sdcc_logoIt is the last day of San Diego Comic-Con 2014, and Amanda and I took a break from the floor to record a short show. It was short because we are exhausted.

So we spent this truncated show ruminating about how SDCC will tire you out, fray your tempo, make you want to throw a shank into convention volunteers, set you on a path to push joyous children into the closest wall, and make you ready to leave… while still surprising you with new spectacle, cool things to buy, awesome panels, and just flat out fun.

We will probably do a recap show sometime midweek, after we arrive back at the Crisis On Infinite Midlives Home Office, but for now, give a listen and get a sense to how SDCC removes all sense from you.

Enjoy the show, suckers!

Last Sunday at Atlanta’s Dragon*Con, Jim Steranko showed off his four concept paintings of Indiana Jones for pre-production of Raiders of The Lost Ark.

Keep in mind that Steranko painted this, and these others, before a frame was shot and before Harrison Ford – or even Magnum P.I. – was cast, and you’ll finally realize that, between Steranko on Raiders and Ralph McQuarrie on Star Wars, the greatest contribution George Lucas personally made to either project was “Faster”, “More Intense” and “Hire N-Sync so my rat kids shut the fuck up.”

Spielberg and Lucas were so impressed by the initial work that the duo approached Steranko to do fifty more paintings, “one a day up until Christmas,” as it was November at the time at the time of their second meeting…

Spielberg offered an extension until the first of the year, which Steranko candidly declined.

Considering this was 1979 or so, and that the average comic artist can do a page or two of PENCILS a day, I’m guessing that Spielberg then offered Steranko a mountain of cocaine… and considering the Raiders story conference notes, Lucas probably offered him Marie Osmond. (via i09)