tmp_avengers_assemble_20_cover_20131359336571Avengers Assemble #20 does a lot in 20 pages. First of all, it’s a rare one-and-done, which is refreshing in the middle of the Infinity event that has been going on for a couple of months but which sometimes makes me feel like we have always been at war with The Builders. Second, it gives a spotlight to Wonder Man, Wasp and Scarlet Witch, who have been inveterate second stringers recently (when one character has become a pacifist and another who just about a  year ago was valiantly fighting to remain dead. Third, it gives us a taste of what we can expect from the Great Terrigen Mist Release of 2013 (the fact that what we can expect is a bunch of people with new superpowers all reliving the first season of Heroes is beside the point). And finally, it wraps all of this in a relatable story about side characters who were damaged long before they were affected by the Terrigen Mist.

But this is not a perfect story. In order to fit everything into a single issue, writer Al Ewing has Wasp make a couple of quick and significant leaps in logic to get the story from Point A to Point B. Further, in order to balance Wonder Man’s out-front and obvious pacifism, Ewing contrasts it with a child gleefully stomping bad guys to death.

So there’s a lot here, some of which works and some of which doesn’t. But is does it work as a coherent whole?

tmp_thunderbolts_15_cover_2013-1528769377I have clearly not been responding well to Marvel’s Infinity crossover, and I’m beginning to understand why that is, beyond a general orneriness that comes from covering something like five major crossover events in two years, with one of those events being Fear Itself.

Infinity is about a lot of things: interstellar war, tactics and strategy on a large scale, betrayal, and the lineage of kings and tyrants, with mass extinctions of a variety of races and alien species hanging in the balance… but i’s not so much about people. Sure, we have Captain America acting all inspiring and Captain America-ey, and we’ve got Namor acting all stoic in the face of apparently giving up to Thanos’s goons, and pretty soon we’ll have Doctor Strange being all bummed and guilty for leading the bad guys to Thanos’s son… but otherwise it’s all Skrull generals talking about the glory of battle and Krees calling humans upright apes and Builders talking like hippie douchebags with Classical Lit degrees and a suicide pact.

Ships and strategy and explosions are fun, but without the human element, a lot of Infinity has felt like watching dudes playing a tabletop game of Starfleet Battles: kinda interesting, but not the kind of spectator entertainment likely to convince me to turn off the Red Sox game. Which is probably why I’ve responded better to the extraneous crossover books that have dealt with the invasion on Earth. Sure, it’s hard to call an alien invasion of Earth a “small” story, but particularly with the way Jonathan Hickman has pulled all the heavy hitters off the planet, leaving only lower-powered heroes to deal with everything, crossovers like last week’s Mighty Avengers #1 feel more personal.

As does this week’s Thunderbolts #15. Which starts as a story about The Punisher dragging the team on a personal mission to wipe out one of New York’s crime families, only to be interrupted by the violent invasion of New York by the forces of Thanos.

And, as with Mighty Avengers last week, it’s one of the more relatable and entertaining chapters of Infinity so far.

infinity_1_cover_2013300439282For years, whenever Marvel kicked off a big event comic, they made a point of swearing before God and everybody that the story could be read on its own, without needing to track down a bunch of other comics to understand what’s going on. It was all bullshit, of course; be it Civil War or Secret Invasion or Avengers Vs. X-Men, the second the event kicked off, it crossed into every title Marvel published. Sure, you didn’t need to read those other comics to understand the whole story, provided you were okay with taking certain things you saw on faith. Things like just assuming that, somewhere in the gutters of the main title, D-Man obtained the Infinity Gauntlet while Batroc The Leaper’s big toes were turned to Mrs. Dash Onion Seasoning.

That, however, was the past. Welcome to Infinity, a book not only with a final page consisting of a diagram telling you what other comic books you should be following to get the whole story, but one which, if you haven’t been reading both Jonathan Hickman’s Avengers and New Avengers since launch day, will be difficult to follow from the first page. Which is fine for people like me who have been getting those books all along, but which isn’t exactly welcoming to any poor schmuck who wanders into a comic store after, say, seeing The Wolverine, and saying to himself, “Ooh! That comic has the dude from the credits of The Avengers movie!”

And that wouldn’t be a bad thing if Infinity #1 was character-driven, and gave you compelling people to follow through this unfamiliar scenario. Unfortunately, this book is all about plot and putting pieces into place to eventually blow some shit up. And the characters are simply pushed through this clockwork, normally almost indistinguishable from each other except for the colors of their costumes.

Hell, one of the main heroes of the story is featured in a four-page sequence where he is asleep, for Christ’s sake.