The Shape of Things To Come: The Legend of Luther Strode #1 Review

If The Strange Talent of Luther Strode was the origin tale of an 80s slasher film-style killing machine wrapped up in a superhero story, then it would stand to reason that the sequel would have to be the actual horror movie. This is a somewhat tricky proposition, because despite the similarities between a superhero and a slasher flick villain – on a mission, with a distinctive outfit and / or mask, and apparently indestructible – a horror movie is not a superhero story.

In a slasher film, the killer is “other,” appearing from out of nowhere and picking off the people who are the primary protagonists and the focus of the story. Further, while many if not most of the victims might, for whatever reason, “need killing” (for having sex or smoking pot or drinking underage – hey Mom! You were right! I do need killing!), there needs to be one character for whom the audience is invested and pulling for to escape, if not defeat, the unstoppable force in the shadows. And it is one hell of a proposition to try to tell a story about a superhero in a story format where you have to not only stick him in the background, but find someone you like enough to hope that she (because it’s always a “she” who winds up facing down the killer in slasher films, isn’t it?) kills your hero.

If I were Luther Strode writer Justin Jordan, I would look at these challenges, smile, cut my losses and walk away. However, in the first issue of The Legend of Luther Strode, he instead embraces the story structure of a slasher film, taking the risk of pulling focus away from Luther and putting it on his “victims,” and gives us an antagonist for Luther who, at this point anyway, I wouldn’t mind seeing maybe win.

But again, the question is: does the slasher story format work in what is ostensibly a superhero comic?

Plague Bunny: Stan Sakai On Usagi Yojimbo Hiatus

Crisis On Infinite Midlives contributor Trebuchet has been dealing with some health problems over the past few months, and is about to undergo a surgical procedure to resolve them (although we who have known him for a long while believe that the most beneficial surgery he could undergo would be the one that locates his balls).

While Trebuchet swears that the procedure is minor with a good prognosis, we have been looking for a Get Well gift for him. Since we know that he is not the world’s biggest superhero comics fan, and we further know that he is a fan of the Dark Horse comic Usagi Yojimbo, it would seem that a few new issues of that book would be a gimme. Problem is: Usagi Yojimbo creator Stan Sakai has taken a break from that book to work on 47 Ronin with Dark Horse Comics publisher Mike Richardson. Now that is some crappy timing.

Thankfully, rather than putting us into the position of having to explain the lack of Usagi Yojimbo comics to Trebuchet, Sakai has jumped into his own creation to explain the break to its title character. An partial explanation of which you can get a taste after the jump.