Every Generation’s Got Its Own Disease: Phoenix Returns

About a week and a half ago, we reported on a postcard that Marvel sent to comic book retailers like my local comic store owner, who knows me by name and asks me not to unbuckle my belt and tell him to “check out my back issue”, that simply read: “It’s Coming.” Following the right URL to Marvel’s Website brought you to a page containing a placeholder for their liveblog of Marvel Chief Creative Officer Joe Quesada’s Cup ‘O Joe panel at the New York Comic Con.

Well, that panel took place yesterday. Tell us what’s coming, Marvel blogger UltimateKidNova!

The teaser “It’s Coming” was shown once more before being morphed into what seems to hint heavily at the return of a certain character named for a mythical flaming bird.

“Flaming bird,” huh? Can you be a little more specific? RuPaul? Devine? Beiber?

Yeah, even I’m not that hung over. Marvel’s bringing back Phoenix. Eventually. Marvel’s promo art they showed at the panel is after the jump.

There Was No One Left To Speak Up

We here at Crisis On Infinite Midlives have decided that, no matter the cost, hardship or obstacle, we will attend and report on next year’s New York Comic Con. Because we feel that we have a responsibility. A responsibility to you, to us, and to every comic book reader who lived through the last 35 years of comics publishing. To prevent anything like THIS from every happening again:

Marvel then showed off the teaser already seen of the burning hoodie of the Scarlet Spider. “What’s this?” [Manager of Sales & Communications Arune] Singh said for [Spider-Man Editor] Wacker to respond “The worst costume ever!”

…and when they came for the people who fucking hated the Clone Saga, there was no one left to speak up.

Sorry, that was unnecessarily pessimistic. Hell, they made FUN of the Scarlet Spider, right? Maybe things’ll be okay, right? RIGHT?

That exchange prompted the announcement of a new “Scarlet Spider” ongoing by writer Chris Yost and [penciler Ryan] Stegman.

NO NO NO NO NO NO NO NO N-

*deep breath*

Okay, let’s all calm down. Maybe this isn’t all bad. Maybe they’re bringing the Scarlet Spider back to make fun of him. It could happen! Maybe they’re making Ben Reilly the Forbush Man of the Spider-Man books! It’s a light-hearted gag! They can’t possibly be taking this seriously, right? RIGHT?

Every Picture Tells A Story (Badly): Ultimate Spider-Man #3 Review

Let’s start with the most obvious problem with Ultimate Spider-Man #3: the Kaare Andrews cover.

This cover looks like Spider-Man is trying, more successfully than most 13-year-old boys, to suck his own dick. While shooting streams of sticky goop from his general crotchal area. With his apparently gapingly spread ass shown more prominently and unobscured than his fucking head.

There are action covers, and then there are action covers, Kaare… I think Marvel picked the wrong issue of this book to hide in a polybag. Actually, I might have preferred receiving it in a lead-lined sack.

Let’s move on to the second most obvious problem with this book: More Goddamned useless widescreen visual storytelling. I’ve talked about this before, and go figure, it’s another issue of Bendis-written Ultimate Spider-Man that makes me bring it up again.

Pages two and three are delivered in a standard, read-page-one then read-page-two format. Pages three and four, however, are amongst the most egregious examples of fucking with format for no return at all I can scarely describe it.

Here: I will ruin the spine of this book on my scanner to show you what I mean:

The Mighty Scoobies… I Mean Avengers Trailer

Okay, so by process of elimination, Black Widow has to be Buffy. So the immortal creature for whom she futilely pines, again, by process of elimination, has to be Thor (If Buffy boned Angel he’d lose his soul. If Black Widow nails Thor she’ll lose her spine… unless there’s a “Condom of Thor” part of Viking myth I’m not familiar with… and if there is, I don’t want to know how it knows “if he be worthy“).

The powerful blond guy who threatens to make it a love triangle has to be Captain America. The non-powered, wisecracking Scooby has to be Iron Man, which means that Willow, the former nerd who discovers great, almost uncontrollable power by embracing the dark side… well hell, by process of elimination, that means that Willow has to be The Hulk. Tough break, Bruce… although it explains the name “Bruce”.

So that means that Hawkeye’s Dawn. Wow… once I said that, it was the first time I irrationally and viscerally hated Hawkeye’s face. Anyway…

As promised in yesterday’s podcast, the trailer for Marvel’s Joss Whedon-directed The Avengers appears after the jump.

Pissed Men: Avengers: 1959 Review

Since AMC’s show Mad Men became a hit by turning mid-20th century nostalgia into a bankable commodity and by casting Vincent Kartheiser in his second role where I want to stomp his balls off, it was only a matter of time before the copycats started showing up. Much like Raiders of the Lost Ark begat Tales of the Gold Monkey and Bring ‘Em Back Alive, this year Mad Men has given us the creatively leeched Pan Am and The Playboy Club… with pretty much the same predictable results.

And so what with Marvel Comics hoping to bring in new readers and not being fools (Because Marvel doesn’t reboot! Marvel doesn’t NEED to reboot to keep their number one market sh… wait, what?), Marvel’s thrown their own hat in the Good-Old-Days ring with Avengers: 1959, apparently having missed the twin memos that the current trend is toward reliving the 1960’s, and that the last go-round with 1950’s nostalgia ended by jumping the shark. Literally.

Look: I’ve been around the block enough to know that the idea of a comics company sniffing for a bandwagon to jump on is hardly new. Let’s face reality: if Roy Thomas hadn’t snapped up Star Wars license, then Marvel would be the ones trying to pretend they hadn’t released Star Hunters – a comic so bad they pulled the “kill the hero and bring him back with a new costume to save the book” trick 120 days after the book started. Being a realist I know that if Mad Men was about Christopher Street in New York, Marvel would be releasing Avengers: What Price Glory Hole? right now. So I won’t try to hold the copycat feeling against this book.

A Faceful Of Marvel

On yesterday’s New Comics day, retailers like my local comic store owner, who knows me by name and asks me if I hate the Scott Lobdell’s depiction of Starfire so much, why am I using it to hide the front of my pants, received a postcard from Marvel. And unlike every other postcard received since the dawn of email, which describes how much your mom loves Paris but is having trouble making BM after all that brie, this one was a little more mysterious:

A Drop Of The Creature: Venom #7 Review

Editor’s Note: This review contains spoilers about Spider-Island. It has spiders. Also, some other stuff. You have been warned.

Now if you insist upon using a comic story as a parable about a serious issue, Venom #7 is a much better way of doing it. But we’ll get to that.

This issue is a crossover issue to Marvel’s Spider-Island event that I initially picked up for only one reason: issue 7 of any book Rick Remender writes is the point where it stands a solid chance of going gloriously and disastrously off the rails.

Think about his 2008 run on Punisher, which he started in the middle of the Dark Reign event when Norman Osborne had managed to use public opinion and political intrigue to wrest control of SHIELD from Tony Stark even though he was woefully unqualified and The Green Fucking Goblin. While the X-Men remained neutral and the Avengers wrestled with ways to turn the tide of public sentiment away from Osborne even while it turned against themselves, Remender had The Punisher come up with an ingenious and crafty plan to turn Osborne’s fortunes by shooting him in the face.

That was issue 1. By issue 7, Remender had the straight-ahead, no-nonsense Punisher fighting zombies. And thus began a long, slow train wreck that culminated in the Punisher being killed and resurrected as Frankenstein. Reading Remender’s Punisher was like watching a Kardashian try to redefine pi in a room full of cocaine and NBA players: a hot mess I couldn’t take my eyes off of.

So when I saw Venom had reached the critical seventh issue, I wanted in on the ground floor of the implosion… so imagine my surprise when it turned out to be a damn good book, and arguably the best part of the Spider-Island event so far.

I’m Assuming There’s A Point

EDITOR’S NOTE: This story was updated 10/1/2011 with details about the fifth teaser. You can read more after the jump.

Earlier this year, Marvel rolled out the concept of a “Point One” issue of their books – an issue outside a book’s normal 12-issue run that would be written as a one-and-done book that wasn’t heavily tied into ongoing continuity to act as a jumping on point for new readers. Meaning that they’re old-school annuals, for all intents and purposes, but I’m guessing somewhere along the line Marvel realized “.1” is more attractive than “Annual”… or at least it is when you’re paying the printer by the letter.

Apparently the Point One initiative’s been pretty successful, and I tend to agree – we’ll probably be reviewing Black Panther 523.1 later week, and while we didn’t get a chance to review X-Factor #224.1, it was a tight story that was one hell of a way to get into the best X-Book you’re not reading. And it seems it’s been successful enough that earlier this week, Marvel announced a 64-page Point One issue for the entire Marvel Universe, where they’ll be teasing their events for 2012 and “the return of fan-demanded characters.” (But Marvel doesn’t reboot! Because Marvel makes no mistakes! And pay no attention to the fact that Bucky Barnes has been dead twice since 2005 while still co-headlining his own book!)

All week long, Marvel’s been rolling out teaser images for the one-shot, including stuff you’d expect for an event teaser, like Brian Michael Bendis’s and Bryan Hitch’s upcoming Ultron arc in Avengers and Matt Fraction’s already-announced Defenders book with penciller Terry Dodson… but they’ve also teased a return of Nova by Jeph Loeb and Ed McGuinness… and yesterday they teased, well… THIS:

Castles Over Kings

So now the both of us have caught this wretched head ebola, which means that posting may slow while we lie around looking for mindless entertainment to feed our middle brains while we slowly undergo the process of turning cold medicine into snot… but don’t worry about us, we have a tool for dealing with this. It’s called a screwdriver.

And a likely candidate for tonight’s distraction from our various aches, pains and uncomfortable viscous bubblings is Castle, starring Nathan Fillion, on ABC at 10 p.m. eastern time. It’s not a regular view for us, but ABC is owned by Disney, as is Marvel, and since, purely by coincidence, Marvel’s releasing a Castle graphic novel Wednesday, it seems that tonight’s episode has a distinctly Marvel Comics feel to it, which you can see in the preview after the jump:

Crisis On Infinite Midlives Podcast Episode 2: The Knockers Of Justice

We bought some more bourbon, which means here’s another exciting episode of the Crisis On Infinite Midlives Podcast!

Why “The Knockers Of Justice”? There’s actually a reason this time, and it’s Catwoman and Starfire. Plus, “The T*ts Of Justice” just sounded crass for a family site. F**k you; don’t look at us like that.

Other topics include Nightwing #1, Kevin Smith’s The Bionic Man, and Event Fatigue, or: If Wolverine Begins Fighting Cyclops in Schism at 6 a.m., Stops To Fight Juggernaut in Fear Itself  at 8 a.m. and Arrives To Fight With Spider-Man in Spider Island at noon, At What Time Does Marvel Start To Give a F**k About Continuity?

Plus, here are a few links to items we discussed in the show:

• Laura Hudson of Comics Alliances op-ed on Catwoman and Red Hood and The Outlaws
• Comics Reporter Week in Review, including Judd Winick’s quote on his Catwoman characterization
• Comics Alliance roundup of Catwoman parody cartoons

Enjoy! Or at least don’t complain too loudly!

Podcast: Play in new window | Download (Duration: 45:58 — 42.1MB)

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