locke_and_key_omega_4_cover_2013As often happens with recent individual issues of Locke & Key, I am of varying minds about recommending issue 4 of Locke & Key: Omega. On one hand, I want to tell you that, if you’re already reading Locke & Key, you’ll want to pick up this issue because it’s packed with action, suspense, violence, and a couple of damn satisfying – if small – triumphs on the part of the Locke kids’ mom, Tyler and disembodied Bode… but I also know that if you’re already reading Locke & Key, you’re gonna buy this issue come hell or high water, because that’s what this title does to you if you even like horror at all.

On the other hand, I want to tell you that, if you’ve never read Locke & Key, that the issue is packed with action, suspense, violence, and a couple of damn satisfying – if small – triumphs on the part of some shitfaced lady, a foulmouthed teenager, and a ghost… none of whom you will know. And therefore, unlike a recent issue of Locke & Key: Omega, it is not a particularly good place to jump in if you want to have any real understanding of what the hell is going on.

If you are not a regular reader, it is, however, an excellent place to jump in if you want to see, completely without context, giant monkeys attacking and murdering teenagers. And if you’re a bloated, drunken, 42-year-old suburbanite like me, maybe that’ll be enough for you.

captan_america_the_winter_soldier_teaser_posterCaptain America: The Winter Soldier, the sequel to 2011’s Captain America (duh; what did you think it was the sequel to? Ice Castles? Use your head) is in production now, which means that casing rumors and news are coming out on a semi-regular basis. The latest news, from about a week ago, was that Robert Redford was being cast to play… something. But exactly who was anyone’s guess. Was it one of Captain America’s old, pre-freezing, World War II buddies? Agent Coulson’s angry and vengeful father? Batroc The Leaper? Leatherface (Yeah, I know, but the man’s spent a lot of time in the sun, is all)?

Nope. Redford did a press conference to support The Company You Keep, the upcoming political thriller flick he directed, and he point blank told reporters the role he’s playing… and it turns out that, yeah, we still don’t know what role he’s playing in Captain America: The Winter Soldier. Because I don’t think Redford knows what the fuck he’s gonna be doing in the movie.

Why do I say that? Well, Redford told reporters he was playing:

Well, the head of S.H.I.E.L.D. The head of S.H.I.E.L.D.

Oh, okay. The head of S.H.I.E.L.D. Got it. Thanks, Bob.

Wait, what?

Clark Gregg recently spoke with Collider at WonderCon about his Marvel Universe character, Agent Coulson, who has been a breakout fan favorite. Fans were crushed when Agent Coulson went to the great beyond during a blowout with Loki on the S.H.I.E.L.D. helicarrier, but the character’s death served the purpose of being the emotional focal point that rallied the heroes to the eventual defeat of Loki and the Chitauri. Coulson’s death also rallied fans into action, petitioning Marvel, Joss Whedon, and anyone else who would listen, for Coulson’s return. In this interview, Gregg discusses Coulson’s return with unabashed enthusiasm, along with how the S.H.I.E.L.D. television show fits into the larger Marvel Universe, and the overall weirdness of signing a multi-year television contract. He never quite spoils the actual mechanics of how Coulson returns, but I know I’m thinking Life Model Decoy. Who’s with me?

There’s no official drop date for the television pilot, but you can keep up with all news on the S.H.I.E.L.D tv show on its Facebook page.

green_hornet_1_cover_rivera_2013Editor’s Note: While we might normally report on a piece or two of comics news this late in the evening, it is April Fool’s Day, and we don’t believe a single Goddamned thing we read on any news site today. And while I toyed with making up some bullshit story about us being acquired by Marvel Comics or something, I feared too many people would comment simply with, “Good.” So here’s a comic review.

Despite a misspent youth, adolescence, adulthood and middle age reading comic books, I don’t really have a lot of personal history with The Green Hornet. The radio show and the Bruce Lee TV series were before my time, and I missed the attempted comics reboot of the character in 1989 since I was just starting college and therefore needed to cut back on my comic budget to fund a newly-found Boone’s Farm habit. I became mildly interested in the first Green Hornet series from Dynamite Comics back in 2009 until I learned it was being written by Kevin Smith, and therefore there was an even chance that the second issue would be finished and released sometime next November. And then there was the 2011 movie starring Seth Rogan that was so abominably awful I felt ripped off seeing it for free on cable while so drunk I would have been entertained by almost anything airing on TruTV.

So, long story short, I really haven’t had much of a reason to follow The Green Hornet. I, however, have many reasons to follow Mark Waid. So I picked up his first issue of The Green Hornet purely based on Waid’s name, with my only preconception about the character being that Seth Rogan played him in a way that made Adam West look like he was starring in The Dark Knight Returns.

So was the fact that Mark Waid was the writer enough to make me give a damn about The Green Hornet for the first time ever? Well… kinda. There was some pretty good stuff here to be sure, but there were also a few leaps in logic that I didn’t believe, and a little too much time tying the character into Dynamite’s shared pulp universe that was interesting, but distracting. But on the plus side, it featured far fewer fart jokes than I remember from the movie.