During the mid-90s, when Wildstorm was an independent publisher run by Jim Lee and before it because a launching-off point for Warren Ellis’s groundbreaking writing on Stormwatch and then The Authority, I knew it less as an imprint known for publishing creator-owned comics, and more as “one of those X-TREEM Image-type publishers that’s fucking up comics,” while I spent three or four years in mostly Vertigo-fueled superhero comics exile. Oh sure, I’ve read some of the old Wildstorm stuff in reprints, and have become familiar with some of the “classic” characters via the more recent Ellis and Ed Brubaker-written stories, but when it comes to a lot of the stuff from, say, 1994 through 1998, I’m what you’d call tabula rasa.

And having read Team 7 #0, by writer Justin Jordan and artist Jesus Merino, that is going to simultaneously bite me in the ass and make me wish I hadn’t spend my mid-20s sneering so hard at books that weren’t named PreacherTransmetropolitan or Jonah Hex.

We’re coming up on a year since DC Comics rebooted their universe with the New 52, and by the time that year ticks over, we’ll already be down to 42… which, knowing comics, will still not be the Ultimate Answer.

On top of the cancellations of original New 52 titles Men of War, Mister Terrific, O.M.A.C., Static Shock, Blackhawks, and Pile of Steaming Shit (Whoops! I meant Hawk And Dove! Damn those typos!) back in January, DC recently announced that they were cancelling Justice League International, rebooted from the 80s classic Giffen / Dematteis / Maguire title by creative team Dan Jurgens and Aaron Lopresti, at the one year mark. At that time, DC kicked off six new books to keep the number of monthlies at 52, merely for the purposes of marketing and not because Dan DiDio can only remember two double-digit numbers at once and can’t (or won’t) forget “69”, as has been rumored by sources I just made up.

Well, it is now June, and DC has just announced that they will be launching four new monthly comics come July, which means that barring additional cancellations, DC would be carrying 55 books, a number which Dan can’t remember, nor drive, nor use to easily keep track of the age of consent (We kid, Dan! Bring back your Sunday “We Love Comics!” panel at SDCC this year!).

However, let’s start with the new books launching in September:

EDITOR’S NOTE: It is new comics day, which means that – wait! Look, up in the sky! It’s a bird! I normally get this excited, scream and bother passers-by when I see a bird! Oh, no; it’s one last comic review before the comic stores open, forget it.

Superman #7 is the first issue with the new creative team of co-writers Keith Giffen and Dan Jurgens and art by Jesus Merino and, well, Dan Jurgens. These are a couple of old-school comics writers working on a brand new Superman, which arguably is what this book has been needing, and the classic flavor they bring to certain sequences of this book makes it somewhat endearing, but I’m guessing how you feel about it will likely depend on how much you’re digging  the new, cocky, armored Superman, and how you feel about a villain with a classic feel… that feel being that of a Republic Serial villain chewing scenery like Robin Williams teething in the midst of a heroic Ritalin bender.

This book starts off with an definitive statement of “Bang!” by the new team, dropping us in the middle of a battle between Superman and some robot right on the streets of Metropolis. It’s an action-packed sequence with a visually satisfying amount of collateral property damage, while Superman internally soliloquizes about how the battle seems like merely an attempt to call him out… which would be an interesting plot point if this weren’t Superman, who, thanks to super hearing, can be called out by whispering, “Hey Superman! I’m on the corner of Weisinger and Swan, on my way to fuck yer moms!”