It Came From The Past – Revisiting Jamie Delano’s Outlaw Nation

Back in 2000, Jamie Delano, wrote a nineteen issue series for Vertigo called Outlaw Nation with co-creator Goran Sudžuka. In 2006, Image and Desperado Publishing released a 456 page bound edition of the collected issues, printed in black and white. The series is inspired by the idea of “Johnsons”, not a cock euphemism here but, rather:

Derived from a 19th century slang term for hobos and petty thieves, “Johnsons” were characterised by Jack Black in his 1926 autobiography as a society of “yegs” – outlaws and small-time crooks – who were nonetheless honorable in their dealings with one another and always ready to help out those in trouble. Black’s concept of the Johnson Family was inspirational to William S. Burroughs, who developed his own inimitable version in The Place of Dead Roads . . . to Burroughs, a person is either a “Johnson” or a “shit”. – Delano, from the introduction of Outlaw Nation, Collected Edition

“Shits” are lawmakers, “busybodies who persecute those engaged in victimless crime”. The “Johnsons” would see that put to an end.

Delano takes this idea and creates a vast collection of characters in an extended Johnson Family, outlaws and anti-heroes carved from every conceivable American cultural icon from the past 100 years and then some – Old Time Western Law Man, Hippie Chick (Now Older And Wiser), Biker, Saloon Owner, Lost War Veteran and more. They’re all here and all seemingly related.

In a week in which Marvel continues to drag out Fear Itself: The Phantom Menance The Fearless, in which I finally was subjected to saw the Green Lantern movie, and, in which the newly rebooted DC Universe has decided that it’s already so bored with itself that it needs to begin crossovers among its books to try and keep its readers interested and buying them, it’s safe to say that this five year old graphic novel was far more interesting than anything else that was in my pull pile or other viewing this week.

More, with spoilers, after the jump.

Occupy Gotham: Detective Comics #5 Review

EDITOR’S NOTE: Spoiler alert! No, not Stephanie Brown, I just ruin the story for you.

The first four issue arc of Detective Comics was one of the most pleasant surprises of DC Comics’ New 52: tightly written with an interesting new villain, excellent art, and with the best cliffhanger of all September’s comics where The Joker’s face is apparently torn off and nailed to a wall. And what was most remarkable about the run to me was that it was written by Tony Daniel, who is first and foremost an artist. Now we’re on issue five. And it turns out that as a writer? Maybe Tony Daniel is a hell of an artist.

This  issue really felt like Daniel said, “Okay, I put my all into those first four issues… now what the fuck am I gonna do?” He opens up with a riff on Occupy Wall Street – which means he probably only came up with this arc within the past couple of months – and since this protest is pro-Joker, it just falls flat to me. Don’t get me wrong, as a Watchmen fan, I am totally willing to accept the concept of a good anti-vigilante demonstration in comics, but pro-Joker? In Gotham City? That’s about as believable as a pro al-Queda rally in lower Manhattan, or a pro-Beiber riot in Max’s Kansas City. It just doesn’t ring true.