Some weeks, you don’t record a podcast when you’re ready. You record when you’re awake.

Rob had a long weekend of late nights being on call for his day gig, leading to a slim, two-hour window where he’d had enough coffee to be able to say something longer than his own name, yet not enough liquor to actively slur those things. And this strange state put him in a mood to rant. About the golden days of Marvel after the bankruptcy and before Civil War, when they were willing to take chances. About acceptable Mark Millar stories. About how Batman’s most driving personality trait might be hoarding. And, God help us, how there might be redeeming qualities to Secret Empire.

So strap in: this is a weird one, and we talk about all of those things, plus:

  • Old Man Logan #25, written by Ed Brisson with art by Mike Deodato, Jr.,
  • Secret Empire #4, written by Nick Spencer with art by Leinil Francis Yu,
  • Dark Days: The Forge #1, written by Scott Snyder and James Tynion IV, with art by Jim Lee, Andy Kubert and John Romita Jr., and:
  • The Defenders #1, written by Brian Michael Bendis with art by David Marquez!

Ah, we have disclaimers:

  • This show contains spoilers. If you don’t want to know Captain America’s political affiliation on Secret Empire, well, you’re not alone, but you have also been warned.
  • This show contains adult, profane language, and is therefore not safe for work. We talk about Batman being a Howard Hughes style hoarder. That involves Mason Jars. You want your mom to know what’s in those jars? Then get some earbuds.

Thanks for listening, suckers!

While Patty Jenkins’s Wonder Woman was certainly the big comics movie of the week, we start off talking about, of all things, M. Night Shyamalan’s five month old movie Split. We talk about it because, well, we weren’t expecting it to be a comic book style story, and were extremely surprised to find it so. Mostly we were surprised because we spend a lot more time paying attention to comic book news Web sites than we do movie Web sites.

But we do spend an extended period of time discussing Wonder Woman, a movie that only had to pass the bar of, “Please God, don’t be terrible” to satisfy us, and wound up being one hell of a lot better than that. We talk about Gal Godot’s performance, why the World War I setting worked out far better than its probable “Let’s not be too close to Captain America” origins, whether or not Ares really had a place in the movie, and Rebel Wilson. For some reason.

We also discuss:

  • Secret Empire #3, written by Nick Spencer with art by Andrea Sorrentino (No, we can’t seem to stop talking about Secret Empire), and:
  • Redneck #2, written by Donny Cates with art by Lisandro Estherren!

And, as usual, the disclaimers:

  • This show contains spoilers. If you don’t want to know the big secret behind Split, then skip to about 20 minutes in, and for the love of God, don’t click that link about five paragraphs up. You know, the one you probably already clicked.
  • This show contains adult, profane language, and is therefore not safe for work. We talk about Lex Luthor’s method acting in this episode. Sounds benign, doesn’t it? You, and your employer, would be very surprised. Listen with headphones.

Thanks for listening, suckers!

Look: we’re talking about Twin Peaks: The Return.

We know, this might not seem like the topic for a comics podcast, but hear us out. Twin Peaks is one of the main inspirations for The X-Files which is clearly turf for genre shows. It features a shared universe of different genre stories like any good comics universe. It has characters with super strength. But most importantly, Rob is a giant Twin Peaks fanboy, and he can’t pass up an opportunity to talk about the return of the first television program that showed him the promise of a shared genre universe the way that comic books did when he was 18 years old.

So we discuss what made the original Twin Peaks great, why there’s still excitement about it 27 years after it ended with little fanfare, and whether it was worth the wait to a person who owned every Twin Peaks property available between 1990 and 2016, or if it is even remotely compelling to someone like Amanda, who watched every episode of Twin Peaks that Rob rammed down her watchholes last week.

We also discuss:

  • The Flash #22, written by Joshua Williamson with art by Howard Porter, and:
  • Secret Empire #2, written by Nick Spencer with art by Andrea Sorrentino!

Ah, disclaimers:

  • This episode was recorded live to tape, meaning that there might be more than the usual number of pauses, verbal tics and weird inside jokes. But we figure if you’re willing to listen to a show about Twin Peaks, then pauses, verbal tics and inside jokes are maybe your jam.
  • This show contains spoilers. Laura Palmer’s killer was revealed on November 10, 1990. Rob found a way to find out who killed Laura Palmer despite not having hindsight, the Internet, or a working ABC television station in reasonable broadcast range on November 10, 1990. Rob has no pity for you when it comes to this subject.
  • This show contains adult, profane language, and is therefore not safe for work. We talk about Secret Empire. That means there is cursing. You are forewarned.

Thanks for listening suckers!

A wise man once said, “it was the best of times, it was the worst of times.” I think it was Harvey Dent. Or maybe Billy Dee Williams. Either way, it’s a statement that certainly applied to last week in comics and comics-related entertainment.

In column A was the United States debut of Marvel Studios’s Guardians of The Galaxy, Vol. 2. We managed to sneak in a matinee last weekend of a movie that we greatly anticipated as either a new installment of a light action science-fantasy property, or an excuse to spread Baby Groot out over two and a quarter hours, or perhaps both.

We talk about the movie, how it is satisfyingly character driven, almost completely disconnected from the master Marvel Cinematic Universe storyline, heavily influenced by some of the best genre sequels out there, and what music cues we might expect now that Star-Lord has access to more modern tunes (here’s a hint: Sonny Crockett and Patrick Bateman would totally approve!

And then there’s column B, which comprised a few of the biggest comics* released last week:

  • Batman #22, written by Joshua Williamson and Tom King with art by Jason Fabok,
  • Secret Empire #1, written by Nick Spencer with art by Steve McNiven, and
  • Secret Empire; Free Comic Book Day edition, written by Nick Spencer with art by Andrea Sorrentino!

(*In the interests of ending on a positive note, we give a quick shout-out to Project Superheroes: Hero Killers #1, written by Ryan Brown with art by Pete Woods)

You wanted the disclaimers, you got the disclaimers!

  • This show contains spoilers. If you don’t want to know how Captain America and Hydra consolidate their power, well, it really doesn’t matter, since we have no idea, either. But either way: consider this a master spoiler warning.
  • This show contains adult, profane language, and is therefore not safe for work. We have jokes about The Flash being unable to find The Button, and those jokes are about exactly what you think they’re about. So wear headphones.

Thanks for listening, suckers!

And lo, we return to you from lands afar, with the legendary tale of The Mighty Conquest of the Editing Robot with the Holy Union of the Irish and Columbia or: How We Killed Our Podcast Editing Computer with a Cup of Irish Coffee!

Seriously, we’re back after some serious technical difficulties, but ready to discuss the annual sale of passes to San Diego Comic-Con, and how we’ll be covering at least part of the event from on site. We’re excited to be returning for the first time since 2014… but we can still be irritated by having to suffer through the experience of the Blue Ring of Failure.

But it was a big week for comics, both good and bad, so we spend most of the episode discussing the high and lowlights, including:

  • Nick Fury #1, written by James Robinson with art by Aco,
  • Secret Empire #0, written by Nick Spencer with art by Daniel Acuna,
  • The Shaolin Cowboy: Who’ll Stop the Reign? #1, written and drawn by Geof Darrow, and:
  • Batman #21, written by Tom King with art by Jason Fabok!

And, as usual, the disclaimers:

  • We experienced a technical problem where a crackling sound becomes apparent during the last several minutes of the show. We ran it through a couple of filters to minimize it, but it’s obvious, and while the audio never becomes inaudible, it is irritating. We apologize, and we swear that our backup system to avoid this will totally work next time this happens, because we will totally remember to turn it on.
  • The show contains spoilers. If you don’t want to know what universe Batman comes close to this week, well, you must be a new listener! Nice to meet you!
  • This show contains adult, profane language, and is not safe for work. If you don’t want your mom to hear about how Batman makes Reverse Flash see God, then get some headphones.

Thanks for listening, suckers!

secret_empire_promoYes, we are late after a weird weekend, but we still have a good show for you! A show barely prepared for, fueled by caffeine and alcohol, but as far as shows go: this is one!

Anyway, for the past few years, DC Films seems to have gauged whether or not to proceed making live action films of some of their lesser-known comics properties by releasing direct-to-video animated versions of them to see if they’ll stick. They did it with Suicide Squad three years ago, and now they’re doing it with the cast of the proposed Dark Universe movie with Justice League Dark, which was released last week.

We are big John Constantine fans (and kinda fans of the New 52 Justice League Dark), so we watched the movie and discuss the return of Matt Ryan to the role, how Batman fits into a mostly magical cast, why Black Orchid is almost literally filler, and why seeing Green Lantern being lightly tazed is almost always worth nearly any price of admission.

In addition: this week gave us the first two issues of what will become Marvel’s next event, Secret Empire. We have been nothing if not vocal here about how much a bummer Civil War II was, and now that we’re staring down the barrel of a story about a literal Nazi taking over the United States, well, we have strong opinions. And we even try to have those strong opinions without talking too much about current American politics.

As a palate cleanser, we also discuss Deathstroke #11, written by Priest, with pencils by Denys Cowan and inks by Bill Sienkiewicz!

But here’s the disclosures:

  • This show contains spoilers. If you don’t want to know why spending a few months with Nazi Captain America might be a depressing idea, you have been warned.
  • This show contains adult, profane language, and is therefore not safe for work. If you don’t want to explain to your mom why “catharsis: isn’t the same as some form of “reaching around”, then listen in your car or something.

Thanks for listening, suckers!