The new Ghostbusters movie opened this week, after a long production period marked by a non-stop screeching hate frenzy from Bill Murray fans, enthusiasts of old-school J. Michael Straczynski Saturday morning cartoons, and people who think that comedy has been redundant since Rick Moranis donned a track suit to dry hump the windows at Tavern on The Green.
We here at Crisis On Infinite Midlives have long and storied histories with the original Ghostbusters, from Amanda’s devotion to its scientific approach to the paranormal that led to her being interested in applying to Duke University’s Parapsychology Laboratory, to Rob’s appreciation of the flick as an teen-safe entryway to early Saturday Night Live and the National Lampoon. And even with that long and beloved history, we have long been looking forward to the more modern interpretation of the franchise.
So we discuss our feelings about the franchise at large, how we liked (and didn’t like) the new movie, what we’re hoping for from any possible sequel, and Amanda’s theory about how this movie not only doesn’t turn its back on the original movie, but actually makes the concept that it’s a sequel as likely as not.
Regardless, we have no sympathy for those who say that the new Ghostbusters has destroyed their childhood. And we’re not alone.
We also discuss:
- Nightwing: Rebirth #1, written by Tim Seeley with art by Yanick Paquette,
- Wonder Woman #2, written by Greg Rucka with art by Nicola Scott, and:
- Civil War II #3, written by Brian Michael Bendis with art by David Marquez!
And, the usual disclaimers:
- This show contains spoilers. If you want to avoid knowing whether every molecule in Melissa McCarthy’s body explodes at the speed of light in a total protonic reversal, consider yourself forewarned and forearmed.
- This show contains adult, profane language, and is therefore not safe for work. You want your boss to learn a whole new definition of “hard but fair”? Then buy some earbuds.
Thanks for listening, suckers!