boston_comic_con_banner517491478Boston Comic Con, our local convention, was this weekend, and we went after it with both hands, hammer and tong… until we realized that we’d hit all the comics news panels by the end of the first day, collected all our commissions and desired books by midday on the second, and had one working hip between the two of us by the beginning of the third.

But our infirmities didn’t stop us from seeing the whole floor and attending some excellent comics panels. So we talk about this year’s show in general, some of the creators we met and the loot we scored, and then we talk the DC Universe Panel.

Held Friday, hosted by DC Co-Publisher Dan DiDio with panelists Aaron Lopresti, Phil Jimenez, Amanda Conner and Jimmy Palmiotti, the panel stayed away from DC: Rebirth news (other than providing some of the reasoning behind making the move), and focused more on the creators, their motivations, their inspirations, and how they managed to get some of their most high-profile gigs. And we not only talk about the panel, but we present audio direct from the show! It’s like you’re there! If you were there with two drunks able to stop the panel at will to interject with mouthy sarcasm!

And, before you ask: yes, we did attend the Frank Miller spotlight panel, and yes: we have audio. And we will present and discuss that panel during next week’s show.

And, the disclaimers:

  • Due to limited time (the convention ended today, for God’s sake), we were unable to clean up the panel audio as much as we would have liked. It should still be perfectly audible and understandable, but we apologize if it’s a little muddy.
  • This show contains adult, profane language, and is therefore not safe for work. One of our audio tracks is named “Scratch ‘N Sniff Beaver.” You are forewarned.
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amc_preacher_jesse_posterIt’s the end of the week of May 25th, 2016: the Wednesday the Big Two drooled on themselves, shrieked “Excelsior!” into the Black Void, and keeled over. At least if you believe the Internet comments.

But before we talk about that, there was one major positive for comics fans this week: AMC debuted the pilot episode of their adaptation of Garth Ennis’s and Steve Dillon’s Preacher this past Sunday. We’re big fans of the comic, which really meant something to us… back when we were in our twenties, same as the characters back in the original 1990s comic. Both we and the comic are older now, with different lifestyles and priorities, so the question is not only whether or not Preacher is a worthy adaptation of the classic Vertigo comic, but can it have the same effect as it did when we were in our twenties?

That’s the good news. The bad news is that we also discuss:

  • Steve Rogers: Captain America #1, written by Nick Spencer with art by Jesus Saiz, and:
  • DC Universe: Rebirth #1, written by Geoff Johns with art by, well, many, many people!

And, as always, the disclaimers:

  • This show contains spoilers. So be aware: if you haven’t been spoiled on the events of either Steve Rogers: Captain America #1 or DC Universe: Rebirth #1, then you clearly haven’t had any access to the Internet and therefore can’t read this warning anyway. But rest assured: we’ll be spoiling them.
  • This show contains adult, profane language, and is therefore not safe for work. We recite Preacher’s recipe for making a homemade bazooka in this episode. You don’t want your boss to hear that any more than we want this episode entered into evidence in a Felony Menacing trial. So get some headphones.
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vision_7_cover_2016It has been a stone bummer of a week when it comes to comic news. From the tragic loss of Darwyn Cooke to DC Comics having to release a statement on sexual harassment in the face of protests over allegations about Superman Group Editor Eddie Berganza, there haven’t been a lot of smiles in comics this week. Hell, when the most welcome news is that Supergirl was renewed and only has to reduce their budget and expatriate to Canada, you’re not talking a barrel of laughs.

But these things all happened, so we talk about them. Particularly the DC Comics harassment issue, as one of us was once harassed in the manner and circumstances in which Berganza is accused of harassing someone back in 2012, and therefore we wanted to share our perspective on it.

But we hate dwelling on negatives in our favorite hobby, so we spend more time than usual talking about actual comics this week, discussing:

  • Southern Bastards #14, written by Jason Aaron with art by Jason Latour,
  • The Vision #7, written by Tom King with art by Michael Walsh,
  • Starfire #12, written by Amanda Conner and Jimmy Palmiotti with art by Elsa Charretier, and
  • Powers #6, written by Brian Michael Bendis with art by Michael Avon Oeming!

And, the disclaimers:

  • This show contains spoilers. We will ruin the ending of the latest Powers story line for you… but then again, since it’s been seven months since the last issue, you probably don’t remember how the story line started.
  • This show contains adult, profane language, and therefore is not safe for work. Sure, the concept of a “kitten chaser” sounds benign, but do you want to risk your employment on it? Didn’t think so. Buy earphones.
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dc_rebirth_second_teaserOpen registration for San Diego Comic-Con 2016 came to us on Saturday… and it left us in less than an hour. As has become the norm, the convention completely sold out in less than an hour, and, like many of you, we were frozen out. So we spend a few minutes talking about how SDCC attendance has basically become a lottery system over which we attendees have no control, and discuss various options for making the con more available, from moving it to another city, to expanding San Diego’s facilities, to engaging in a mutually assured destruction nuclear showdown with the United States Navy.

Otherwise, the big comics news of the week was that DC Comics finally shared some details about their long-teased Rebirth event. And while story details are still scarce, we talk about how DC swears this isn’t a reboot (Even as all but two of their titles are being renumbered to #1), why DC needs to do something like this, what titles we can look forward to starting in June, speculate about what creative teams we’d like to see on those books, and complain that none of those books are Ambush Bug.

We also discuss:

  • American Monster #2, written by Brian Azzarello with art by Juan Doe, and:
  • Standoff: Welcome to Pleasant Hill #1, written by Nick Spencer with art by Mark Bagley!

And, the disclaimers:

  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware that you will hear more theories than you would like about the unholy nature of PuppyMonkeyBaby.
  • This show contains adult, profane language, and this therefore not safe for work. You want your employer to hear about our devious plan that includes a Deadpool costume, Deely Bobbers and pointed questions about the toilet reading habits of particular members of DC Editorial? Then get some good headphones.
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dc_rebirth_first_teaserIt’s been a couple of weeks since DC Comics Co-Publishers Dan DiDio and Jim Lee tweeted their first teasers toward something called “Rebirth,” andĀ  since then, there has been, well, absolutely no concrete hard news whatsoever.

But what there are are rumors. Many, many rumors. From where did the rumors originate? Who knows? But rumors there be, about book cancellations, creative team changes, new books, new first issues, and partial to total reboots. So we talk about them, kick around which sound like good ideas, which seem like terrible mistakes, and wind up in a short-term, love-hate bromance with Dan DiDIo.

We also discuss:

  • Batman: Europa #4, written by Matteo Casali and Brian Azzarello, with art by Gerald Parel, and:
  • Spider-Man #1, written by Brian Michael Bendis, with art by Sara Pichelli!

And, the usual disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like finding a very valid, but… shall we say, alternative, use for your comics.
  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware that you might find out that Batman talks like Phillip Marlowe, and why that’s maybe not a great idea.
  • This show contains adult, profane language, and is therefore not safe for work. You want your boss to find out what “Gank the wingman” means? Then get some headphones.
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legends_of_tomorrow_bannerIt’s been a week since Dan DiDio and Jim Lee hyped an upcoming project or event with a photo of some curtains and the word “Rebirth.” Last week, the comics Internet was abuzz with rumors that it meant a reboot or a return to pre-New 52 continuity or any number of other things. Well, it’s been a week, and in that time, we’ve learned… exactly nothing new whatsoever. But a few tidbits and Tweets have let us to come up with a new theory about the project, which, since we are, after all, part of that selfsame comics Internet, we are more than happy to discuss and kick around.

But one concrete new thing we can all address is the CW show DC’s Legends of Tomorrow. The pilot to the new show aired over the past couple of weeks, so we talk about what parts of the show work, which ones don’t, which characters are gonna need some attention, and why Hawkgirl is part of columns B and C.

We also discuss:

  • Grayson #16, written by Tim Seeley and Tom King, with art by Mikel Janin, and:
  • Old Man Logan #1, written by Jeff Lemire with art by Andrea Sorrentino!

And, as usual, some disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like a discussion why Rip Hunter’s time ship should be called “The Re-TARDIS.”
  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware that we will spoil why Old Man Logan spoils Frank Miller’s and Chris Claremont’s Wolverine.
  • This show contains adult, profane language, and is therefore not safe for work. You want your boss to find out what happens when a podcast host eats about a million chocolate-covered coffee beans and stares at Batman’s utility belt area? Then get some earbuds.
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willard_scottAll right, it’s our one hundredth episode. Let’s not make a thing out of it. Seriously: we don’t. Sure, we spend a few minutes reflecting on where we are and where we came from, and maybe have a little too much Liquid Celebration to commemorate making it this far, but honestly? There was too much comics and genre news this week to spend too much time naval gazing.

We start off by discussing this week’s announcement that Star Wars: Episode VIII has been delayed from May to December, 2017. We talk about how the rumor is that the screenwriters want to rework the story to focus more on Finn and Poe, and how the move is a slap in the face to the fortieth anniversary of the debut of Star Wars… but mostly we talk about how waiting for a Star Wars movie is different when you stop being half a decade away from being just a glint in your dad’s eye and start being half a decade away from being a card-carrying member of AARP.

We move on to the news that Doctor Who showrunner Steven Moffat is leaving the show in favor of writer and longtime fan Chris Chibnall… eventually. You know, after 2016, when there will only be a Christmas special. And after Moffat’s farewell season sometime in 2017. Chibnall really should read The Late Shift, that’s all we’re saying.

But that’s not all! Being that kind of week, it was also when Bleeding Cool ran some stories about DC Comics maybe rebooting the DC Universe, maybe returning it to its post-Crisis, pre-New 52 state… or maybe about them doing not very much at all. So we discuss the rumors versus the actual concrete knowledge, and wind up bemoaning the idea of comics that slavishly follow their movie and television counterparts.

And on the comic book front, we discuss:

  • Batman #48, written by Scott Snyder with art by Greg Capullo,
  • Titans Hunt #4, written by Dan Abnett with art by Stephen Segovia, and:
  • I Hate Fairyland #4, written and drawn by Skottie Young!

And, even after 100 episodes, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you’re used to, it also means that anything can happen. Like learning that, on some level, the only difference between Star Wars and Barney MillerĀ is finger counting.
  • This show contains spoilers. We try to give you warnings ahead of time, but go into this assuming that we are going to screw up your ability to think of Star Wars without contemplating the sweet release of death.
  • This show contains adult, profane language, and is therefore not safe for work. Do you think your employer’s life will be enriched by learning the origin of the phrase, “The Wet Thunk”? Then get yourself some headphones.
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BCC2015LogoLongWe conclude our coverage of Boston Comic Con 2015 first by bemoaning the nearly literal biblical weather and plagues that prevented us from releasing it on Thursday as we originally planned.

Once we get that out of our system, we discuss the panels that we were able to attend at this year’s Boston Comic Con: Spider-Verse, Marvel Universe, IDW Comics, and the DC Comics panel. And not only do we talk about them, but we share a load of audio we recorded at those panels, from creators like Brian Azzarello, Scott Snyder, Jimmy Palmiotti, Jason Latour, Ming Doyle, Annie Wu, Sara Richard, Joe Hill, Gabriel Rodriguez, and a bunch of others!

We also talk about the differences between the panel delivery styles of each publisher, why you seem to get more hard information from DC Comics than you do Marvel, and why the IDW panel gave us the best explanations of why publishers pursue licensed comics, and why colorists are more important than most of us think, than we’ve heard in 40 years of reading comics.

And, as always, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might make this a looser comics podcast than you are used to, it also means that anything can happen. Like learning why Rob’s childhood memories include armpits bleeding goo.
  • This show contains adult, profane language, and is therefore not safe for work. Convention panelists try to keep things clean. They are better people than we are. Get some headphones.
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dc_twix_adWhile it might not be the biggest comics-related news of the week, it was an item that particularly infuriated us: the confirmation that DC Comics would be running half-page ads on two comic pages in their June comics.

While the news isn’t as dire as the original rumor made things out to be, putting advertising on comic pages even for just a month is potentially a slippery slope. So we talk about not just being enraged by more and more intrusive advertising, but the effect that accepting half-page ads could have on comic storytelling, story length, creator compensation, the secondary comics art market, and worst of all: people thinking that Twix is an acceptable candy choice.

This week also brought us the end of DC’s Convergence event. Which, as promised, seems to have opened up the entirety of DC’s history to modern storytellers… but at what cost? We talk about Brainiac’s passive characterization at the end of the story, and more importantly, DC’s seeming off-camera utter nullification of one of the biggest and arguably most important comic stories of all time.

We also talk about:

  • Fight Club 2 #1, written by Chuck Palahniuk with art by Cameron Stewart,
  • Grindhouse #5: Lady Danger: Agent of B.O.O.T.I, written by Alex De Campi with art by Mulele Jarvis, and:
  • Where Monsters Dwell #1, written by Garth Ennis with art by Russ Braun!

And now the standard disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like Rob’s discussion with beloved and abused parts of his anatomy.
  • This show contains spoilers. While we try to shout out warnings ahead of time, just assume that we are not following the first rule of Fight Club.
  • This show contains adult, profane language, and is therefore not safe for work. You want your boss to hear about some slightly shadier (and made up) Twix products? Trust me, you do not. Get some headphones.
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secret_wars_teaser_alex_rossIt is Mother’s Day today, which means a somewhat shorter and truncated show this week. Because when you’re a son or a daughter, you need to honor your mother on Mother’s Day. And it turns out that you need to do that whether you remember she’s visiting that day, or whether they need blind telephone technical support for several hours. Because she’s the woman who gave birth to you, and saying, “But we have a podcast to record!” isn’t a good excuse. Particularly when you don’t want Mom to know that you have a podcast.

So this week, we take advantage of the fact that Convergence is half over to discuss the previews of post-Convergence books, both new and old, that DC has released this week. The books run the gamut from humor to sci-fi to action to apparent political horror, so we talk about Doomed, Red Hood and Arsenal, Starfire, Midnighter, Green Lantern, Green Arrow, Omega Men, Detective Comics, Section Eight, and Prez.

But the big deal in this week’s comics was the first issue of Marvel’s Secret Wars, where Jonathan Hickman spits on his hands and takes Marvel the whole Crisis route. However, Secret Wars #1 isn’t Crisis. So we talk about how Hickman has put Marvel through it’s own Kobayashi Maru test, and given us a superhero story where nobody acts like a superhero, everyone seems to act in their own self-interest, and heroes act like they never have before in order to make sure everyone’s in the right place to service the plot. Ultimately, we talk about how this is a story that is very consistent with Hickman’s general style… and how that might not be the best thing for some of these characters.

And now, the disclaimers:

  • We record this show live to tape. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like speculation about the musky flavor profile of Dead Guy Whiskey.
  • This show contains spoilers. While we try to shout out warnings ahead of time, just assume that you are going to learn exactly why Reed Richards is a d**k.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you want your employer to learn our new cocktails based on Dead Guy Whiskey, get some headphones.
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