Miniscule Enthusiasm: Edgar Wright Releases First Ant-Man Picture

If you had asked me six months ago, I would have firmly stated, with a great deal of confidence, that nobody gives a shit about Ant-Man.

Sure, Ant-Man was one of the first Marvel superheroes, debuting in 1962, and he was a founding member of The Avengers, but seriously: the dude shrinks. So what? And it’s not even like he can go microscopic like The Atom and fight sentient viruses in someone’s body the way he did in World’s Finest Comics #236, which I read when I was five years old and have never forgotten.

Look at it this way: Ant-Man is so lame that Hank Pym has since gone on to be known as Giant-Man, Goliath, Yellowjacket and The Wasp… basically he’s tried to be anything so he doesn’t have to be Ant-Man.

So I didn’t really give a hoot in hell about the Ant-Man movie that Marvel Studios has on the slate for 2015… until one thing happened. I saw The World’s End by director Edgar Wright, who is also slated to direct Ant-Man, and it was bar none the best movie I’ve seen this year (Sorry, Iron Man 3, Man of Steel and The Wolverine). It became the first Blu-Ray I’ve ever pre-ordered to make sure I don’t miss it, it caused me to go back and revisit Shawn of The Dead and Hot Fuzz… and more importantly, it made me look forward to what he’s gonna do with Ant-Man.

And apparently he has started doing stuff with Ant-Man, because Wright tweeted this yesterday:

Weaponized Cthuhlu: Avengers: Endless Wartime Review

Avengers: Endless Wartime, the new original graphic novel written by Warren Ellis with art by Mike McKone, is, for all intents and purposes, an effective sequel or side tale about The Avengers from the Joss Whedon movie. It is a sequel to The Avengers that, unlike Marvel Studios, has no rights issues or special effects budget constraints to deal with, and therefore can include fan favorite characters, like Wolverine and Captain Marvel, that the movies can’t. And it is a sequel that is printed on really shitty paper.

Seriously: I got my copy shrinkwrapped and therefore never opened before I got it back to the Crisis On Infinite Midlives Home Office, and the pages in the front and back third of the book were wrinkled to hell and back. And on top of that, a couple of panels had printing errors that smudged the shit out of the lettering. It’s not the worst thing in the world – it doesn’t make the book unreadable or anything, and I lost all my resale value, defects or not, the minute I stripped the shrink wrap to read the thing – but when you’re dropping $25 clams on a piece of shelf porn, you expect the thing to be printed at least as well as it would have been had it been broken into a six-issue miniseries. Your mileage may vary, and God knows you won’t spend the full $25 if you buy the thing off of Amazon or something, but I bought it at my local comic store, where they know me by name and ask me to stop threatening to demand $25 if they don’t let me strip off my shrink wrap for a close inspection.

But let’s forget about the printing issues and go back to the story, which takes place pretty much outside of current Avengers continuity, includes all the players from the Avengers movie – and they are far more recognizable as the characters from the movies than they are most modern versions of the characters in the comics –  and has the global scale of a major motion picture. And while it feels like there are a couple of stories jammed together that make things a little confusing now and again, it’s packed with familiar character notes, catchphrases, and Warren Ellis dialogue. Dialogue that would jeopardize a PG-13 rating if it actually was a movie.

Story Optional: Wonder Woman Fan Film / Demo Reel

This is actually kinda cool, if it is just, for all intents and purposes, a fan film by some folks with a particular amount of skill with the Adobe film suite.

Rainfall Films, a production company that’s done a bunch of advertising and music video work, has put together a two-minute fan trailer for Wonder Woman, directed by Sam Balcomb and starring Rileah Vanderbilt (who’s been in the Hatchet films). And when I say “fan trailer,” I mean more that it is a special effects showcase; there’s no story here, just Wonder Woman fighting some goons with guns on the streets of some city, alternating with Wonder Woman fighting with some giant monster on the island of Themyscira with some other Amazons.

But still: it’s pretty cool to look at, with a version of the Wonder Woman costume that is close enough to classic as to keep the underwear perverts who get their shorts in a twist every time someone comes up with a design that’s a little off-kilter from the original, and some pretty cool action and special effects for what amounts to a demo reel for a production company.

If nothing else, it goes to show that there are ways to shoot a Wonder Woman movie that doesn’t make it some cheesy, campy disaster, or worse: a David E. Kelley workplace dramady. And you can check it out after the jump.