones, if you listen really close, you can hear two grown comics geeks misidentifying S.H.I.E.L.D. Agent Sharon Carter as Ms. Marvel!

Podcast: Play in new window | Download (Duration: 1:01:44 — 56.5MB)

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Enjoy the show, suckers!

(Avengers Booty Ass-emble via Kevin Bolk)