star_wars_1_jaxxon_variantEven though a big night out last night turned us into shattered wrecks only resembling human beings, we still had a lot to talk about this episode… starting with Marvel’s Star Wars #1, which reportedly will be selling more than 1,000,000 copies… even though Dark Horse’s very similar 2013-2014 Star Wars comic never sold even 50,000 copies in a month. So we try to figure out just where all these comic books are going. You know, besides the quarter bin.

We also talk about the information gleaned from the Sony Pictures leak that Sony has been in talks with Marvel Studios about bring Spider-Man into the Marvel Cinematic Universe. We discuss where Marvel might fit Spidey in quickly, where he just wouldn’t work, what storylines they might use in a standalone Spider-Man movie, and who should play him (hint: with the Russo Brothers from Community possibly directing Avengers: Infinity War, it can only be… Chevy Chase! Wait, what?).

We also review:

  • Bitch Planet #1, written by Kelly Sue DeConnick with art by Valentine DeLandro, and:
  • Afterlife With Archie #7, written by Roberto Aguirre-Sacasa with art by Francesco Francavilla!

And, as usual, the disclaimers:

  • We record this show live to tape. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like a discussion about the fine line between a Disney toy and a marital aid.
  • We use a lot of spoilers in this show. While we try to shout out a heads-up ahead of time, consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you want to explain to your employers who Sgt. Douchenozzle is, get yourself some headphones.

Enjoy the show, suckers!

multiversity_pax_americana_1_coverThe world of comics is big, complex, and sometimes even literary… and we are not. So we open this show talking about the return of Underoos. Which might sound frivolous, but when you consider that those underwear packs were the only place we middle-aged geeks could get a decent superhero t-shirt in the late 70s, it means something to us.

In addition, we also talk about the radical change in Batgirl to appeal to younger readers, we talk about whether that re-imagining of the character was the right way to go, and what other efforts the Big Two publishers might use to attract readers who aren’t middle-aged white guys with massive disposable incomes. We cover reboots like Batgirl’s, new characters in old costumes like Ms. Marvel, and the good old days, when Avengers and Justice League were places where new and B-List characters could get a fair shake at building a fanbase that could maybe carry a solo title for them.

We also go over the recently announced week two books of DC’s Convergence event, speculate on which titles seem most likely to hold hints about the permanence of this event, and again despair why some creators are on books that don’t seem like the best possible fit (why is Keith Giffen not writing Justice League International, for the love of God?).

And finally, we talk about:

  • Multiversity: Pax Americana #1, written by Grant Morrison with art by Frank Quitely, and:
  • Spider-Verse #2, written by Dan Slott with art by Olivier Coipel!

And now the disclaimers:

  • This show is recorded live to tape (There is one edit in this week’s episode to cover when I nearly revealed my secret identity). While this might mean a looser show than other comics podcasts, it also means that anything can happen. Like mangling the name of a classic comic to make it sound like Green Arrow is a gentleman of leisure who favors baseball bats.
  • This show contains spoilers. While we try to yell out warnings ahead of time, be aware that they can come at any time.
  • We use adult, profane language, and therefore this show is not safe for work. Unless you, like Green Arrow, are a gentleman of leisure, consider wearing headphones.

Thanks for listening, suckers!

ConvergencePromo_1200Pre-registration for San Diego Comic-Con 2015, for people who attended SDCC in 2014, came and went yesterday, and it marked the first disappointment for would-be attendees who didn’t manage to snag passes… including us. So we spend some time talking about the process, how it differed from registration procedures over the past ten years, and whether there are any other fair options that can balance the need to allow as many people as possible to experience the con, against the horrors of being forced to impotently watch the Blue Ring of Disappointment.

In addition, DC announced their spring crossover event, Convergence, and it was interesting in that it could bring back some pre-Flashpoint characters, it might roll back some New 52 changes, and it sounds suspiciously similar to Marvel’s upcoming Secret Wars event. So we talk about how these respective events might affect their greater continuities, for which publisher this might be a better and stronger move, and ultimately, which one we’re most looking forward to.

We also talk about:

  • Grayson #4, written by Tim Seeley with art by Mikel Janin, and:
  • Spider-Verse #1, written by Dan Slott with pencils by Olivier Coipel!

And now the legalese:

  • This show is recorded live to tape. While this might mean a looser comics podcast than you’re used to, it also means that anything can happen. Like the observation that, if people bitten by radioactive spiders throw off irresistible pheromones, then Spider-Verse will become a very sticky place for reasons other than webbing.
  • This show contains spoilers. While we try to shout out warnings ahead of time, just assume that we might ruin everything you love.
  • This show contains adult, profane language, and is therefore not safe for work. Your boss doesn’t have Spyral’s nano-bugs, so all you’ll need is some headphones.

Oh, and here’s that Marvel Secret Wars video we talked about:

Enjoy the show, suckers!

avengers_age_of_ultron_movie_logo_1301720927In case you didn’t notice, this week was all about Marvel Studios. They released the extended trailer for Avengers: Age of Ultron on Monday, and Tuesday they announced their Phase Three slate of movies to be released between 2016 and 2019, including Black Panther, Captain Marvel, and Avengers: Infinity War.

So we talk about those things, along with a brief rundown of some of the news coming out of this weekend’s Rhode Island Comic Con (That news being that it was impossible to get in… less in the “I can’t get tickets!” way than in the “I have VIP passes and you’re telling me I can’t enter the building?” way), and an analysis of the greatest living threat to your comic collection: unsupervised little brothers.

And on the actual printed comics front, we talk about:

  • Death of Wolverine: The Logan Legacy #3, written by Kyle Higgins with pencils by Jonathan Marks,
  • Death of Wolverine: Deadpool and Captain America #1, written by Gerry Duggan with pencils by Scott Kolins, and:
  • Thunderbolts #32, written by Ben Acker and Ben Blacker with art by Kim Jacinto!

And here be disclaimers:

  • This show is recorded live to tape. While it might lead to a looser comics podcast than you are normally accustomed to, it also means that anything can happen. Like trying to cast Benedict Cumberbatch as Squirrel Girl.
  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware of it before going in.
  • Amanda and I use adult, profane language, and therefore this show is not safe for work. You want your boss to hear a conversation about whether the final shot of an adult video is better shot in 24 frames per second or 60 frames per second any why? Didn’t think so. Get some headphones.

Enjoy the show, suckers!

secret_wars_teaser_alex_rossAt last week’s New York Comic Con, Marvel announced that writer Jonathan Hickman and artist Esad Ribic would be bringing us an updated version of Secret Wars. And after months of Marvel hyping up their version of the Multiverse in Avengers, New Avengers, and Spider-Verse, we can honestly say that: yeah, this looks just like DC’s Crisis On Infinite Earths. Except for the big stakes of a reboot, and written by a guy who sometimes seems to value intricate plots over character.

So we discuss that, as well as the dual announcements that Marvel Comics is bringing back some version of 2006’s Civil War in 2015, and that the Marvel Cinematic Universe might be addressing that same storyline. Specifically, how this might be a smart practical move for Marvel Studios (in that it could allow them to replace some key actors), and a not-so-smart story move (in that Marvel Studios has no Spider-Man).

And finally, we discuss The Death of Wolverine #4! The Canucklehead’s dead! So why are we having a hard time caring?

And now, the disclaimers:

  • We record this show live to tape. While this might mean a looser comics podcast than you are used to, it also means anything can happen. Like discussing why one might need a tissue to read certain books of The Bible.
  • This show contains spoilers. While we try to shout out warning ahead of time, please consider this your official heads-up.
  • Amanda and I use adult, profane language, so this show is not safe for work.

Enjoy the show, suckers!

SadGirlCWOf all the weeks to be running into issues every time Rob and I want to sit down and try to bang out the damn podcast.

So, you may have noticed for the last couple nights we’ve thrown up a quick site business to explain the delay of our typical Sunday night podcast, which tens of you have come to know and rely on. If it wasn’t full on internet drought in the wilds of northern New England (and, frankly, how dare the White Mountains have no fucking Wi-Fi, amiright?), it was traffic and travel related. Tonight? Skynet. No, but seriously, Rob has run into an issue at his job he needs to stay ridiculously late for. I’d do the podcast myself, but I think we all know that while I’m good at saying really awful things at inopportune times, the show really needs Rob’s dick jokes to bring the whole thing into full focus. They say write about what you know and I am, well, dickless. It’s true. I checked.

It’s absolutely the worst time to find life hamstringing us like this; there are a lot of really interesting stories that have come out of New York Comic Con. For example, the attendance numbers at NYCC reportedly exceeded those of the San Diego Comic-Con. This year, 151,000 separate attendees all washed up on the doorstep of the Javitz Center. That is 21,000 more than San Diego. Given the crush of humanity that is the SDCC experience, I can only imagine what it must have been like to try to move around in that. It’s a mixed blessing. As more and more folks come out to see what all the geek fuss is about, the harder it is to actually get around to see all the panels, pros, vendors, and general weirdness that we’re all coming out to celebrate. NYCC has already set a date next year for October 8-11, 2015. The good news for folks who are specifically out to celebrate comics culture though is that there will be a special comics oriented edition in June on the 13th and 14th. This is actually a trend I’d like to see continue for some of the bigger cons. I hope it is a sign of more mindfully planned, better targeted convention experiences for fans going forward.

And then there is some of the news coming out of comics entertainment press in the past couple days.

superman_hostess_elevatorBetween the new female Thor, Falcon taking over as Captain America, and this week’s rumors that X-23 will take over as Wolverine (after Sabretooth takes over as Wolverine), Amanda and I talk about succession in superhero comics in general. We start with the idea that DC is all about succession while Marvel never has been, the kinds of stories that could work as new people put on the old costumes, what probably couldn’t work, and what ulterior motives Marvel could have for such recent character churn.

We also discuss:

  • Batwoman: Futures’ End One Shot, written by Marc Andreyko with art by Jason Masters, and:
  • Edge of Spider-Verse: Gwen Stacy, Spider-Woman, written by Jason LaTour with art by Robbi Rodriguez!

And now the legalese:

  • We record this show live to tape. Which might mean a looser show that you are used to from other comics podcasts, but it also means anything can happen. Like ruminations over the flat affect of people rescued by Superman in 1970s Hostess Fruit Pie ads.
  • This show contains spoilers. While we try to shout out a warning ahead of time, consider this a master, blanket warning.
  • This show contains adult, explicit language, and is not safe for work. You no longer need to sell Grit subscriptions to get headphones, so go out and do so.

Enjoy the show, suckers!

 

miracleman_annual_1_coverThere are two types of people in this world: superhero comic fans who love Miracleman by Alan Moore and Neil Gaiman, and superhero comic fans who haven’t read all of it yet. Rob is in column A, and Amanda is in column B. Which means that they had very different reactions upon hearing that Marvel has announced that they will be publishing a Miracleman annual, with stories by Grant Morrison and Peter Milligan. This announcement begs the question: should new creators be allowed to jump into a story like Miracleman, which is a combined yet singular vision between two epic creators? And being two different types of people, Amanda and Rob have differing views on the announcement.

But there is more to comics than a couple of new short stories tacked onto a 30-year-old narrative. So Amanda and Rob also discuss:

  • The Death of Wolverine #1, written by Charles Soule with pencils by Steve McNiven,
  • Original Sin #8, written by Jason Aaron with art by Mike Deodato and
  • Big Trouble In Little China #4, written by Eric Powell and drawn by Brian Churilla!

And now the legalese:

  • We record this show live to tape. While this might mean a slightly looser show than your normal comics podcast, it also means that anything can happen.
  • This show contains spoilers. While we try to throw out a verbal warning before we cut loose, consider this fair warning.
  • Amanda and Rob use adult, explicit language, and therefore this show is not safe for work. The janitors portrayed in Miracleman had Walkman headphones for work, and that was 1984. What’s your excuse?

Enjoy the show, suckers!

avengers_x-men_axis_promoWe are just a couple of weeks out of San Diego Comic-Con, and that means that there is next to no comic news to discuss this week. However, it also means that we are heading into the Big Two’s fall event schedule, so we discuss Marvel’s upcoming  Avengers & X-Men: AXIS crossover, as well as events in general, and event fatigue specifically.

And by specifically, we discuss events we liked over the years, events we hated, how it rarely feels like there’s any stakes to what comes out of them, and how sometimes they can lead to unintended consequences that can require years and a reboot to repair (Hi, Infinite Crisis and Justice League: Cry For Justice!).

We also talk about:

  • Captain Marvel #6, written by Kelly Sue DeConnick with art by David Lopez, and,
  • Batman #34, story by Scott Snyder and Gerry Duggan, script by Gerry Duggan with art by Matteo Scalera, and:
  • How Rob wound up drinking one of the first 12 Zimas on the planet (really)!

And now the disclaimers:

  • We record this show live to tape. While that can sometimes mean things are looser than you might find in other comics podcasts, it also means that anything can happen. Like stories about Zima.
  • This show contains spoilers. While we try to shout out a warning ahead of time, they can happen almost anytime.
  • This show contains adult language, and is not safe for work. Unless your job is being the guy who created Zima, in which case, you’ve had all these obscenities shouted at you before.

Enjoy the show, suckers!

sdcc_2010_pimp_fettSince we are less than 36 hours away from leaving for San Diego Comic-Con 2014, and therefore are fully engaged in preparing for the trip, we are a little fried today. So this is a shorter than usual episode (not the end of the world, considering we plan to podcast direct from the convention at least a couple of times), but a full one, where Amanda and I discuss:

  • The changes of Thor to a woman and Captain America to Sam Wilson that were announced on TV this week (if only there were a major convention to make these kinds of announcements!),
  • Since Amanda and I have attended nine straight San Diego Comic-Cons, we share a few tips on how to survive the whole experience (and avoid an extinction level digestive event), and:
  • Harley Quinn Invades Comic-Con International / San Diego #1, by Amanda Conner, Jimmy Palmiotti and a bunch of guest artists!

And now the legally-required disclaimers:

  • This show is recorded live to tape. This means there might be a few more pregnant pauses than you are used to in a comics podcast, but it also means that anything can happen.
  • There are spoilers in this show. We try to warn you ahead of time, but if you don’t know the kind of treatment you’ll get at a place called “Dick’s Last Resort,” you might deserve what you get.
  • This show contains adult, explicit language, and is not safe for work. I bought earbuds at a gas station for $12 today. What’s your excuse?

Enjoy the show, suckers! And don’t forget to tune in for episodes live(ish) from SDCC later this week!