doctor_who_doctor_mysterio_poster_2016It is the holiday season, and while that means things like delayed flights, family political battles and regifting, it also means the annual Doctor Who Christmas Special. And this year’s, The Return of Doctor Mysterio, was a double whammy: not only was it the first Doctor Who story in almost a year, but it was about an American superhero.

So we discuss the story, both on a Doctor Who and a superhero story level. And while we don’t want to spoil anything, we learn that there’s a reason why it’s maybe not a good idea for a British television writer to tackle an American superhero story. We’re guessing it’s the same reason it wouldn’t be a good idea for the guy who created The Cape to write an episode of Doctor Who.

We also discuss:

  • Civil War II #8 written by Brian Michael Bendis with art by David Marquez, and:
  • DK III: The Master Race #7, written by Frank Miller and Brian Azzarello, with art by Adam Kubert, Klaus Janson and Frank Miller!

And, the usual disclaimers:

  • This show contains spoilers. So if you don’t want to know who loses at the end of Civil War II, you should avoid this show. And probably mirrors.
  • This show contains adult, profane language, and this therefore not safe for work. Unless you think your mom wants to know what Marti Noxon might do with Naked Batman, maybe use your holiday Airpods.

Happy New Year, suckers!

civil_war_ii_7_cover_2016Last week was Thanksgiving in the United States, a holiday where family members travel for hours and miles to share a table with family members and take a moment to express gratitude for the good things in their life. Then they follow that moment with hours of barely-suppressed acrimony, sarcasm-dipped references to long-buried grievances, and barbed rejoinders about the political beliefs of family. They then disperse to Black Friday sales around the map, taking their frustrations out on fellow shoppers and leading to those awesome fight clips on YouTube.

Rob and Amanda did not go to any Black Friday sales. They did, however, read Civil War II #7, and they do have a comics podcast.

Due to vagaries of comics publishing (and the fact that Civil War II has been late almost since it was solicited), this week we not only discovered the result of the battle between Captain Marvel and Iron Man, but we began to learn the price that certain characters will apparently pay for their roles in suspending the Constitution, ignoring the First, Fourth, Fifth and Fourteenth Amendments, contributing to the deaths of at least three Avengers and arguably sending the Marvel Universe on the road to literal apocalypse.

And we found that price to be wanting.

So we spend a lot of time complaining bitterly about:

  • Civil War II #7, written by Brian Michael Bendis with art by David Marquez and Andrea Sorrentino,
  • Captain Marvel # 10, written by Ruth Fletcher Gage and Christos Gage with art by Thony Silas, and
  • The Ultimates 2 #1, written by Al Ewing with art by Travel Foreman.

But, since we can’t be negative about everything, we also discuss:

  • Deathstroke #7, written by Priest with art by Larry Hama and Carlo Pagulayan,
  • Buffy The Vampire Slayer Season 11 #1, written by Christos Gage with art by Rebekah Issacs, and:
  • A. D.: After Death Book 1, written by Scott Snyder with art by Jeff Lemire!

And, the usual disclaimers:

  • This show contains spoilers. If you don’t want to know what happens in Civil War II, just try to forget some of your biggest disappointments before reading it.
  • This show contains adult, profane language, and is therefore not safe for work. If you said to your mom what we say about Civil War Ii over the Thanksgiving table, you’d be disowned. So get yourself some headphones.

Thanks for listening, suckers!

get_jiro_blood_and_sushiThis week, the paperback edition of celebrity chef Anthony Bourdain’s graphic novel Get Jiro: Blood and Sushi, was released. This book is a prequel to his 2012 sci-fi comic Get Jiro!, and like the original, it is steeped in modern foodie culture. Luckily, Amanda is also steeped in foodie culture.

So we talk about Get Jiro! and other foodie-related books (like Starve and Chew), and how some are good about catering to new culinary enthusiasts, while others depict a subculture where not knowing the unwritten insider foodie rules mean that you literally deserve to die… all while being part of a comics culture that is trying desperately to shed a long reputation of being hostile to outsiders. And if that all sounds heavy, fear not: there is also a story about Rob eating a pile of rock salt at a fine French restaurant that is just plain funny and dumb.

We also discuss Civil War II #6, written by Brian Michael Bendis with art by David Marquez!

And, the usual disclaimers:

  • This show contains spoilers. If you don’t want to know if Jiro survives Get Jiro: Blood and Sushi, well, you’re probably being willfully obtuse considering it’s a prequel, but consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. We talk about C. B. Cebulski’s Lucky Peach. You want to risk your mom hearing about that? Then get some earbuds.

Thanks for listening suckers!

ms_marvel_11_cover_2016We are more than halfway through Marvel’s Civil War II summer event, which, like most Marvel summer events, has dragged into the fall with no end before the darkest days of winter in sight. And while we previously have idly wondered how Marvel intends to deal with characters who are on the side of profiling and pre-crime, the event has really reached the point where, in order to keep the plot moving, characters like Captain Marvel and Black Panther are acting in truly reprehensible ways that will likely require rehabilitation on the level of Matt Fraction’s reboot of Tony Stark’s brain after the first Civil War.

And while there is no main Civil War II issue this week, there are several books that feature main pro-Predictive Justice players in the event doing horrible things that run the gamut from emotionally destroying adoring teenagers, to entrapment, to asking people if they are for or against you and placing those in the latter camp under arrest without even precognitive evidence. All of which makes Tony Stark’s Civil War pro-registraton stance look like good, old-fashioned flag-waving New Deal patriotism.

So we discuss these books, including:

  • Ms. Marvel #11, written by G. Willow Wilson with art by Takashi Miyazawa and Adrian Alphona,
  • The Totally Awesome Hulk #10, written by Greg Pak with art by Mahmud Asrar, and :
  • Captain Marvel #9, written by Ruth Fletcher Gage and Christos Gage with art by Thomy Silas.

And we discuss not only what can be done to rehabilitate characters who are clearly meant to be on the wrong side of issues, but how the series maps to recent social justice events and causes in the news.

And, the disclaimers:

  • This show contains spoilers. While we try to give warnings ahead of time, if you don’t want to know why the Canadian justice system is the most ruthless yet enticing in the world, consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. We did this show on a mix of beer, Sudafed and cough medicine, and we pride ourselves on our vocabularies even under adverse circumstances. Get some headphones.

Thanks for listening, suckers!

 

The new Ghostbusters movie opened this week, after a long production period marked by a non-stop screeching hate frenzy from Bill Murray fans, enthusiasts of old-school J. Michael Straczynski Saturday morning cartoons, and people who think that comedy has been redundant since Rick Moranis donned a track suit to dry hump the windows at Tavern on The Green.

We here at Crisis On Infinite Midlives have long and storied histories with the original Ghostbusters, from Amanda’s devotion to its scientific approach to the paranormal that led to her being interested in applying to Duke University’s Parapsychology Laboratory, to Rob’s appreciation of the flick as an teen-safe entryway to early Saturday Night Live and the National Lampoon. And even with that long and beloved history, we have long been looking forward to the more modern interpretation of the franchise.

So we discuss our feelings about the franchise at large, how we liked (and didn’t like) the new movie, what we’re hoping for from any possible sequel, and Amanda’s theory about how this movie not only doesn’t turn its back on the original movie, but actually makes the concept that it’s a sequel as likely as not.

Regardless, we have no sympathy for those who say that the new Ghostbusters has destroyed their childhood. And we’re not alone.

We also discuss:

  • Nightwing: Rebirth #1, written by Tim Seeley with art by Yanick Paquette,
  • Wonder Woman #2, written by Greg Rucka with art by Nicola Scott, and:
  • Civil War II #3, written by Brian Michael Bendis with art by David Marquez!

And, the usual disclaimers:

  • This show contains spoilers. If you want to avoid knowing whether every molecule in Melissa McCarthy’s body explodes at the speed of light in a total protonic reversal, consider yourself forewarned and forearmed.
  • This show contains adult, profane language, and is therefore not safe for work. You want your boss to learn a whole new definition of “hard but fair”? Then buy some earbuds.

Thanks for listening, suckers!

totally_awesome_hulk_7_cover_2016It has been a busy week here at the Crisis On Infinite Midlives Home Office. Between the delivery of new cooking apparatus that can also conveniently act as an incendiary bomb, to unexpected day job responsibilities, to nearly getting caught up in an unexpected session of Cornhole, it was hard to keep up on a week that was comics news-light to begin with.

So we decided to keep things short and simple this week, and just talk about some comics. And while we have some general discussions about how it was a standard off week for Marvel’s Civil War II event (by standard, we mean that every Marvel comic had “Civil War II” on the cover, without advancing the main story a whit), and how DC’s Rebirth continues to be a pretty solid soft reboot that’s unfortunately wrapped in the wretched trappings of Watchmen characters, we pretty much focused on a few books:

  • The Totally Awesome Hulk #7, written by Greg Pak with art by Alan Davis,
  • Justice League #52, written by Dan Jurgens with pencils by Tom Grummett, and:
  • Teen Titans #21, written by Tony Bedard with art by Miguel Mendonca!

And, as usual, the disclaimers:

  • This show contains spoilers. So if you want to remain unspoiled on whether or not Lex Luthor will be a villain in DC Rebirth (The answer won’t surprise you!), consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. You think your boss wants to hear details about Boston Cornhole (The answer actually will surprise you! But good luck convincing HR of that!)? Then get some headphones.
  • As a reminder: We will not have a new show on the week of July 3, 2016. We’ll be back the following Sunday.

Thanks for listening, suckers!

clone_conspiracy_promo_poster_1This week, Marvel and Spider-Man writer Dan Slott announced that this fall’s Spider-Man event will be called The Clone Conspiracy, and will feature The Jackal and the clone of Gwen Stacy, possibly bringing a bunch of long dead Spider-Man characters back from the grave. We initially had a very negative reaction to this news, because any Spider-Man title that includes the word “clone” brings back memories of the 1990s Clone Saga… but then we realized that neither of us had actually read all that much of the original Gerry Conway clone stories from the 1970s, or the Clone Saga¬†stories from the mid 90s.

So we ran out and purchased the trade of the original clone stories from 1975 through 1990, and one of the trades of the 90s Clone Saga, to see how we really felt about the clone stories in the face of the actual works. And we discussed, in the face of actual exposure to the clone stories, whether we wanted to see any more clone stories… and whether we did or not, if they could possibly overcome the reputation of the 90s Clone Saga.

We also discuss:

  • Civil War II #2, written by Brian Michael Bendis with art by David Marquez,
  • Superman #1, written by Peter Tomasi with art by Patrick Gleason, and:
  • Batman #1, written by Tom King with art by David FInch!

And, the usual disclaimers:

  • This show contains spoilers. If you don’t want to learn the ending of who wound up with the mantle of Spider-Man at the end of The Clone Saga 21 years ago, you are a wise person with good taste in serialized graphic storytelling! But we’ll still ruin it for you.
  • This show contains adult, profane language, and is therefore not safe for work. If you don’t think your mom wants to hear how there’s a big bit of Hal Jordan in Carol Danvers, then get some headphones.

Thanks for listening, suckers!

dc_rebirth_charactersIt’s the first full week of DC Comics: Rebirth, and not a single Watchmen character appears in those issues, so we decided it would be a good opportunity to complain again about Watchmen characters appearing in the DC Universe.

Specifically, it was revealed this week that DC Comics didn’t contact Watchmen artist Dave Gibbons to ask him his opinion about adding Watchmen characters to Dc Universe: Rebirth. So we talk about whether that was a bush league move (protip: yeah), some of the history around DC leaving Watchmen alone, and whether DC Editorial really had any choice in asking for Gibbons or writer Alan Moore for even a half-hearted blessing in using their characters in Rebirth.

Then, since we were on a Rebirth roll, we discussed all this week’s titles from that event:

  • Superman: Rebirth #1, written by Peter Tomasi with art by Doug Mahnke,
  • Green Arrow: Rebirth #1, written by Benjamin Percy with art by Otto Schmidt,
  • Green Lanterns: Rebirth #1, written by Geoff Johns and Sam Humphries with art by Ethan Van Sciver and Ed Benes, and:
  • Batman: Rebirth #1, written by Scott Snyder and Tom King with art by Miken Janin.

And, just so Marvel doesn’t feel neglected, we close the show by talking about:

  • Civil War II #1, written by Brian Michael Bendis with art by David Marquez!

And, as always, the disclaimers:

  • This show contains spoilers. If you want to avoid knowing how the DC: Rebirth books end (spoiler alert: no matter what happens, it probably won’t matter next month), then consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. You want your mom to know what “giddy bottom” means? Get some ear buds.

Thanks for listening, suckers!

dc_rebirth_coverHere’s a warning about this week’s episode right out of the gate: details about DC Universe: Rebirth #1 have leaked to Reddit, including images from that issue. The user who leaked the pages has since deleted his or her account, but those images have been picked up and published by Bleeding Cool (Seriously: there are massive spoilers at that link, so beware), and have led to major spoilers about the book being published across the comics Internet. And those images and spoilers contain a revelation that is not only startling, but infuriating, if not downright rage-inciting, for fans of a particular classic comics property. Like, we sat down to plan this week’s show, found this news item, and chucked everything so we could fume about this move. It stands to possibly be bad, bad mojo for fans of DC who date back to the 1980s.

And we talk about that revelation. So if you want to avoid spoilers for DC Universe: Rebirth #1, you should avoid listening to this week’s episode until you pick up this week’s comics on Wednesday, May 25th. But if you’re not concerned about spoilers, and you care about the legacy of one of the great superhero comics works of the last thirty years, jump on in! We’ll never compromise! Not even in the face of Armageddon!

We also discuss:

  • Future Quest #1, written by Jeff Parker with art by Evan “Doc” Shaner and Steve Rude,
  • Chilling Adventures of Sabrina #5, written by Roberto Aguirre-Sacasa with art by Robert Hack, and:
  • Civil War II #0, written by Brian Michael Bendis with art by Olivier Coipel!

And, the usual disclaimers:

  • This show contains spoilers. Like, terrible spoilers for DC Universe: Rebirth #1. So if you don’t want to have the terrible spoiler revealed, it’s up to you. I leave it entirely within your hands.
  • This show contains adult, profane language, and is therefore not safe for work. If your version of The American Dream is to get fired for listening to bad language at work, it’ll come true. You’re looking at it.

Thanks for listening, suckers!