x-files_season_10Sorry for last week’s unexpected absence, but something unexpected made its way into our home and made us feel terrible. And on a completely unrelated note…

A couple of weeks ago brought us the conclusion of the much-anticipated return of The X-Files. Presented as six episode miniseries meant to function as an official tenth season of the original series (down to the original, shot-on-video opening credits), the event was intended to satisfy both long time fans and newer viewers alike. Meaning that we were the entire target audience – Amanda watched the show from the first episode, whereas Rob has only seen the first couple of seasons on DVD and the movies.

So we talk about the things about the season that worked, the things that unexpectedly delighted us, the elements that were more distracting than anything else… and the things that were simply, truly, irrevocably awful. And while we didn’t agree on everything, there is one thing in which we are lockstep: of all the things that work in The X-Files, Chris Carter should be George Lucas’ed into the cornfield, Disney style.

We also discuss:

  • The Walking Dead #152, written by Robert Kirkman wih art by Charlie Adlard,
  • Green Lantern #50, written by Robert Venditti with art by Billy Tan and Vicente Cifuentes, and
  • Black Widow #1, written by Mark Waid with art by Chris Samnee!

And, the disclaimers:

  • As we said: we were sick last week. So you’re going to hear more coughing and sniffling than normal. We apologize.
  • This show contains spoilers. While we try to yell out warnings ahead of time, be aware that we will ruin the ending of The X-Files more thoroughly for you than Chris Carter did. Actually, that’s not possible.
  • This show contains adult, profane language, and is therefore not safe for work. Do you want your employer to learn how to violate millions of television viewers with a move I like to call the Sudden Stem Cell Trespass? Then get some headphones.

Thanks for listening, suckers!

tmp_x_files_ghostbusters_1_cover_2014-479566267On Wednesday I mentioned that I was as sick as an animal, and that under the influence of three types of antihistamine and some form of Polish pig virus, the new The X-Files / Ghostbusters: Conspiracy crossover sounded like just about my level of fun given my reduced cognitive capacity.

On paper, this kind of crossover is a gimme for big fun. You’ve got Scully the skeptic and Mulder the believer in the supernatural hiding in the shadows, both serious as a bowel prolapse on taco night, confronted face-to-face with big technicolor slime-spitting ghosts and four guys who treat the whole thing like an irritating plumbing problem with a wicked, ironic sense of humor about the experience. Sure, the thing could never be canon – if Mulder and Scully really met Dr. Venkman and company, they’d be able to wave 1080p scan video in Skinner’s face every time he tried to rein him in… or more likely, Smoking Man would have Peter, Ray, Winston and Egon quietly shot in the back of the head in a New York alleyway.

Well, The X-Files / Ghostbusters: Conspiracy #1 doesn’t give us that meeting. It gives us The Lone Gunmen meeting the Ghostbusters – which is a smart way to go in its own way, as it puts comic relief alongside just plain comedy – as the Gunmen investigate the guys as probably frauds and charlatans. And while the Gunmen wind up spending most of the issue as bystanders – what’s Frohike gonna do against a Class Five Full-Roaming Vapor, grump it into submission? – there’s still a reasonable amount of fun to be had in this one-and-done…

Except this issue is part of a great, IDW-wide crossover. Which means a there’s some exposition here that will only matter to you if you intend to follow the remainder of Conspiracy. And considering the next part crosses over with Teenage Mutant Ninja Turtles, well, your mileage may vary.