Crisis on Earth X, the annual crossover between DCW (Rob swears he will make DCW a thing) shows Supergirl, Arrow, The Flash and DC’s Agents of Tomorrow aired a couple of weeks ago, and while we’re a little late to the conversation, we wanted to discuss it, because it wound up being one of the finest pure comic book superhero stories we’ve ever seen put to screen.

From its oddly unique willingness to embrace depicting legitimate Nazis as pure and legitimate villains (as opposed to Marvel’s recent protestations that Hydra is somehow a completely unrelated paramilitary organization… that worked with Nazis), to its use of a superhero wedding as an excuse for a massive character crossover, to its sci-fi and comics classic use of parallel universe characters, to its creating real mortal stakes for several characters, it was an impressive depiction of classic comics storytelling… and it stood in stark contrast with, say, Justice League.

Please be aware that this show contains spoilers for Crisis on Earth X (as well as some spoilers for subsequent events on DC’s Legends of Tomorrow. Also, this show was recorded live to tape, so if you’re looking for a podcast that pivots into impromptu (and uncompensated) advertisements for Adderall, Ritalin and powerful liquor, you’ve come to the right place!

Thanks for listening, suckers!

dcw_invasionAfter a year of superheroes beating on each other in comic books and in not one, but two different cinematic universes, sometimes you just need a good, old-fashioned superhero team-up. You know, where the good guys fight each other at first because of a misunderstanding or mind control or something, then they come together to fight seemingly insurmountable odds, and finally defeat the bad guys.

Some comic publishers seem light on their ability to publish such stories recently (hi, Marvel!), but thankfully, the people in charge of the DC Arrowverse shows on The CW network have us covered. The Invasion! crossover between Arrow, The Flash, Supergirl and DC’s Legends of Tomorrow took place this week, and gave us heroes from four shows and two Earths coming together to battle aliens, the government, and the after effects of time travel. Not to be confused with the after effects of physical travel; you might suffer Montezuma’s Revenge as a result of either, but only one involves a stone axe and your face.

So we discuss the crossover: what worked and what didn’t, what plot points were genius and which were purely for storytelling expediency, which characters and actors shared excellent chemistry, and who should be given more to do considering he once played Superman, for God’s sake.

We also discuss:

  • The Totally Awesome Hulk #12, written by Greg Pak with art by Mahmud Asrar, and:
  • Inhumans Vs. X-Men #0, written by Charles Soule with art by Kenneth Rocafort!

Alas, the disclaimers:

  • This show contains spoilers. If you don’t want to learn why the greatest weapon against an alien invasion might be just one damn pocket? Watch Invasion! before listening and consider yourself duly warned.
  • We use adult, profane language, so therefore this show is not safe for work. You want your mom to hear us talk about the emotional resonance behind an X-Man trying to get themselves hard as fast as they can? Then get some headphones.

Thanks for listening, suckers!

flash_arrow_crossoverWell, New York Comic Con was this week… and we were not at it. And what with the impending Home Office move, we were too busy to follow nearly as much of it as we would have liked. But still, we open the episode gamely trying like hell to round up some of the news and announcements from the convention… before realizing that there is one activity that no amount of bad scheduling or work commitments or lack of funds can keep us from experiencing: television.

This week gave us the debuts of the new seasons of The Flash and Arrow on The CW (or, as Rob continues to insist upon calling it, The DCW). And these debuts brought some interesting new angles to old familiar characters, like Arrow trying to find love, and The Flash trying to nuke a guy to death. So we discuss the episodes, some of the changes that seem to be in store for the characters in the coming season, who we think will die, who we think will receive either a power ring or villain helmet… and most importantly, how Arrow and The Flash seem willing to take standard superhero story tropes and turn them delightfully on their heads.

We also discuss:

  • Dr. Strange #1, written by Jason Aaron with art by Chris Bachalo, and:
  • The Amazing Spider-Man #1, main story written by Dan Slott with art by Giuseppe Camuncoli!

And, as usual, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like a discussion about how the best Inhumans movie would feature Lockjaw, a green screen, and piddling on a baby.
  • This show contains spoilers. While we try to shout out warnings ahead of time, be warned that you will learn whether or not we were serious about The Flash nuking a dude to death.
  • This show contains adult, profane language, and is therefore not safe for work. Do you want your employer hearing about the surgical alternative to Method Acting? You do not. Listen with headphones.

Thanks for listening, suckers!

flash_arrow_crossoverThis was a big week for the DC Television Universe (or, based on the television network most of it is on, The DCW). We saw crossovers between Arrow and The Flash, with new trailers released for the upcoming Legends of Tomorrow superteam show with characters from both shows, and Supergirl, which might or might not be part of the same continuity. And as we watched it all, we wondered how DC and Warner Bros. managed to create a continuity-consistent version of the Justice League, under our noses and on television, seemingly without our noticing.

So we discuss what DC has built, how what’s coming can only expand upon it, and how, in its own way, it’s at least as exciting as what Marvel has accomplished with their Cinematic Universe… and how it’s possibly more exciting than what DC is trying to do with their characters in major motion pictures.

We also briefly discuss the previews for DC’s upcoming Bizarro, Doctor Fate and Gotham At Midnight, before diving into:

  • Secret Wars #2, written by Jonathan Hickman with art by Esad Ribic, and:
  • Captain America And The Mighty Avengers, written by Al Ewing with art by Luke Ross!

And, as always, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen! So listen to find out what 90’s television show is our own personal Vietnam!
  • This show contains spoilers. While we try to shout out warnings ahead of time, assume that we will ruin everything for you.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you want your employer to hear about Doctor Strange and his “little finger,” you’ll want to find some headphones.

Enjoy the show, suckers!

flash_arrow_crossoverIt’s a jam-packed episode this week! We start off by briefly discussing the recent Internet kerfuffles over (some) creators vs. cosplayers at comic conventions, and the complaints that Marc Andreyko’s current storyline in Batwoman depicts the practical rape of protagonist Kathy Kane.

But then we move on to lighter topics. Specifically, this week’s crossover between The Flash and Arrow on their respective television shows. We talk about what worked, what was fun (God help us, that includes the Man Who Will Be Vibe), and what didn’t (Hi, Iris West!).

Then we move to week four of DC’s Convergence storyline, comprising mostly pre-Crisis On Infinite Earths alternate universe characters and teams. Meaning that these are stories that will appeal mostly to elderly readers. And Geoff Johns!

And finally, we discuss:

  • Crossed One Hundred #1, written by Alan Moore with art by Gabriel Andrade, and:
  • Escape From New York #1, written by Christopher Sebela with art by Diego Barreto!

And now the legalese:

  • We record this show live to tape. While this might mean a looser comics podcast than you are normally accustomed to, it also means that anything can happen. Like the classification of Iris West as a common “cape climber.”
  • This show contains spoilers.
  • This show contains adult, profane language, and is therefore not safe for work. So unless you want your boss to know that you’re listening to programming about a “Disco Epilepsy Ray,” get some headphones.

Enjoy the show, suckers!

star_hunters_4_coverOver the past week, announcements have come down that TV versions of Teen Titans and Supergirl are being developed… mere weeks before the premieres of Gotham, Constantine, The Flash, and a new season of Arrow. And all this on top of DC’s efforts to build a Marvel Studios style cohesive universe with their own movies.

So Amanda and I discuss who they could possibly use in Titans, what with all these other disconnected properties being released (spoilers: if we see Jericho, there will be blood). We also talk about whether, with these series as well as Marvel’s Agents of S.H.I.E.L.D.Agent Carter, and the four Netflix series, we could be driving the non-comics reading public into superhero burnout, and if DC is fouling their own nest by pulling possible movie characters out of play for basic cable TV shows.

We also talk about:

  • Batman: Futures’ End #1, written by Ray Fawkes with art by Aco, and
  • The Death of Wolverine #2, written by Charles Soule with art by Steve McNiven!

And now the disclaimers:

  • We record this show live to tape. While that might mean a slightly looser show than you are used to, it also means that anything can happen. Like talking about Matthew Perry wearing Leifeld leg pouches stuffed with Vicodin.
  • This show contains spoilers. While we try to shout a warning ahead of time, consider this the official one.
  • This show contains adult, explicit language, and is therefore not safe for work. If you don’t have headphones, find Jericho, clock him in the head and take his. He’s got it coming, and besides: he can’t cry for help anyway.

Enjoy the show, suckers!

…a look at the new Flash costume!

— Geoff Johns (@geoffjohns) February 28, 2014
 

That’s Grant Gustin in costume as The Flash. The actor has already debuted on CW’s Arrow this season as Barry Allen, but here he is in underwear pervert mode.

Time to save the world, Barry! Hope that fabric is breathable.

Some other thoughts after the jump.

ArrowHere at the Crisis On Infinite Midlives Home Office, we literally have about five minutes to spare today – we’re running a lot of background operations to prepare for some Web site maintenance this weekend, plus it’s snowing again and we have an appointment with our Home Office property managers to test our walls to make sure that our neighbor’s unit, where the pipes burst on Saturday (the last time it went above freezing here), isn’t spewing black mold spores into this place. And while there was a time where I would have welcomed that concept, I then turned 12 years old, and learned that alien mold was less likely to give you superpowers than a little something I like to call emphysema.

So instead of my half-finished review of X-Factor #1, I will give you this extended promo for the mid-season premiere of Arrow, which has slowly turned into one of the best superhero television shows in recent memory (Sorry Smallville, but you should have taken the lesson from The Dukes of Hazzard and understood that when John Schnieder leaves? You cut your losses and pull the plug, Plus, you sucked).

The episode, which airs on The CW this coming Wednesday at 8 p.m. Eastern Time, features the debut of supervillain Shrapnel and, just based on his name, means that stuff should get blowed up real good. And you can check the promo out after the jump.

Meanwhile, if you’ll excuse me, I’m going to visit the common wall, breathe deeply, and see if I get superpowers. You know, beyond the powers of a Red Lantern: spitting up blood while my heart stops.

flashThe CW, buoyed by the success of last fall’s DC television superhero foray, Arrow, is taking steps to expand into other DC properties, beginning with the introduction of Barry Allen in episodes 8, 9 and 20, according to the series executive producer, Greg Berlanti, in the New York Daily News. Barry Allen, better known to comics fandom as The Flash, will initially demonstrate no power set in his debut within the CW’s slowly evolving DC TV universe, however, says Berlanti, “He does need powers to become The Flash. And he will be The Flash. He will wear a red costume, and he will go by that name.” If his introduction is successful, then he will be spun off into his own series.

The movie of The Flash pitched during this past Comic-Con is still a “go” for 2016, with Berlanti credited for both director and as one of the writers of the screenplay. Meanwhile, Amazon, a proposed Wonder Woman origin story that would have focused on a younger Diana, in the same vein as the younger Clark Kent in the 10 season Smallville, is “on pause”, according to CW President Mark Pedowitz in remarks made during the Television Critics Association’s summer press tour yesterday. “It’s better to wait and get it right than put it on now.”

Better to wait and get it right for Amazon, but the CW is going to fast track a Flash TV show as an Arrow spin off after introducing the character over just three episodes?

Wonder Woman Face Palm

Let’s take a look at how well The Flash fared the last time they tried this back in 1990.