tmp_ant-man_movie_logo871384253It’s Sunday, so it’s time for another Crisis On Infinite Midlives Show! May God have mercy upon your soul!

It has been a big, weird week for Marvel, both the movie studio and the comic publisher, so we talk about:

  • Edgar Wright’s departure from the Ant-Man movie, who might be a good choice from the directors who have been named as probable replacements, and who would actually be a good replacement
  • The rumor (a rumor that is picking up some partial documentation and some steam) that Marvel might cancel Fantastic Four to spite Fox Studios efforts to promote the latest movie adaptation
  • The concept that Marvel and DC might just be intellectual property farms for movies and TV, the deleterious effect that that could have on comics, and what, if anything, comics fans can do about it (spoiler alert: not much)
  • Fantastic Four #5, written by James Robinson with art by Leonard Kirk
  • Trees #1, written by Warren Ellis with art by Jason Howard

And, the usual legalese:

  • This show was recorded live to tape, which means you might hear more weird pauses, aborted jokes, and jokes about abortion than you might hear on your normal podcast
  • This show contains spoilers. We try to warn ahead of time, but there is every chance you will hear the odd spoiler of a story point or nine. What can I say? We ruin stuff.
  • This show contains adult, explicit language, and is not safe for work. Invest in some headphones, even if they must be those awful Beats By Dre monstrosities.

Enjoy the show, suckers!

With God as my witness, I will never understand what possessed writer Peter David and artist Leonard Kirk to open an issue of purely talking head non-action with a giant splash page, complete with Kirby Krackle, of Jamie Madrox heroically calling Havok a fuckup douchebag. It is a big, overblown, bombastic start to an issue that focuses itself on human moments rather than action – even if some of those moments are particularly heated – and on running far more than action.

This issue is all about running. Most of the primary characters of X-Factor’s current incarnation are in the process of trying to run in this book, be it trying to run toward something or away from something. The book eschews basic action in favor of characterization, but that characterization shows characters in real pain, trying to find a way to alleviate the pain of the aftermaths of the X-Factor Breaking Points event that this issue concludes, as well as the Avengers Vs. X-Men event, and it shows it a way that is almost more satisfying than seeing Cyclops clapped in irons and abused and denigrated by all comers… and if you know how I feel about that sanctimonious ruby-lensed hipster shaded douchenozzle, you’d realize what high praise it is indeed to call X-Factor #245 as satisfying as seeing Cyclops beaten, chewed and fucked by prison gangs.

Even if the issue does open with an image that implies that the most important thing in the book is Madrox’s hippocampus apparently violently exploding from the back of his head.