Episode 35: Do The Brokeback

Between the new female Thor, Falcon taking over as Captain America, and this week’s rumors that X-23 will take over as Wolverine (after Sabretooth takes over as Wolverine), Amanda and I talk about succession in superhero comics in general. We start with the idea that DC is all about succession while Marvel never has been, the kinds of stories that could work as new people put on the old costumes, what probably couldn’t work, and what ulterior motives Marvel could have for such recent character churn.

We also discuss:

• Batwoman: Futures’ End One Shot, written by Marc Andreyko with art by Jason Masters, and:
• Edge of Spider-Verse: Gwen Stacy, Spider-Woman, written by Jason LaTour with art by Robbi Rodriguez!

And now the legalese:

• We record this show live to tape. Which might mean a looser show that you are used to from other comics podcasts, but it also means anything can happen. Like ruminations over the flat affect of people rescued by Superman in 1970s Hostess Fruit Pie ads.
• This show contains spoilers. While we try to shout out a warning ahead of time, consider this a master, blanket warning.
• This show contains adult, explicit language, and is not safe for work. You no longer need to sell Grit subscriptions to get headphones, so go out and do so.

Podcast: Play in new window | Download (Duration: 1:21:59 — 64.2MB)

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Enjoy the show, suckers!

High Ideas: Batman Incorporated #10 Review

Editor’s Note: Criminals are a cowardly, spoilered lot…

On my initial readthrough of Batman Incorporated #10, I was fully prepared to lower the boom on writer Grant Morrison. Here’s why.

Did you ever get really drunk or high and have an epiphany? One of those moments where, seriously under the influence of something, you realize something that is so seemingly obvious that you can’t believe nobody else ever came up with the idea, yet so seemingly transcendant and perfect that you firmly and totally believe, in your stupor, that your idea will change things deep down at their core? So you stumble around and you find a piece of paper and a pen and you write it down… and then you wake up in the morning, praying for relief and wondering if you should consider shaving your tongue, and you find the piece of paper… and it says something like “pizza beer.” Or maybe “Dorito-flavored rolling papers.” And you look at that piece of paper, and you think, “Yeah, that’s a pretty obvious idea… but it’s also really kind of obviously stupid,” and you chuck the piece of paper and you lurch into the sunlight, looking for greasy food.

In a bunch of ways, Batman Incorporated #10 lives and dies by that kind of late-night, shitfaced, obvious idea that never survives the harsh light of day… except Morrison missed that part where you sober up and realize that the whole concept is a little on-the-nose and kinda dumb.

Yeah, I was ready to do that. And on a lot of levels, I still am: the final reveal on the last page (not like it’s much of a reveal, given the book’s WTF gatefold cover that gives up the ghost before page one) simply stinks of a guy ripped to the tits on absinthe and psilocybin screeching, “Wait a second, wait a second and hear me out… what if Batman… actually was a bat? Stop laughing and gimme that one-hitter…” But with that said, there’s some decent imagery here, a tease that some characters we saw months ago might come back into play in an unexpected way, and a tease that Talia might be facing some trouble on all fronts.

But that ending really should’ve been held until someone sobered up, man.