legend_of_luther_strode_3_cover_2013Editor’s Note: Did you know a young boy drowned the year before those two others were killed? The editors weren’t paying any attention… They were making spoilers while that young boy drowned.

Justin Jordan needs to stop, take a breath, and be very, very careful from here on out. Don’t worry, I will explain.

If 2011’s The Strange Talent of Luther Strode was inspired by a 1980 horror movie, then its sequel, The Legend of Luther Strode, is clearly shaping up to be at least somewhat inspired by a 1980s sequel to a horror movie: Aliens. I say this in the sense that, where Alien was a moody, claustrophobic story about an unstoppable monster picking people off one by one, Aliens instead was a big damn action movie that used the trappings of the original movie, like facehuggers, soldier aliens and acid blood, as a plot device to allow people to blow a bunch of shit the fuck up.

And for most of the first three issues of The Legend of Luther Strode, writer Justin Jordan has delivered a very similar experience. He has taken the details set up in the original series – superhuman strength and speed, the ability to see and foretell the physical effects of pending violence, and being pretty much all but bulletproof – and used them to set up not only big action setpieces of Luther stomping the crap out of gangs of criminals who are a motion tracker and a “Game over, man!” away from being Colonial Marine cannon fodder, but long battle sequences between Luther and similarly-powered Binder. Throw in Luther’s friend Petra – a regular woman with a surfeit of cojones running around this superpowered mayhem with just a gun – and Jordan even has his Ripley, albeit in a supporting role. All we’re missing is the damn ship’s cat and Lance Hendriksen… and based on his current filmography, he’d probably show up if Jordan asked nicely and offered a hot meal.

But if this latest Luther Strode series is, in fact, Aliens, then there must be an alien queen. And in The Legend of Luther Strode #3, we meet a contender – I say “contender” because halfway through the series is a little early to be really meeting the final Big Bad – and this contender is… shall we say, problematic. Problematic in the sense that his identity is such a bold move that it can really only elicit one of two responses.

Those responses being either, “Wow!”, or “…are you fucking kidding me?

If The Strange Talent of Luther Strode was the origin tale of an 80s slasher film-style killing machine wrapped up in a superhero story, then it would stand to reason that the sequel would have to be the actual horror movie. This is a somewhat tricky proposition, because despite the similarities between a superhero and a slasher flick villain – on a mission, with a distinctive outfit and / or mask, and apparently indestructible – a horror movie is not a superhero story.

In a slasher film, the killer is “other,” appearing from out of nowhere and picking off the people who are the primary protagonists and the focus of the story. Further, while many if not most of the victims might, for whatever reason, “need killing” (for having sex or smoking pot or drinking underage – hey Mom! You were right! I do need killing!), there needs to be one character for whom the audience is invested and pulling for to escape, if not defeat, the unstoppable force in the shadows. And it is one hell of a proposition to try to tell a story about a superhero in a story format where you have to not only stick him in the background, but find someone you like enough to hope that she (because it’s always a “she” who winds up facing down the killer in slasher films, isn’t it?) kills your hero.

If I were Luther Strode writer Justin Jordan, I would look at these challenges, smile, cut my losses and walk away. However, in the first issue of The Legend of Luther Strode, he instead embraces the story structure of a slasher film, taking the risk of pulling focus away from Luther and putting it on his “victims,” and gives us an antagonist for Luther who, at this point anyway, I wouldn’t mind seeing maybe win.

But again, the question is: does the slasher story format work in what is ostensibly a superhero comic?