robert_kirkman_headshot_sdcc_2013-1337403105It is getting late in San Diego Comic-Con, and the true fatigue hysteria is beginning to set in. I personally have not slept longer than six hours in the past four nights, and considering my diet in that time has varied wildly from gourmet triple-creme brie to greasy patty melts to tater tots, washed down with everything from Starbucks iced coffee to Stone IPA to hotel room self-brewed coffee to Coors Light, I am beginning to break down physically. And considering I am writing this with only about two hours to spare before I have to haul my shattered carcass to the convention floor to attempt to obtain some Goddamned thing called a Plush Zerg for contributor Lance Manion (and knowing Lance, this “convention exclusive” can only be obtained in the third stall of the mezzanine men’s room), I am staring goggle-eyed at a notebook full of details from yesterday’s Skybound Comics panel.

Skybound is, if you are not familiar, the personal publishing imprint at Image Comics for creator of The Walking Dead Robert Kirkman. Meaning that, if you have picked up one of Kirkman’s comics – The Walking Dead, Invincible, or Super Dinosaur, off the top of my head – it was a Skybound book. But it is not a vanity imprint by any stretch of the imagination; Kirkman has been bringing other creators into the fold to release books, including the recent Thief of Thieves. And based on what we were told in the panel yesterday, there are a variety of other books on the way, covering genres from westerns to horror to 70s grindhoue-style revenge flicks, indicating that if we wait long enough, we will eventually see the Skybound bullet on a romance comics, if not some form of furry yiff-tacular.

Jesus, I’m tired.

Wolverine is a Marvel character that appears in more books than the Duggars have children. As all children are special and unique, like snowflakes, so it is that each of Wolverine’s titles are all a bit different from one another. In the Wolverine family, Wolverine: The Best There Is, written by Charlie Huston, with art by Juan Jose Ryp is the pretty one that’s also a little slow, but really likes to hear itself talk and thinks it’s more mature than it actually is.

Note the “Parental Advisory! Not For Kids!” label slapped on the cover. Marvel already has an existing MAX line in which content with explicit themes can be published. So, if Wolverine: The Best There Is is “not for kids”, why not publish this title under the MAX imprint? Could it be that Marvel/Disney doesn’t want to take one of its most popular characters and place it in a book that is actively off limits to kids and teens? Because, if that is the case, the overall muted storytelling, with its emphasis on violent, graphic imagery, stilted exposition and bleeped out swear words reads like a network television broadcast edit on an “R” rated movie – and a mediocre one at that.

Spoilers, megalomania and wasted potential after the jump.