bendis_fialkov_ultimates_panel_sdcc_2013160553189So yes: the Marvel Ultimate Universe panel, held on Friday, July 19th at the San Diego Comic-Con. I’ve mentioned it a few times over the past few days, not because there were any Earth-shattering revelations at the panel (you know, beyond the question as to whether the Ultimate Universe has any future at all beyond the next few months), but as an example of how difficult it can be to truly cover any of these panels direct from the convention. When you get back to the hotel from a long day on the floor, and you’re staring at four pages of handwritten notes, one bar of $15-a-night WiFi, and your eyes look like you’ve been on a three-day meth jag in a smoke-filled room, it’s hard to sit in front a a keyboard and whip together anything that makes any sense at all.

But from the comfort of the Crisis On Infinite Midlives Home Office, it seems, in my opinion, like the subtext of the panel is that Marvel intends to kick the living shit out of the Ultimate Universe for a while, blowing some stuff up really good, before either spiking the concept of the Ultimate Universe as a whole and somehow folding it into the 616, or at least finally and officially turning it into some kind of a defacto Earth 2 for the Marvel Universe, with people traveling back and forth just as often as they did in the DC Universe back in the 60s and 70s.

So in short: it looks like Marvel intends to totally fuck up the Ultimate Universe. Must be a year with a San Diego Comic-Con.

I’ve honestly missed the last several issues of I, Vampire – not because it’s a bad book or one that I don’t like, but the ugly reality is that, when you spend the week writing 1,200 word reviews of comics, it is impossible to read one while you’re writing about another, sometimes because of the pure, inexorable nature of time, other times because it’s hard to type and read when you’re already holding a glass of whiskey.

However, after finishing yesterday’s vaguely frustrating read of this week’s Angel & Faith, I figured it was as good an opportunity as any to check back in with the book. Because after reading an vampire story that seemingly blithely chucked aside the plot that had been driving the story, I thought it might be comforting to revisit vampire Andrew Bennett and his eternal war against his darker nature, and against his girlfriend Mary’s efforts to turn vampires into the ascendant race on the planet Earth.

So yeah, funny story: at some point in the last few months? It seems Andrew lost.

So here we have yet another vampire comic that, at some point, has taken its status quo and turned it on its head, reversing pretty much everything you’d expect from the book. That doesn’t mean it’s necessarily bad… but it does mean that I’m not entirely sure what in the hell is going on.

EDITOR’S NOTE: And one last review before the comic stores open…

I tuned out of I, Vampire after protagonist Andrew Bennett left Boston for Gotham City. I figured that we just in for yet another meeting of a vampire and Batman, and besides: being from Boston, I was getting a charge out of seeing a major comic set in my town. Maybe I was being unrealistic, but I sort of hoped that we’d see Mary, Queen of The Vampires, take a bite out of David Ortiz and grow about three horse testicles in her armpits.

So robbed of the chance to see some Boston University knuckleheads get bled out on Lansdowne Street, I checked out for a little while, and I clearly shouldn’t have. Because sometime between then and now, all the shit has hit the fan.

The book opens in some kind of gothic building (A subway station? A church? Being Gotham, maybe a 7-Eleven?) with Bennett, some allies and yes, Batman, fighting about a scrillion vampires. And it is an impressive scene… and it says something about the state of the modern vampire story that I’ve written and deleted about seven different “sparkling vampires” jokes just now.