Closing The Door: Video From Joe Hill’s and Gabriel Rodriguez’s Locke & Key Panel At Boston Comic Con 2013

Boston Comic Con is now over, and it certainly has one thing over the San Diego Comic-Con: getting back to the Crisis On Infinite Midlives Home Office from Boston Comic Con only took 20 minutes and cost $2.50 on the Massachusetts Turnpike.

Boston Comic Con might well have been a pleasant surprise and an exciting jump from a little regional convention to one that feels more and more like one of the bigger boys, but it certainly wasn’t perfect. In the coming day or two, either Amanda or I will be addressing the truly deficient methods this convention had for dealing with crowds both attempting to enter the convention and trying to attend the panels (for now, let’s leave it with the stark reality that, if someone tried to clear a convention room at SDCC in between panels, that effort would start with bemused laughter and end with a truly epic riot), but Boston provided some experiences that were indistinguishable from some of the biggest and best conventions in the world.

And one of those experiences is exhaustion. We are wiped out. And unlike when we attend San Diego, we don’t have a long flight and several vacation days with which we can recover; we’re right back to our daily lives tomorrow morning.

So while we will be publishing that general Boston Comic Con postmortem, as well as detailed coverage of Joe Hill’s, Gabriel Rodriguez’s, and IDW Editor-in-Chief Chris Ryall’s panel on Locke & Key (which, since Locke & Key is concluding, realistically marks the final time these creators will probably be in the same room at the same time), we didn’t want to leave you hanging while we weakly sip beer and appreciate our art purchases (Amanda picked up a J. O’Barr original sketch of Iggy Pop that is as awesome as it is an off-kilter work by the creator of The Crow) while yawning.

So in that spirit, here is a series of short videos we took of Hill and Rodriguez at the Locke & Key panel. And I gotta tell you: if you get a chance to see either of these guys at a convention panel, take it. Rodriguez is clearly enthusiastic about the work he does, and Hill is just plain old laugh-out-loud funny to see speak.

But don’t take my word for it; you can get a taste, straight from our YouTube Channel, right after the jump.

Bigger, Stronger, Faster: Boston Comic Con, Day One

Jesus Christ, I wasn’t expecting that.

In the times that I have attended Boston Comic Con in the past, it has been a nice little regional convention. Sure, in the past few years, it has attracted some A-List talent like Tim Sale and Geof Darrow, but generally, those guys have stayed at their tables on the floor, and while some of them might have attracted a decent individual line or two, it didn’t affect the little regional convention as a whole. Which meant that you could walk in off the street, wander up and buy a ticket at the door within thirty seconds on a whim, comfortably wander the floor at your leisure to see everything you want, spend a bunch of quality time with every creator you could make eye contact with, and leave within a couple or three hours, comfortable you’ve seen everything there is to see.

And frankly, that was what I was expecting this morning, when we got to this year’s delayed opening of the Boston Comic Con. Sure, the convention had picked up one or two more high-toned guests like DC Comics’ Publisher Dan DiDio and Batman writer Scott Snyder, but thanks to the delay created by the Marathon Bomber, the convention was being held at the Seaport World Trade Center – a much bigger venue than the originally-booked Hynes Convention Center – so there should have been plenty of room to handle the expected demand for a little regional convention, right?

Yeah, right… except it seems that 2013 was the year that Boston decided that it no longer wanted a little regional convention. By noon today, the main floor of the convention, even at this bigger venue, was like walking the floor at San Diego Comic-Con on any given Saturday, and every volunteer on the floor – who thought they were signing on to wrangle a nice little regional convention – looked like they had suddenly realized that they had signed on to be the local intern guide for Galactus.

At least for today, Boston Comic Con was not a nice little regional convention. It was a major convention with world-class talent and a comparably excited and enthusiastic crowd that could hold its head up with any convention short of San Diego and New York…

Even if the people running the convention weren’t completely prepared for it.

Falling For Another Con: Boston Comic Con Coverage Starts Today

We are posting this as we are preparing to leave to attend the first day of Boston Comic Con 2013 – a smaller convention than San Diego Comic-Con to be sure, but I’ve seen a couple of estimates on Twitter that 15,000 people are expected to attend, which means it has grown hell and gone from four years ago, when it was still being held in the function room of a local hotel. But there’s a lot to be said for attending a smaller convention, particularly when it it being attended by A-List talent like Scott Snyder, Joe Hill, Gabriel Rodriguez, Colleen Doran, Dan DiDio, David Mack, and a pile of other exciting creators… and when attendance requires only a subway ride as opposed to a cross-country flight. Besides, after a week of leaving a convention and then begging and scraping for the odd spare Internets, it will be nice to have a pre-paid multi-megabit pipe to post pictures of people in Wolverine outfits.

We will be attending and covering both days of the convention (but if you’re local to southern New England, you don’t need us; tickets will be available at the door at the Seaport World Trade Center at 200 Seaport Boulevard in Boston, or you can preorder them through Eventbrite), including as many panels as we can get into (including a Batman panel featuring Snyder that has just been announced), but please be sure to follow us on Twitter, as we will be live-Tweeting panels and photos right from the scene. In addition, we will be uploading videos from the convention to our YouTube channel both tonight and tomorrow evening (and honestly, probably on into next week).

But if you’ll excuse me, it’s time to make our way to the convention. Being a trip via the subway system, I will just as forbidden to smoke as I was on our flight to San Diego… but the good news is that, being the Boston subway system, I will be allowed to urinate.

Live Forever: Batman Incorporated #13 Review

Editor’s Note: I don’t know if Batman’s dead or not. All I know is this. Parts of the city out there, it’s like Spoiler Year all over again.

Grant Morrison has been working on his Batman story since 2006. During that time, DC has gone through a Final Crisis and a full reboot, Batman has died and been reborn after traveling through history, had a son and lost him (despite a couple of stories predicting his future as Trenchcoat Gunslinger Batman), and I have been infuriated at least as often, if not more often, as I have been delighted by what Morrison has done with the character in the past seven years.

Seriously: for every awesome speculative story about a future Batman presiding over the end of Gotham City, there is Batman with a handgun shooting Darkseid. For each interesting revival of obscure Silver Age ephemera, there is a Joker story that is mostly text with the occasional odd computer-generated image (seriously, Grant: if I wanted to read a giant block of text, I’d read this Web site). And for every moment where Damian does something awesome, there are about 700 moments where Damian speaks, breathes and / or exists. I was not a fan of Damian, I guess is what I’m saying.

But Morrison’s Batman story is over now, completed in this week’s Batman Incorporated #13, where Batman finally has his last showdown with Talia al Ghul (who started this all by dumping that little rugrat Damian on Batman’s doorstep back in the first place), with the fate of Gotham and six other cities hanging in the balance. And in the issue, Morrison tries to have things a lot of ways, simultaneously tearing down and destroying Batman and Bruce Wayne while asserting that that could never happen, and pointing out the ridiculousness of the idea of Batman while also calling it timeless and classic.

All of which should be a filthy Goddamned mess, and in certain ways it is, as Morrison makes a couple of choices here that directly contradict other things that he did earlier in his run. However, there is no denying two things: while I don’t always enjoy or agree with his story choices, there is no question that Morrison is an excellent writer… and if you’ve been following his career since Animal Man, you know he can write one hell of a final issue when he wants to.

And while Batman Incorporated #13 might not be the best wrapup to an epic storyline I’ve ever read, it is, in fact, one hell of an interesting statement on Batman himself.

Electra Woman and Dyna Girl and OMIGOD IS THAT MARKIE POST?!

So it’s been a while since I’ve contributed anything of value to the site. In my defense, I was trapped under something heavy and had to gnaw off a foot to escape. Fortunately, it wasn’t one of my feet. Long story, but now I’m here and and Spam will never taste the same again.

Anyway, if you’re anything like me, you are a child of the seventies and watched the Krofft Superstar Hour.  If you’re a whole lot like me, you had vaguely inappropriate thoughts about two characters on that show – Electra Woman and Dyna Girl. They were your standard 70’s-issue crime fighting duo. But did you know that there was an attempt to resurrect those characters in 2001? Well, you do now. The WB (back when there was such a thing) ordered a pilot of Electra Woman and Dyna Girl starring none other than TV’s Markie Post. Yep, Christine from Night Court played Electra Woman as hard drinking, easy skanking, and washed-up living in a trailer park. She’s brought out of retirement by a hero-worshiping college student who eventually takes on the role of the new Dyna Girl.

Now, if Crisis on Infinite Midlives stands for anything, it’s for beer and sideboob. But if we stood for three things, that third thing would be the weird ass flotsam and jetsam of comics culture. And I warn you, it gets pretty weird up in here. With that, I give you Electra Woman and Dyna Girl – the lost and unaired pilot.

Check it out, after the jump.