civil_war_ii_7_cover_2016Last week was Thanksgiving in the United States, a holiday where family members travel for hours and miles to share a table with family members and take a moment to express gratitude for the good things in their life. Then they follow that moment with hours of barely-suppressed acrimony, sarcasm-dipped references to long-buried grievances, and barbed rejoinders about the political beliefs of family. They then disperse to Black Friday sales around the map, taking their frustrations out on fellow shoppers and leading to those awesome fight clips on YouTube.

Rob and Amanda did not go to any Black Friday sales. They did, however, read Civil War II #7, and they do have a comics podcast.

Due to vagaries of comics publishing (and the fact that Civil War II has been late almost since it was solicited), this week we not only discovered the result of the battle between Captain Marvel and Iron Man, but we began to learn the price that certain characters will apparently pay for their roles in suspending the Constitution, ignoring the First, Fourth, Fifth and Fourteenth Amendments, contributing to the deaths of at least three Avengers and arguably sending the Marvel Universe on the road to literal apocalypse.

And we found that price to be wanting.

So we spend a lot of time complaining bitterly about:

  • Civil War II #7, written by Brian Michael Bendis with art by David Marquez and Andrea Sorrentino,
  • Captain Marvel # 10, written by Ruth Fletcher Gage and Christos Gage with art by Thony Silas, and
  • The Ultimates 2 #1, written by Al Ewing with art by Travel Foreman.

But, since we can’t be negative about everything, we also discuss:

  • Deathstroke #7, written by Priest with art by Larry Hama and Carlo Pagulayan,
  • Buffy The Vampire Slayer Season 11 #1, written by Christos Gage with art by Rebekah Issacs, and:
  • A. D.: After Death Book 1, written by Scott Snyder with art by Jeff Lemire!

And, the usual disclaimers:

  • This show contains spoilers. If you don’t want to know what happens in Civil War II, just try to forget some of your biggest disappointments before reading it.
  • This show contains adult, profane language, and is therefore not safe for work. If you said to your mom what we say about Civil War Ii over the Thanksgiving table, you’d be disowned. So get yourself some headphones.
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american_psycho_coverIt has been a weird couple of weeks here in the United States. Any week where the honest-to-God news in your local newspaper is more contentious, rancorous and secret identity-obsessed than your average comic book is one where talking about what comic creators are skipping what conventions in which American states, and which writers are retiring from what social networks feels redundant at best and depressing at worst.

But the good news is that, here at the Crisis On Infinite Midlives Home Office, we learned long ago that’s it’s an unwise decision to publicly discuss religion, politics, or inappropriate self-love over Bret Easton Ellis’s American Psycho. The bad news is that we forgot one of those truisms during this episode. The answer will (probably not) surprise you!

Either way, we decided this would be a good time to take the long view and just talk about this week’s comics. Well, about this week’s comics, about how very different stories can come from similar ideas, and about unreliable narrators. So we discuss:

  • Spider-Man #9, written by Brian Michael Bendis with art by NIco Leon,
  • Batman #11, written by Tom King with art by Mikel Janin,
  • Demonic #4, written by Christopher Sebela with art by Niko Walter, and:
  • Kill or Be Killed #4, written by Ed Brubaker with art by Sean Phillips!

And, the usual disclaimers:

  • This show contains spoilers. If you don’t want to know if Dylan from Kill or Be Killed kills or is killed, then skip this show (and next month’s Image Comics solicitations).
  • This show contains adult, profane language, and is therefore not safe for work. Do you think your mom wants to know what happens to a Daisy Buchanan when she’s bitten by a radioactive Gatsby (Spoilers: she gets greedy and whiny)? Then get some headphones.

And please note: from here on out, we will be publishing the podcast on Mondays, rather than Sundays. Thanks for sticking with us!

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get_jiro_blood_and_sushiThis week, the paperback edition of celebrity chef Anthony Bourdain’s graphic novel Get Jiro: Blood and Sushi, was released. This book is a prequel to his 2012 sci-fi comic Get Jiro!, and like the original, it is steeped in modern foodie culture. Luckily, Amanda is also steeped in foodie culture.

So we talk about Get Jiro! and other foodie-related books (like Starve and Chew), and how some are good about catering to new culinary enthusiasts, while others depict a subculture where not knowing the unwritten insider foodie rules mean that you literally deserve to die… all while being part of a comics culture that is trying desperately to shed a long reputation of being hostile to outsiders. And if that all sounds heavy, fear not: there is also a story about Rob eating a pile of rock salt at a fine French restaurant that is just plain funny and dumb.

We also discuss Civil War II #6, written by Brian Michael Bendis with art by David Marquez!

And, the usual disclaimers:

  • This show contains spoilers. If you don’t want to know if Jiro survives Get Jiro: Blood and Sushi, well, you’re probably being willfully obtuse considering it’s a prequel, but consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. We talk about C. B. Cebulski’s Lucky Peach. You want to risk your mom hearing about that? Then get some earbuds.
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The new Ghostbusters movie opened this week, after a long production period marked by a non-stop screeching hate frenzy from Bill Murray fans, enthusiasts of old-school J. Michael Straczynski Saturday morning cartoons, and people who think that comedy has been redundant since Rick Moranis donned a track suit to dry hump the windows at Tavern on The Green.

We here at Crisis On Infinite Midlives have long and storied histories with the original Ghostbusters, from Amanda’s devotion to its scientific approach to the paranormal that led to her being interested in applying to Duke University’s Parapsychology Laboratory, to Rob’s appreciation of the flick as an teen-safe entryway to early Saturday Night Live and the National Lampoon. And even with that long and beloved history, we have long been looking forward to the more modern interpretation of the franchise.

So we discuss our feelings about the franchise at large, how we liked (and didn’t like) the new movie, what we’re hoping for from any possible sequel, and Amanda’s theory about how this movie not only doesn’t turn its back on the original movie, but actually makes the concept that it’s a sequel as likely as not.

Regardless, we have no sympathy for those who say that the new Ghostbusters has destroyed their childhood. And we’re not alone.

We also discuss:

  • Nightwing: Rebirth #1, written by Tim Seeley with art by Yanick Paquette,
  • Wonder Woman #2, written by Greg Rucka with art by Nicola Scott, and:
  • Civil War II #3, written by Brian Michael Bendis with art by David Marquez!

And, the usual disclaimers:

  • This show contains spoilers. If you want to avoid knowing whether every molecule in Melissa McCarthy’s body explodes at the speed of light in a total protonic reversal, consider yourself forewarned and forearmed.
  • This show contains adult, profane language, and is therefore not safe for work. You want your boss to learn a whole new definition of “hard but fair”? Then buy some earbuds.
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clone_conspiracy_promo_poster_1This week, Marvel and Spider-Man writer Dan Slott announced that this fall’s Spider-Man event will be called The Clone Conspiracy, and will feature The Jackal and the clone of Gwen Stacy, possibly bringing a bunch of long dead Spider-Man characters back from the grave. We initially had a very negative reaction to this news, because any Spider-Man title that includes the word “clone” brings back memories of the 1990s Clone Saga… but then we realized that neither of us had actually read all that much of the original Gerry Conway clone stories from the 1970s, or the Clone Saga stories from the mid 90s.

So we ran out and purchased the trade of the original clone stories from 1975 through 1990, and one of the trades of the 90s Clone Saga, to see how we really felt about the clone stories in the face of the actual works. And we discussed, in the face of actual exposure to the clone stories, whether we wanted to see any more clone stories… and whether we did or not, if they could possibly overcome the reputation of the 90s Clone Saga.

We also discuss:

  • Civil War II #2, written by Brian Michael Bendis with art by David Marquez,
  • Superman #1, written by Peter Tomasi with art by Patrick Gleason, and:
  • Batman #1, written by Tom King with art by David FInch!

And, the usual disclaimers:

  • This show contains spoilers. If you don’t want to learn the ending of who wound up with the mantle of Spider-Man at the end of The Clone Saga 21 years ago, you are a wise person with good taste in serialized graphic storytelling! But we’ll still ruin it for you.
  • This show contains adult, profane language, and is therefore not safe for work. If you don’t think your mom wants to hear how there’s a big bit of Hal Jordan in Carol Danvers, then get some headphones.
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dc_rebirth_coverHere’s a warning about this week’s episode right out of the gate: details about DC Universe: Rebirth #1 have leaked to Reddit, including images from that issue. The user who leaked the pages has since deleted his or her account, but those images have been picked up and published by Bleeding Cool (Seriously: there are massive spoilers at that link, so beware), and have led to major spoilers about the book being published across the comics Internet. And those images and spoilers contain a revelation that is not only startling, but infuriating, if not downright rage-inciting, for fans of a particular classic comics property. Like, we sat down to plan this week’s show, found this news item, and chucked everything so we could fume about this move. It stands to possibly be bad, bad mojo for fans of DC who date back to the 1980s.

And we talk about that revelation. So if you want to avoid spoilers for DC Universe: Rebirth #1, you should avoid listening to this week’s episode until you pick up this week’s comics on Wednesday, May 25th. But if you’re not concerned about spoilers, and you care about the legacy of one of the great superhero comics works of the last thirty years, jump on in! We’ll never compromise! Not even in the face of Armageddon!

We also discuss:

  • Future Quest #1, written by Jeff Parker with art by Evan “Doc” Shaner and Steve Rude,
  • Chilling Adventures of Sabrina #5, written by Roberto Aguirre-Sacasa with art by Robert Hack, and:
  • Civil War II #0, written by Brian Michael Bendis with art by Olivier Coipel!

And, the usual disclaimers:

  • This show contains spoilers. Like, terrible spoilers for DC Universe: Rebirth #1. So if you don’t want to have the terrible spoiler revealed, it’s up to you. I leave it entirely within your hands.
  • This show contains adult, profane language, and is therefore not safe for work. If your version of The American Dream is to get fired for listening to bad language at work, it’ll come true. You’re looking at it.
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vision_7_cover_2016It has been a stone bummer of a week when it comes to comic news. From the tragic loss of Darwyn Cooke to DC Comics having to release a statement on sexual harassment in the face of protests over allegations about Superman Group Editor Eddie Berganza, there haven’t been a lot of smiles in comics this week. Hell, when the most welcome news is that Supergirl was renewed and only has to reduce their budget and expatriate to Canada, you’re not talking a barrel of laughs.

But these things all happened, so we talk about them. Particularly the DC Comics harassment issue, as one of us was once harassed in the manner and circumstances in which Berganza is accused of harassing someone back in 2012, and therefore we wanted to share our perspective on it.

But we hate dwelling on negatives in our favorite hobby, so we spend more time than usual talking about actual comics this week, discussing:

  • Southern Bastards #14, written by Jason Aaron with art by Jason Latour,
  • The Vision #7, written by Tom King with art by Michael Walsh,
  • Starfire #12, written by Amanda Conner and Jimmy Palmiotti with art by Elsa Charretier, and
  • Powers #6, written by Brian Michael Bendis with art by Michael Avon Oeming!

And, the disclaimers:

  • This show contains spoilers. We will ruin the ending of the latest Powers story line for you… but then again, since it’s been seven months since the last issue, you probably don’t remember how the story line started.
  • This show contains adult, profane language, and therefore is not safe for work. Sure, the concept of a “kitten chaser” sounds benign, but do you want to risk your employment on it? Didn’t think so. Buy earphones.
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dc_rebirth_first_teaserIt’s been a couple of weeks since DC Comics Co-Publishers Dan DiDio and Jim Lee tweeted their first teasers toward something called “Rebirth,” and  since then, there has been, well, absolutely no concrete hard news whatsoever.

But what there are are rumors. Many, many rumors. From where did the rumors originate? Who knows? But rumors there be, about book cancellations, creative team changes, new books, new first issues, and partial to total reboots. So we talk about them, kick around which sound like good ideas, which seem like terrible mistakes, and wind up in a short-term, love-hate bromance with Dan DiDIo.

We also discuss:

  • Batman: Europa #4, written by Matteo Casali and Brian Azzarello, with art by Gerald Parel, and:
  • Spider-Man #1, written by Brian Michael Bendis, with art by Sara Pichelli!

And, the usual disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like finding a very valid, but… shall we say, alternative, use for your comics.
  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware that you might find out that Batman talks like Phillip Marlowe, and why that’s maybe not a great idea.
  • This show contains adult, profane language, and is therefore not safe for work. You want your boss to find out what “Gank the wingman” means? Then get some headphones.
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jessica_jones_netflixYes, we are back. And yes, it has been a long time. Thanks to the horrors of moving, which include misplaced boxes, emergency repairs, rescheduled workmen, and the Fickle Fingering of XFinity, we are only just now able to return to the Internet Airwaves. Thankfully, it was just in time to binge-watch Netflix’s and Marvel Studios’ Jessica Jones, which dropped its entire first season this past Friday.

So we discuss the series, including how, like with Daredevil, it seems about three episodes too long. We talk about how the series compares to Alias, the Brian Michael Bendis-written comic book the series was based on. And we go over how the story works not only as a classic film noir where the femme fatale is actually the hero, and how it can be seen as a tacit examination and deconstruction of Doctor Who.

We also discuss:

  • Secret Six #8, written by Gail SImone with art by Dale Eaglesham and Tom Derenick, and:
  • Star Wars: Vader Down #1, written by Jason Aaron with art by Mike Deodato, Jr.!

And now, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like discovering why “Comcast” is an unholy word.
  • This show contains spoilers. While we try to shout out warnings ahead of time, just go into this assuming that we will ruin not only Jessica Jones for you, but also 666 Park Avenue and diaper fetishism.
  • This show contains adult, profane language, and is therefore not safe for work. You want your boss to hear a sentence that contains the phrases, “railed,” “in the,” and “heat pump?” Get yourself some headphones.
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heroes-rebornWe’re a couple of weeks out of San Diego Comic-Con, and, even though we can hardly believe it, it turns out that one of the panels we’ll be missing the most? The Heroes Reborn panel on Sunday in Hall H.

I think we can all agree that Heroes kinda went sideways in its later seasons, but we’ve always had a soft spot for the show, ever since seeing the pilot at our very first San Diego Comic-Con. And all these years later, it’s easy to forget just how exciting the show was in its first season. So we discuss what was so exciting about the show in its first season, what went wrong as time went on, what we know about Heroes Reborn, and what we want to see from this miniseries.

We also discuss the Miles Morales-starring Spider-Man book announced by Marvel last week, including what this might mean for Peter Parker, why it was a foregone conclusion that Miles would not only get his own post-Secret Wars book, but keep the name Spider-Man, and what the timing of this announcement might have to do with recent Marvel Studios activity.

We also discuss:

  • We Are Robin #1, written by Lee Bermejo with art by Jorge Corona, and:
  • Gotham by Midnight #6, written by Ray Fawkes with art by Juan Ferreyra!

And, the usual legalese:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like learning why D-Man is to beautiful and ephemeral a character to ever be put on film.
  • This show has a lot of spoilers. While we try to shout out warnings ahead of time, if you want to find out for yourself if they ever Saved The Cheerleader? Be forewarned.
  • This show contains adult, profane language, and is therefore not safe for work. You want your employer to learn the finer points of performing a Spider-Mohinder? Get yourself some headphones.
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