Editor’s Note: won nigeb sreliops!

Before I say anything else about Justice League Dark #9, the first issue written by Jeff Lemire, I feel I must protest and state, with the authority of a seventeen-year two pack a day smoker who quit two years ago, that the only way John Constantine would be able to make it up the steps of the ziggurat we see mid-issue – a ziggurat in Peru, meaning a minimum of 5,000 feet above sea level – would be if Superman miracled his ass up there.

Other than that misstep, this re-reboot of Justice League Dark is generally effective, given that Lemire has the unenviable task of having to introduce a new status quo, including a new cast of characters, team raison d’etre, and mission, all in 20 pages. That is a lot of expositionally heavy work to have to do, and it does show in several places; for example, you can clearly see the man behind the curtain saying, at one point, “Oh shit; Andrew Bennett could wrap this conflict up in ten seconds. I have, let’s see… 20 words in which I can resolve that.” However, it is a generally promising beginning… with a few obvious problems.

The most major one being that, intentionally or not, the guts of the plot to this story is so close to that of the Avengers movie that one of them has to be getting an unintentional boner.

EDITOR’S NOTE: This review contains spoilers, and saying that backwards won’t make them go away.

We’re six issues into Justice League Dark now, and Peter Milligan is finally putting the actual team (mostly) together after an interminable rampup of what seemed like dozens of tiny solo adventures of the DC Universe’s most Vertigo-like heroes… just in time for a forced crossover with I, Vampire and Milligan leaving the book. Thanks a lot, Pete. Your timing sucks.

At the end of the last issue, we finally had Constantine, Deadman, Shade, Zatanna et al in one place… just in time for each of them to say, “Fuck you, Charlie” (Or in Zatanna’s case, “Eilrahc, uoy kcuf”) and disperse to the four winds. And now they’re all having nightmares; Constantine dreams of London on fire and it being his fault. Zatanna dreams of monsters putting fingers in her mouth (Meaning that, based on finger placement, her definition of nightmare has a lower threshold than mine). Deadman dreams that Dove is dead, unlike most comic fans who have been praying that Hawk would also take the dirtnap.

We’re in an age of 90s nostalgia in comics, what with more spider-clones, someone thinking Todd McFarlane is worth suing, and Rob Liefeld finding steady work that doesn’t involve a riding mower or medically required applications of Zovirax. And for those of us who had their 80s comics habit survive through that somewhat empty decade only because of Vertigo comics, this is a development that in many ways feels like flashing back to being a Boston altar boy in 1972.

But for those of us who did survive 90s comics and their excesses thanks to Vertigo, a bright spot of DC’s New 52 has been Justice League Dark, which, while not perfect, gave us Peter Milligan writing both John Constantine and Milligan’s old favorite of mine: Shade The Changing Man. And God knows that the book was in no way perfect, including the end of the first arc where the team finally got together… and said, “Fuck all y’all, mates” and immediately disbanded.

Well, I’ve got some bad news: Peter Milligan is leaving Justice League Dark. But I also have some good news: Jeff Lemire, writer of Animal Man and Sweet Tooth, is taking it over as of issue 9. And Milligan is shifting over to Stormwatch to take over from Paul Cornell.

EDITOR’S NOTE: On initial publication of this review, I missed Ryan Sook’s cover credit and attributed the cover work to interior artist Mikel Janin. Mikel was good enough to check into the comments and point out my error. The review has been updated with more accurate credits.

I am probably not the best person to objectively review this book, for a few reasons, even though I studied journalism in college. But I figure once you’ve publshed a review that contains the sentence, “This ending is so Goddamned shameful I can barely even find the fucking words,” I can pretty much chuck any pretense of journalistic objectivity out the window, at least when it comes to the Comic Book Reviews category.

With that said, let’s talk about Justice League Dark #3: I liked this book… and I shouldn’t have, by every standard I’ve set for comics in every review I have written to date.

It’s decompressed. It contains almost no action. It barely explains what happened before, assumes the reader has knowledge of comics that were canceled fifteen years ago and were long out of print, and has a cover that writes checks the comic itself doesn’t cash. I mean, at no time in this book does Zatanna ride a Batcycle, and if you’re gonna bait and switch me like that, the least artist Mikel Janin Ryan Sook could have done was put her in her fishnets for a little free-of-charge fanboy boner (Fanboy-ner? Hey, no Google results! Fanboy-ner! Trademark /copyright 2011 Crisis On Infinite Midlives!). And John Constantine does not shoot fire from his hands, Mikel Ryan. The only way his hand should look like that would immediately after fingerblasting Veneria, the Harpy Queen of Tertiary Chlamydia.

So I shouldn’t like this book. But it has four things going for it: Shade, The, Changing and Man.

Something dark and malevolent is afoot in the DCU, and it’s not just the continued employment of Rob Liefield despite any evidence of an ability to utilize symmetry or feet in any of his attempts at artwork. No, I’m speaking of magical nasties that defy even the efforts of the heavy hitting Big Three to put down. In Justice League Dark, magically powered individuals have to join together to defeat an out of control, seemingly insane villain, the witch known as The Enchantress. But is she really the Big Bad that is causing reality to come undone or the victim of some other, similarly damaged, reality challenged, spelling slinging powerhouse?

Spoilery goodness after the jump!