dc_rebirth_second_teaserOpen registration for San Diego Comic-Con 2016 came to us on Saturday… and it left us in less than an hour. As has become the norm, the convention completely sold out in less than an hour, and, like many of you, we were frozen out. So we spend a few minutes talking about how SDCC attendance has basically become a lottery system over which we attendees have no control, and discuss various options for making the con more available, from moving it to another city, to expanding San Diego’s facilities, to engaging in a mutually assured destruction nuclear showdown with the United States Navy.

Otherwise, the big comics news of the week was that DC Comics finally shared some details about their long-teased Rebirth event. And while story details are still scarce, we talk about how DC swears this isn’t a reboot (Even as all but two of their titles are being renumbered to #1), why DC needs to do something like this, what titles we can look forward to starting in June, speculate about what creative teams we’d like to see on those books, and complain that none of those books are Ambush Bug.

We also discuss:

  • American Monster #2, written by Brian Azzarello with art by Juan Doe, and:
  • Standoff: Welcome to Pleasant Hill #1, written by Nick Spencer with art by Mark Bagley!

And, the disclaimers:

  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware that you will hear more theories than you would like about the unholy nature of PuppyMonkeyBaby.
  • This show contains adult, profane language, and this therefore not safe for work. You want your employer to hear about our devious plan that includes a Deadpool costume, Deely Bobbers and pointed questions about the toilet reading habits of particular members of DC Editorial? Then get some good headphones.
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holy_f-cked_wolverine_coverA long time ago, when we barely had the equipment to record people who weren’t in the same room with us, we interviewed a couple of comic creators who were on the cusp of releasing their first print comic through a proper comic book publisher. It was also our first interview with comic creators, on new and untested equipment, and even though everyone involved was on untrod ground, it was one hell of a lot of fun.

Now, a year later, we have much better and more trusted equipment, and a lot more experience talking to people remotely. In addition, those two creators not only released their comic, but got the greenlight to publish a sequel, a bunch of good press around the book, and visited San Diego Comic-Con. And since they are now on the cusp of releasing the trade paperback of the sequel to their first comic, it seemed like a good time to check back in and see how the last year of relative success in comics affected them.

So in this episode, we talk with Holy F*ck and Holy F*cked creators Nick Marino and Daniel Arruda Massa, ostensibly to talk about the impending release of the trade paperback of Holy F*cked  but we also get into what it’s like to have some success in a local indie comics community, the pros and cons of variant covers for indie comics, how 90s comics affected Generation X vs. Generation Y, how San Diego Comic-Con arguably isn’t as big a deal for mid-level creators as it is for anyone else, and acting in reality TV. Oh, and we talk about how Crisis On Infinite Midlives might be the cause of one of the more graphic and talked-about panels in Holy F*cked.

Amanda and Rob also discuss:

  • Spider-Man / Deadpool #1, written by Joe Kelly with art by Ed McGuinness, and:
  • Swamp Thing #1, written by Len Wein with art by Kelley Jones!

And now, the disclaimers:

  • We record this show live to tape, with minimal editing (although we edited a tangent out of our interview that made no sense if you weren’t on the live video feed at the time). While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like not just a discussion about man-nipples, but a year-long continuation of a discussion about man-nipples.
  • This show contains spoilers. While we try to yell out warnings ahead of time, just assume you will learn which son of a god will be crucified in Holy F*cked (helpful hint: the answer will totally surprise you!).
  • This show contains adult, profane language, and is therefore not safe for work. You want to explain to your boss the particular Facts of Life that lead to a baby named “Rad Christ”? Then buy headphones.
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BatmanVsSupermanVsDarkKnightSan Diego Comic-Con was this week, and for the first time in nine years, we were not there. And not being at SDCC is a weird experience for us, so we spend a little time talking about how technology like Twitter and YouTube have made it possible to learn most of the big, important news from the show floor, while not in any way reproducing the little experiences that you can only get straight from the scene. Like being accosted by evangelicals, or getting intoxicated on local beers. Sometimes at the same time.

However, we did have our own personal lifeline to the show floor: Los Angeles comedian Gariana Abeyta, who guested on our favorite SDCC 2014 episode, and who managed to snag four-day passes to this year’s convention. Gariana was good enough to call into the show this morning, and it is a short glimpse not only into some hard news about some Hall H events, but into how the mind starts to go after four days of non-stop spectacle.

One of the big items to come from Comic-Con was the first full Batman V Superman: Dawn of Justice trailer, which was officially released just hours after the Warner Bros. panel. And Amanda and I spend some time breaking it down, discussing the implied backstory of Batman (including the fate of at least one Robin), Superman’s questionable upbringing, and Lex Luthor’s terrible, terrible Kip Winger-pelt toupee.

We also discuss: Civil War #1, written by Charles Soule, with art by Leinil Francis Yu!

And, as usual, the disclaimers:

  • We record this show live to tape, with minimal editing (although this episode, we cut Gariana’s call in from an earlier recording). While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like figuring out where Superman likes to whip out his Codex.
  • This show contains spoilers. While we try to shout out warnings ahead of time, you should assume that we will ruin the fact that in Civil War, what we’ve got here is a failure to communicate.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you want your employer to learn the word that we’ve decided will keep us from mainstream fame and fortune, you should get some headphones.

And, in case you missed it, here’s that SDCC 2015 Batman V Superman: Dawn of Justice trailer:

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robobunny_batman_capulloWe are back, after a week spent upgrading various parts of our online infrastructure! Which was exactly as exciting as it sounds! Provided you are Lex from Jurassic Park and know Unix! Unlike us!

And we came back just in time for an almost complete comics news drought. This happens ever year in the couple of weeks leading up to San Diego Comic-Con; the publishers save their big announcements for the show, while leaking only little things, like TV casting announcements.

So the news about comics winds up being news about comics at SDCC. So this week, we discuss a couple of announcements about the convention itself, including some of the… shall we say, odder… convention exclusives that some vendors are making available, to the announcement that Marvel Studios won’t be having a Hall H presence this year, while Star Wars and DC / Warner Bros. (probably) will be having a big one.

And we took the opportunity afforded by a relatively slow news week to talk about more of this week’s comics than usual, including:

  • Starve #1, written by Brian Wood with art by Daniel Zezelj,
  • Starfire #1, written by Amanda Conner and Jimmy Palmiotti with art by Emanuela Lupacchino,
  • Constantine, The Hellblazer #1, written by Ming Doyle and James Tynion IV with art by Riley Rossmo, and
  • Batman #41, written by Scott Snyder with art by Greg Capullo!

And, as usual, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like learning why putting a cape on your office chair means Gotham City is doomed.
  • This show contains spoilers. While we try to shout out warnings ahead of time, please be aware that we might ruin stuff for you.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you want your employer to hear multiple references to a sketchy, ten-dollar party, get some headphones.

Enjoy the show, suckers!

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c2e2_logoIt’s a somewhat truncated show this week, as Rob has been battling a bug for the past couple of days. However, The Show Must Go On, particularly when you do a show about superhero comics during a week when the first medically-created superpowers were discovered. Sure, they’re crappy superpowers, and they run the risk of making you see C’thulhu in every dark corner, but I guess you’ve gotta start somewhere.

More importantly, we wanted to announce that while we will not be covering this year’s San Diego Comic-Con, we will be covering The Chicago Comic And Entertainment Expo the last weekend in April! So in this episode we talk about why we chose to cover that particular convention, a preliminary schedule of podcast episodes we’ll be releasing during and after the con, some of the more interesting panels we want to take in and cover, and how C2E2’s guest roster and programming schedule remind us pretty strongly of SDCC as it was ten years ago.

We also discuss:

  • Darth Vader #3, written by Kieron Gillen with art by Salvador Larroca, and:
  • Miami Vice: Remix #1, written by Joe Casey with art by Jim Mahfood!

And now the disclaimers:

  • We record this show live to tape. While it might mean a looser comics podcast than you’re used to, it also means that anything can happen. Like finding out whether “pig slapping” means what Amanda thinks it means.
  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware that we might ruin your knowledge of the current mental state of Lt. Martin Castillo (that state being “shaky.” See? Spoilers everywhere!).
  • This show contains adult, profane language, and is therefore not safe for work. Do you want your boss to know Rob’s definition of “pig slapping”? Of course not. Get some headphones.
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sdcc_logoIt has been another apocalyptic week at the Crisis On Infinite Midlives Home Office. Continued terrible weather in Boston has led to water pouring into our walls, eliminating our Internet connectivity and therefore our access to any kind of comics news. In fact, this episode is being published thanks to the free Wi-Fi at our local bar, which is the only reason we are here. Yup. No uncontrollable drinking problem here! You don’t know us! You think you’re better than us?

Ahem.

So without much in the way of comics news, we spend this episode talking about what we know. And this week, what we know is trying to register for San Diego Comic-Con 2015. So we discuss the process, what we like, what we don’t, and how it has evolved over the years.

And here’s a little appeal: since it looks like we might not be able to attend SDCC in July, we’re looking for another regional convention we might take a crack at covering. So if you have a favorite convention that takes place over the summer that you think we should cover, let us know at crisisoninfinitemidlives at gmail dot com!

We also discuss:

  • Moon Knight #12, written by Brian Wood with art by Greg Smallwood, and:
  • Justice League #39, written by Geoff Johns with art by Jason Fabok!

And now, the legalese:

  • We record this show live to tape. While this might mean it’s a looser comics podcast than you might be used to, it also means that anything can happen. Like a discussion about how Amazo would lose to Captain Underpants.
  • This show contains spoilers. While we try to shout warnings ahead of time, be aware that we might ruin plot point or two.
  • This show contains adult, profane language, and is therefore not safe for work. You want your boss to hear about the frustrations about a swirling blue hole? Didn’t think so. Get some headphones.
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ConvergencePromo_1200Pre-registration for San Diego Comic-Con 2015, for people who attended SDCC in 2014, came and went yesterday, and it marked the first disappointment for would-be attendees who didn’t manage to snag passes… including us. So we spend some time talking about the process, how it differed from registration procedures over the past ten years, and whether there are any other fair options that can balance the need to allow as many people as possible to experience the con, against the horrors of being forced to impotently watch the Blue Ring of Disappointment.

In addition, DC announced their spring crossover event, Convergence, and it was interesting in that it could bring back some pre-Flashpoint characters, it might roll back some New 52 changes, and it sounds suspiciously similar to Marvel’s upcoming Secret Wars event. So we talk about how these respective events might affect their greater continuities, for which publisher this might be a better and stronger move, and ultimately, which one we’re most looking forward to.

We also talk about:

  • Grayson #4, written by Tim Seeley with art by Mikel Janin, and:
  • Spider-Verse #1, written by Dan Slott with pencils by Olivier Coipel!

And now the legalese:

  • This show is recorded live to tape. While this might mean a looser comics podcast than you’re used to, it also means that anything can happen. Like the observation that, if people bitten by radioactive spiders throw off irresistible pheromones, then Spider-Verse will become a very sticky place for reasons other than webbing.
  • This show contains spoilers. While we try to shout out warnings ahead of time, just assume that we might ruin everything you love.
  • This show contains adult, profane language, and is therefore not safe for work. Your boss doesn’t have Spyral’s nano-bugs, so all you’ll need is some headphones.

Oh, and here’s that Marvel Secret Wars video we talked about:

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SadGirlCWOf all the weeks to be running into issues every time Rob and I want to sit down and try to bang out the damn podcast.

So, you may have noticed for the last couple nights we’ve thrown up a quick site business to explain the delay of our typical Sunday night podcast, which tens of you have come to know and rely on. If it wasn’t full on internet drought in the wilds of northern New England (and, frankly, how dare the White Mountains have no fucking Wi-Fi, amiright?), it was traffic and travel related. Tonight? Skynet. No, but seriously, Rob has run into an issue at his job he needs to stay ridiculously late for. I’d do the podcast myself, but I think we all know that while I’m good at saying really awful things at inopportune times, the show really needs Rob’s dick jokes to bring the whole thing into full focus. They say write about what you know and I am, well, dickless. It’s true. I checked.

It’s absolutely the worst time to find life hamstringing us like this; there are a lot of really interesting stories that have come out of New York Comic Con. For example, the attendance numbers at NYCC reportedly exceeded those of the San Diego Comic-Con. This year, 151,000 separate attendees all washed up on the doorstep of the Javitz Center. That is 21,000 more than San Diego. Given the crush of humanity that is the SDCC experience, I can only imagine what it must have been like to try to move around in that. It’s a mixed blessing. As more and more folks come out to see what all the geek fuss is about, the harder it is to actually get around to see all the panels, pros, vendors, and general weirdness that we’re all coming out to celebrate. NYCC has already set a date next year for October 8-11, 2015. The good news for folks who are specifically out to celebrate comics culture though is that there will be a special comics oriented edition in June on the 13th and 14th. This is actually a trend I’d like to see continue for some of the bigger cons. I hope it is a sign of more mindfully planned, better targeted convention experiences for fans going forward.

And then there is some of the news coming out of comics entertainment press in the past couple days.

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guardians_of_the_galaxy_movie_posterWe have safely returned from San Diego Comic-Con 2014, so Amanda and I do a final postmortem of the experience… as we prepare to turn right back around to attend and cover Boston Comic Con next weekend.

We also discuss:

  • The new Guardians of The Galaxy movie and how it is one of Marvel Studios best… while still not being perfect,
  • Guardians of The Galaxy #17, written by Brian Michael Bendis with art by Nick Bradshaw and Michael Avon Oeming, and
  • Fatale #24, written by Ed Brubaker with art by Sean Phillips!

And now, the legalese:

  • This podcast is recorded live to tape. This might mean more pauses and rough spots than you might be used to in a comics podcast, but it also means that anything can happen.
  • This show contains spoilers. While we try to warn before dropping them, be aware that they might come at any time.
  • Amanda and I use adult, profane language, and therefore this show is not safe for work. Dr. Dre didn’t spend 18 bucks on research and development for you to listen to podcasts on speakers.

As an aside, this episode is our first show as a member of the Comics Podcast Network. It’s a cool site that features nothing but podcasts about comics and comic culture. We’ve found a few killer shows there that we like listening to, and we’re excited to be joining their ranks. Check them out to find other viewpoints about our favorite hobby!

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sdcc_logoIt is the last day of San Diego Comic-Con 2014, and Amanda and I took a break from the floor to record a short show. It was short because we are exhausted.

So we spent this truncated show ruminating about how SDCC will tire you out, fray your tempo, make you want to throw a shank into convention volunteers, set you on a path to push joyous children into the closest wall, and make you ready to leave… while still surprising you with new spectacle, cool things to buy, awesome panels, and just flat out fun.

We will probably do a recap show sometime midweek, after we arrive back at the Crisis On Infinite Midlives Home Office, but for now, give a listen and get a sense to how SDCC removes all sense from you.

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