At face value, there is nothing impressive or exciting about crossovers between DC Comics and Looney Tunes or Hanna Barbara. We didn’t pay a ton of attention to these books when they started dropping last year, until we finally picked a couple of them up out of a combination of seeking relief from the impending invasion of Watchmen characters into the DC Universe, and the kind of base rubbernecking instinct that makes people slow down to look at car wrecks, or non-Mission Impossible Tom Cruise starring vehicles.

Man, were we wrong, Almost to a one, these crossovers have been some of the most fun comics on the shelves when they appear. A pile of these crossovers came out this week, and a bunch of interesting and unexpected, yet entertaining, pairings happened! Along with the expected, somewhat disturbing, pairing between Batman and Catwoman!

So we’re talking a pile of books this week, including:

  • Batman #25, written by Tom King with art by Mikel Janin,
  • Peter Parker: The Spectacular Spider-Man #1, written by Chip Zdarsky with art by Adam Kubert,
  • WMD: Weapons of Mutant Destruction #1, written by Greg Pak with art by Mahmud Asrar,
  • Wonder Woman / Tasmanian Devil #1, Written by Tony Bedard with art by Barry Kitson and Ben Caldwell,
  • Lobo / Road Runner #1, written by Bill Morrison with art by Morrison and Kelley Jones, and:
  • Nick Fury #3, written by James Robinson with art by Aco!

Alas, cartoon books or no, the disclaimers:

  • This show contains spoilers. If you don’t want to know whether or not the coyote gets the road runner, it’s because you’ve seen as many Saturday morning cartoons as we have and you know damn well what the answer is.
  • This show contains adult, profane language, and is therefore not safe for work. We know the title says “Family Friendly.” Charles Manson also had a family. Listen with headphones.

Thanks for listening, suckers!

dcw_invasionAfter a year of superheroes beating on each other in comic books and in not one, but two different cinematic universes, sometimes you just need a good, old-fashioned superhero team-up. You know, where the good guys fight each other at first because of a misunderstanding or mind control or something, then they come together to fight seemingly insurmountable odds, and finally defeat the bad guys.

Some comic publishers seem light on their ability to publish such stories recently (hi, Marvel!), but thankfully, the people in charge of the DC Arrowverse shows on The CW network have us covered. The Invasion! crossover between Arrow, The Flash, Supergirl and DC’s Legends of Tomorrow took place this week, and gave us heroes from four shows and two Earths coming together to battle aliens, the government, and the after effects of time travel. Not to be confused with the after effects of physical travel; you might suffer Montezuma’s Revenge as a result of either, but only one involves a stone axe and your face.

So we discuss the crossover: what worked and what didn’t, what plot points were genius and which were purely for storytelling expediency, which characters and actors shared excellent chemistry, and who should be given more to do considering he once played Superman, for God’s sake.

We also discuss:

  • The Totally Awesome Hulk #12, written by Greg Pak with art by Mahmud Asrar, and:
  • Inhumans Vs. X-Men #0, written by Charles Soule with art by Kenneth Rocafort!

Alas, the disclaimers:

  • This show contains spoilers. If you don’t want to learn why the greatest weapon against an alien invasion might be just one damn pocket? Watch Invasion! before listening and consider yourself duly warned.
  • We use adult, profane language, so therefore this show is not safe for work. You want your mom to hear us talk about the emotional resonance behind an X-Man trying to get themselves hard as fast as they can? Then get some headphones.

Thanks for listening, suckers!

ms_marvel_11_cover_2016We are more than halfway through Marvel’s Civil War II summer event, which, like most Marvel summer events, has dragged into the fall with no end before the darkest days of winter in sight. And while we previously have idly wondered how Marvel intends to deal with characters who are on the side of profiling and pre-crime, the event has really reached the point where, in order to keep the plot moving, characters like Captain Marvel and Black Panther are acting in truly reprehensible ways that will likely require rehabilitation on the level of Matt Fraction’s reboot of Tony Stark’s brain after the first Civil War.

And while there is no main Civil War II issue this week, there are several books that feature main pro-Predictive Justice players in the event doing horrible things that run the gamut from emotionally destroying adoring teenagers, to entrapment, to asking people if they are for or against you and placing those in the latter camp under arrest without even precognitive evidence. All of which makes Tony Stark’s Civil War pro-registraton stance look like good, old-fashioned flag-waving New Deal patriotism.

So we discuss these books, including:

  • Ms. Marvel #11, written by G. Willow Wilson with art by Takashi Miyazawa and Adrian Alphona,
  • The Totally Awesome Hulk #10, written by Greg Pak with art by Mahmud Asrar, and :
  • Captain Marvel #9, written by Ruth Fletcher Gage and Christos Gage with art by Thomy Silas.

And we discuss not only what can be done to rehabilitate characters who are clearly meant to be on the wrong side of issues, but how the series maps to recent social justice events and causes in the news.

And, the disclaimers:

  • This show contains spoilers. While we try to give warnings ahead of time, if you don’t want to know why the Canadian justice system is the most ruthless yet enticing in the world, consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. We did this show on a mix of beer, Sudafed and cough medicine, and we pride ourselves on our vocabularies even under adverse circumstances. Get some headphones.

Thanks for listening, suckers!