BCC2015LogoLongWe conclude our coverage of Boston Comic Con 2015 first by bemoaning the nearly literal biblical weather and plagues that prevented us from releasing it on Thursday as we originally planned.

Once we get that out of our system, we discuss the panels that we were able to attend at this year’s Boston Comic Con: Spider-Verse, Marvel Universe, IDW Comics, and the DC Comics panel. And not only do we talk about them, but we share a load of audio we recorded at those panels, from creators like Brian Azzarello, Scott Snyder, Jimmy Palmiotti, Jason Latour, Ming Doyle, Annie Wu, Sara Richard, Joe Hill, Gabriel Rodriguez, and a bunch of others!

We also talk about the differences between the panel delivery styles of each publisher, why you seem to get more hard information from DC Comics than you do Marvel, and why the IDW panel gave us the best explanations of why publishers pursue licensed comics, and why colorists are more important than most of us think, than we’ve heard in 40 years of reading comics.

And, as always, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might make this a looser comics podcast than you are used to, it also means that anything can happen. Like learning why Rob’s childhood memories include armpits bleeding goo.
  • This show contains adult, profane language, and is therefore not safe for work. Convention panelists try to keep things clean. They are better people than we are. Get some headphones.

Thanks for listening, suckers!

Share

boston_comic_con_banner517491478The ninth annual Boston Comic Con – and the first one where Saturday sold out by Friday evening – concluded just a few hours ago. And despite being arguably the biggest Boston Comic Con to date, it also was one of the smoothest, with issues surrounding getting into the venue and into panels, that plagued the convention in prior years, all mercifully absent and apparently solved.

But the one problem that no convention of any size has been able to solve is exhaustion – after three days on the floor, we are wiped out. So despite the fact that our door-to-door travel time was twenty minutes, we are weakly sipping drinks, surrounded by loot from the convention and God knows how many hours of raw, uncut panel recordings, racing against fatigue hysteria.

But we wanted to take a few minutes to hook up our mobile recording studio one more time to put together a quick show to discuss the convention, what parts of it worked, which parts need improvement, why smaller regional conventions can be better than the megacons… and one completely new experience. That experience being that, after ten years of attending conventions of all sizes, this was the first time that we stood in a paid autograph line. To meet Stan Lee. And how the experience was pretty much what we expected, and why we will probably never, ever do it again.

Note: We currently plan to have a more detailed convention report, including panel audio, by Thursday, August 6th.

And now the disclaimers:

  • This show was recorded live to tape. While this might mean a looser comics podcast than you are used to, it also means that anything can happen.
  • Due to limitations in our content delivery system, this show was recorded at a lower-than-normal bitrate. So you might notice minor differences in sound quality than other episodes.
  • This show contains adult, profane language, and is therefore not safe for work. You want your employer to hear what kind of filthy animals who might buy Rob’s Stan Lee autograph? Trust us: you do not. Get some headphones.

Thanks for listening, suckers!

Share