Some weeks, you don’t record a podcast when you’re ready. You record when you’re awake.

Rob had a long weekend of late nights being on call for his day gig, leading to a slim, two-hour window where he’d had enough coffee to be able to say something longer than his own name, yet not enough liquor to actively slur those things. And this strange state put him in a mood to rant. About the golden days of Marvel after the bankruptcy and before Civil War, when they were willing to take chances. About acceptable Mark Millar stories. About how Batman’s most driving personality trait might be hoarding. And, God help us, how there might be redeeming qualities to Secret Empire.

So strap in: this is a weird one, and we talk about all of those things, plus:

  • Old Man Logan #25, written by Ed Brisson with art by Mike Deodato, Jr.,
  • Secret Empire #4, written by Nick Spencer with art by Leinil Francis Yu,
  • Dark Days: The Forge #1, written by Scott Snyder and James Tynion IV, with art by Jim Lee, Andy Kubert and John Romita Jr., and:
  • The Defenders #1, written by Brian Michael Bendis with art by David Marquez!

Ah, we have disclaimers:

  • This show contains spoilers. If you don’t want to know Captain America’s political affiliation on Secret Empire, well, you’re not alone, but you have also been warned.
  • This show contains adult, profane language, and is therefore not safe for work. We talk about Batman being a Howard Hughes style hoarder. That involves Mason Jars. You want your mom to know what’s in those jars? Then get some earbuds.

Thanks for listening, suckers!

civil_war_ii_7_cover_2016Last week was Thanksgiving in the United States, a holiday where family members travel for hours and miles to share a table with family members and take a moment to express gratitude for the good things in their life. Then they follow that moment with hours of barely-suppressed acrimony, sarcasm-dipped references to long-buried grievances, and barbed rejoinders about the political beliefs of family. They then disperse to Black Friday sales around the map, taking their frustrations out on fellow shoppers and leading to those awesome fight clips on YouTube.

Rob and Amanda did not go to any Black Friday sales. They did, however, read Civil War II #7, and they do have a comics podcast.

Due to vagaries of comics publishing (and the fact that Civil War II has been late almost since it was solicited), this week we not only discovered the result of the battle between Captain Marvel and Iron Man, but we began to learn the price that certain characters will apparently pay for their roles in suspending the Constitution, ignoring the First, Fourth, Fifth and Fourteenth Amendments, contributing to the deaths of at least three Avengers and arguably sending the Marvel Universe on the road to literal apocalypse.

And we found that price to be wanting.

So we spend a lot of time complaining bitterly about:

  • Civil War II #7, written by Brian Michael Bendis with art by David Marquez and Andrea Sorrentino,
  • Captain Marvel # 10, written by Ruth Fletcher Gage and Christos Gage with art by Thony Silas, and
  • The Ultimates 2 #1, written by Al Ewing with art by Travel Foreman.

But, since we can’t be negative about everything, we also discuss:

  • Deathstroke #7, written by Priest with art by Larry Hama and Carlo Pagulayan,
  • Buffy The Vampire Slayer Season 11 #1, written by Christos Gage with art by Rebekah Issacs, and:
  • A. D.: After Death Book 1, written by Scott Snyder with art by Jeff Lemire!

And, the usual disclaimers:

  • This show contains spoilers. If you don’t want to know what happens in Civil War II, just try to forget some of your biggest disappointments before reading it.
  • This show contains adult, profane language, and is therefore not safe for work. If you said to your mom what we say about Civil War Ii over the Thanksgiving table, you’d be disowned. So get yourself some headphones.

Thanks for listening, suckers!

dc_rebirth_charactersIt’s the first full week of DC Comics: Rebirth, and not a single Watchmen character appears in those issues, so we decided it would be a good opportunity to complain again about Watchmen characters appearing in the DC Universe.

Specifically, it was revealed this week that DC Comics didn’t contact Watchmen artist Dave Gibbons to ask him his opinion about adding Watchmen characters to Dc Universe: Rebirth. So we talk about whether that was a bush league move (protip: yeah), some of the history around DC leaving Watchmen alone, and whether DC Editorial really had any choice in asking for Gibbons or writer Alan Moore for even a half-hearted blessing in using their characters in Rebirth.

Then, since we were on a Rebirth roll, we discussed all this week’s titles from that event:

  • Superman: Rebirth #1, written by Peter Tomasi with art by Doug Mahnke,
  • Green Arrow: Rebirth #1, written by Benjamin Percy with art by Otto Schmidt,
  • Green Lanterns: Rebirth #1, written by Geoff Johns and Sam Humphries with art by Ethan Van Sciver and Ed Benes, and:
  • Batman: Rebirth #1, written by Scott Snyder and Tom King with art by Miken Janin.

And, just so Marvel doesn’t feel neglected, we close the show by talking about:

  • Civil War II #1, written by Brian Michael Bendis with art by David Marquez!

And, as always, the disclaimers:

  • This show contains spoilers. If you want to avoid knowing how the DC: Rebirth books end (spoiler alert: no matter what happens, it probably won’t matter next month), then consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. You want your mom to know what “giddy bottom” means? Get some ear buds.

Thanks for listening, suckers!

flash_arrow_crossoverAfter a busy week of vacationing, video gaming, and day job hunting, we are back, just in time to deal with the latest comics vs. filmed adaptation battle!

If you are a fan of The CW’s The Flash, you know that the current storyline involves Zoom from Earth-2, and his relationship to Golden Age Flash Jay Garrick. There was quite a twist around that relationship in the show, and it’s one that infuriated long-time Flash comic book writer Mark Waid, who complained that it was a betrayal of Garrick’s comic book past.

And while this is unique given that it comes from a comic creator, it reminded us about years and years of comic fan outrage over differences between the comics we love and the adaptations that they beget… and yet it also reminded us that some movies and TV shows based on our favorite characters have made much bigger changes than have happened on The Flash, and yet no one seemed to mind.

So in between fan outrage over Batman V. Superman: Dawn of Justice and fan excitement over Captain America: Civil War, we talk about what makes we fans excited about some adaptations and nitpick over others, and why we’re okay when Superman kills Zod in Superman II but not in Man of Steel.

We also discuss:

  • Batman #51, written by Scott Snyder with art by Greg Capullo, and:
  • 4 Kids Walk Into A Bank #1 written by Matthew Rosenberg with art by Tyler Boss!

And, as usual, the disclaimers:

  • This show contains spoilers. If you don’t want to find out about plot points in The Flash, or who has the title of The One True Ringworm, tread lightly.
  • This show contains adult, profane language, and is therefore not safe for work. You want your mom to know who or what “The DIck Flash” is? Then get some headphones.

Thanks for listening, suckers!

deadpool_movie_posterThe cold snap in Boston broke enough for us to not only enter our studio without dying of hypothermia or being drowned out by the roar of our furnace, but to head out into the countryside to our local movie theater to see Deadpool.

Deadpool is a movie that shouldn’t exist. It’s based on a character with a lower Q Score than Irving Forbush, who debuted in arguably the worst superhero movie not starring Dolph Lundgren and Louis Gossett, Jr, starring a man who normally spells the end of comic book franchises. It’s a movie produced and rated for adults, featuring at least three decapitations, two unfortunate prolapses, and one naked Morena Baccarin. And yet: 150 million American dollars in one weekend can’t be wrong, so we break the movie down from the comic fan’s perspective: what worked, what didn’t, why Deadpool doesn’t need an origin story, and why Rob desperately wants DC Films to put Ambush Bug on their schedule.

We also discuss:

  • Public Relations #5, written by Matthew Sturges and Dave Justus, with art by David Hahn and Jose Marzan, and:
  • Batman #49, written by Scott Snyder with art by Yanick Paquette!

And, some disclaimers:

  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware that you might discover that Deadpool is a knockoff of Deathstroke The Terminator.
  • This show contains adult, profane language, and is therefore not safe for work. You think your boss would be more impressed with your performance if he heard about Amanda’s first exposure to George Michael’s I Want Your Sex? Then get some headphones.

Thanks for listening, suckers!

willard_scottAll right, it’s our one hundredth episode. Let’s not make a thing out of it. Seriously: we don’t. Sure, we spend a few minutes reflecting on where we are and where we came from, and maybe have a little too much Liquid Celebration to commemorate making it this far, but honestly? There was too much comics and genre news this week to spend too much time naval gazing.

We start off by discussing this week’s announcement that Star Wars: Episode VIII has been delayed from May to December, 2017. We talk about how the rumor is that the screenwriters want to rework the story to focus more on Finn and Poe, and how the move is a slap in the face to the fortieth anniversary of the debut of Star Wars… but mostly we talk about how waiting for a Star Wars movie is different when you stop being half a decade away from being just a glint in your dad’s eye and start being half a decade away from being a card-carrying member of AARP.

We move on to the news that Doctor Who showrunner Steven Moffat is leaving the show in favor of writer and longtime fan Chris Chibnall… eventually. You know, after 2016, when there will only be a Christmas special. And after Moffat’s farewell season sometime in 2017. Chibnall really should read The Late Shift, that’s all we’re saying.

But that’s not all! Being that kind of week, it was also when Bleeding Cool ran some stories about DC Comics maybe rebooting the DC Universe, maybe returning it to its post-Crisis, pre-New 52 state… or maybe about them doing not very much at all. So we discuss the rumors versus the actual concrete knowledge, and wind up bemoaning the idea of comics that slavishly follow their movie and television counterparts.

And on the comic book front, we discuss:

  • Batman #48, written by Scott Snyder with art by Greg Capullo,
  • Titans Hunt #4, written by Dan Abnett with art by Stephen Segovia, and:
  • I Hate Fairyland #4, written and drawn by Skottie Young!

And, even after 100 episodes, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you’re used to, it also means that anything can happen. Like learning that, on some level, the only difference between Star Wars and Barney Miller¬†is finger counting.
  • This show contains spoilers. We try to give you warnings ahead of time, but go into this assuming that we are going to screw up your ability to think of Star Wars without contemplating the sweet release of death.
  • This show contains adult, profane language, and is therefore not safe for work. Do you think your employer’s life will be enriched by learning the origin of the phrase, “The Wet Thunk”? Then get yourself some headphones.

Thanks for listening for 100 episodes, suckers!

CrisisOnInfiniteMidlivesPodcastLogoWe are aware that this week’s episode is late… and short… and poorly planned. And for that, we apologize. What started as an idle effort to possibly locate a new Crisis On Infinite Midlives Home Office became, somewhere along the way, an all-encompassing time suck of physical labor, self-doubt, emotional blackmail, and begging for money.

And while the worst of the distractions are over (for now), we only have a short show this week, with an update on some of the details behind the delay, and a short discussion about Batman #44, written by Scott Snyder and Bryan Azzarello with art by Jock.

We should be back to our regularly-scheduled programming this Sunday. Thanks for hanging in with us during the interruption!

Thanks for listening, suckers!

BCC2015LogoLongWe conclude our coverage of Boston Comic Con 2015 first by bemoaning the nearly literal biblical weather and plagues that prevented us from releasing it on Thursday as we originally planned.

Once we get that out of our system, we discuss the panels that we were able to attend at this year’s Boston Comic Con: Spider-Verse, Marvel Universe, IDW Comics, and the DC Comics panel. And not only do we talk about them, but we share a load of audio we recorded at those panels, from creators like Brian Azzarello, Scott Snyder, Jimmy Palmiotti, Jason Latour, Ming Doyle, Annie Wu, Sara Richard, Joe Hill, Gabriel Rodriguez, and a bunch of others!

We also talk about the differences between the panel delivery styles of each publisher, why you seem to get more hard information from DC Comics than you do Marvel, and why the IDW panel gave us the best explanations of why publishers pursue licensed comics, and why colorists are more important than most of us think, than we’ve heard in 40 years of reading comics.

And, as always, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might make this a looser comics podcast than you are used to, it also means that anything can happen. Like learning why Rob’s childhood memories include armpits bleeding goo.
  • This show contains adult, profane language, and is therefore not safe for work. Convention panelists try to keep things clean. They are better people than we are. Get some headphones.

Thanks for listening, suckers!

robobunny_batman_capulloWe are back, after a week spent upgrading various parts of our online infrastructure! Which was exactly as exciting as it sounds! Provided you are Lex from Jurassic Park and know Unix! Unlike us!

And we came back just in time for an almost complete comics news drought. This happens ever year in the couple of weeks leading up to San Diego Comic-Con; the publishers save their big announcements for the show, while leaking only little things, like TV casting announcements.

So the news about comics winds up being news about comics at SDCC. So this week, we discuss a couple of announcements about the convention itself, including some of the… shall we say, odder… convention exclusives that some vendors are making available, to the announcement that Marvel Studios won’t be having a Hall H presence this year, while Star Wars and DC / Warner Bros. (probably) will be having a big one.

And we took the opportunity afforded by a relatively slow news week to talk about more of this week’s comics than usual, including:

  • Starve #1, written by Brian Wood with art by Daniel Zezelj,
  • Starfire #1, written by Amanda Conner and Jimmy Palmiotti with art by Emanuela Lupacchino,
  • Constantine, The Hellblazer #1, written by Ming Doyle and James Tynion IV with art by Riley Rossmo, and
  • Batman #41, written by Scott Snyder with art by Greg Capullo!

And, as usual, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like learning why putting a cape on your office chair means Gotham City is doomed.
  • This show contains spoilers. While we try to shout out warnings ahead of time, please be aware that we might ruin stuff for you.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you want your employer to hear multiple references to a sketchy, ten-dollar party, get some headphones.

Enjoy the show, suckers!

c2e2_logoWe conclude our coverage of C2E2 2015 with a recap of the Caped Crusaders, Dynamic Duos and Darkest Knight panel (or just the Batman panel when it’s at home), featuring Batman writer Scott Snyder as moderator, with Batman Eternal writer James Tynion IV, Detective Comics writer Brian Buccallato,¬†Gotham by Midnight writer Ray Fawkes, and the upcoming Robin: Son of Batman writer / artist Patrick Gleason.

So in this episode, we bring you a ton of audio clips of these guys (well, mostly Scott Snyder) talking about upcoming storylines in Detective Comics, Gotham by Midnight and Robin: Son of Batman… but at the time of this panel, we were only four days away from the conclusion of Batman: Endgame in the core Batman title, and only a week away from the debut of the new “RoboBunny” Batman in DC’s Free Comic Book Day offering, Divergence. So we feature a bunch of clips of Snyder and company talking about the new Batman, the process in creating him, the reasoning behind the new direction, and a few new tidbits about him that you might not have heard elsewhere, all from the mouths of the creators!

And, since Batman #40 has been released since this panel, we not only feature several clips of Snyder talking about what Batman: Endgame means to him, but we review and discuss the issue!

Thanks for listening to our C2E2 coverage. We return to our normal weekly schedule on Sunday, May 3rd, with an episode about Avengers: Age of Ultron, featuring a couple of very cool guests!

Thanks for listening, suckers!