miracleman_1_eclipse_coverBack in the halcyon days of 1993, (not the Halcion days, at least not that I’ll admit on a public Web site), when Kurt Cobain was alive (if you can call cohabitating with Courtney Love living), a man could light a cigarette in a bar where people were disintegrating their livers with cheap domestic bourbons without someone getting all self-righteous about their health, and Eclipse Comics was still a going concern. A going concern with, on paper at least, the free and uncontested right to publish Miracleman.

Back then, Neil Gaiman had blessed a miniseries to fill in some of the gaps as to what happened between the end of Alan Moore’s run and the start of Gaiman’s The Golden Age arc. The miniseries, Miracleman Triumphant, was to be written by Fred Burke – the writer of, well, some stuff you’ve never heard of –  with art by recent New Avengers artist Mike Deodato and inks by Jason Temujin. Here’s what the story was to cover:

Miracleman Triumphant #1, entitled “Oracles,” begins where Miracleman #22 leaves off, focusing on the aftermath of the annual Carnival memorializing Kid Miracleman’s slaughter of London in Miracleman #15. The opening pages were to show Miracleman, disguised as an ordinary human, surveying the closing moments of the Carnival, wondering to himself if the changes he has brought to the world were the right ones. While ruminating, he stumbles onto a flier advertising a family of fortune-tellers and, interested in their opinion, seeks them out.

That miniseries was in the works when Eclipse Comics choked on its own debt, going down with all hands and throwing the rights to Miracleman into a legal black hole that would make Stephen Hawking scream in existential horror were he to contemplate it.

And that was pretty much that; sure, the odd partial page has popped up now and again, but not much in the way of completed art… that is, until this morning. That’s when Temujin posted the latest of four pages that he had finished inking before Eclipse went out of the comics business and into the asset auctions business. There’s no dialogue attached, but considering that these are pages from one of my favorite comic sagas, drawn by one of my favorite comic artists, I figured they’re worth making note of. And you can check them out after the jump.