captan_america_the_winter_soldier_teaser_poster2014 is less than a month old, and yet we are less than 90 days away from the release of Captain America: The Winter Soldier, and that feels weird.

It feels weird because it is most definitely a summer movie, and yet it is opening in the spring, while it has “Winter” in the title, and we are talking about it from the planet Hoth. Which is a fucked-up metaphor if ever there was one, but it is cold and I am tired and I grew up in a time when summer movies opened up on Memorial Day weekend, which at this point in the year feels far enough away that it will correspond to the release of Google Wetware.

Why yes, I have been drinking. What’s your point?

Anyway, with the release date coming up fast, the marketing blitz is moving into high gear. Not only will a trailer for the movie air during the Super Bowl this Sunday, but Marvel Studios has released new character-based posters for the movie. And I will stream those posters to your Google Wetware if you’ll provide your IP address and check the box saying you take full responsibility for any and all brain aneurisms arising from the transfer.

Wow; I think I put a little too much Irish in this Irish Coffee. What I meant was, you can check the posters out after the jump.

captan_america_the_winter_soldier_teaser_posterThe original plan for today’s post was to comment on DC Comics’s upcoming Villains Month, and how it is not only a lead-in to DC’s first great crossover event since the New 52 reboot, but to implicit bankruptcy – seriously, DC is shipping 16 different Batman Family titles in September, and multiple shipping almost every other title, meaning that I will be surviving on bricks of ramen noodles in September, while the owner of my local comic store, where they know me by name and ask me if I have their money – not some of their money; all their motherfucking money – makes the down payment on the new 911 Targa.

However, as sometimes happens, circumstances got in the way… those circumstances being fatigue hysteria. So an in-depth analysis over the troubling recent tendency of comics publishers to ship multiple copies of their books in a single month, and therefore effectively getting eight clams out of every reader every month while pretending that they haven’t increased their cover price, will have to wait for a day or two.

But that doesn’t mean that there isn’t anything cool going on in the world of comics and superheroes. For example, Captain America: The Winter Soldier is currently shooting in Ohio. And while it is a superhero movie, from a visual standpoint, it is a movie about a guy in a spandex suit with a painted hubcap fighting a guy in a leather suit with a machine gun. Which, fortunately, means that directors Anthony and Joe Russo can actually shoot some of it in the real world… and they have. Which means that Cleveland.com has some location photos of a gunfight scene, that includes some of the first photos of The Winter Soldier, so we can see if they’re keeping the same look from Ed Brubaker’s comics.

And you can check some of those pictures out after the jump.

winter_soldier_14_cover_2013I’ve been reading, and to varying degrees, enjoying, the books of the Marvel Now relaunch (but not a reboot! Because Marvel doesn’t reboot! And there have always been enough readers who give a tinker’s shit about Havok to put him on an Avengers team!), but the more I read, the more I am beginning to believe that we have just come off the back side of one hell of an era of Marvel comics. I mean, look back to, say, Civil War. Since then, and up until the Marvel Now books, we had Spider-Man’s Brand New Day and Dan Slott’s run of stories on that title. We’ve had Bendis’s Avengers and New Avengers arcs. Matt Fraction’s Invincible Iron Man, and Christos Gage’s Avengers Academy. And while not all of the crossover events have been great shakes (everyone gets a hammer? Really?), you gotta admit that Marvel, in general, put out one hell of a run of comics in that period between 2006 and 2011.

And through it all has been Ed Brubaker on the Captain America titles. From the reincarnation of Bucky to the death of Captain America to his rebirth to the launch of Winter Soldier, Brubaker has delivered some damn good action / espionage stories through the years, and have singlehandedly put Captain America on my pull list for the first time, well, ever.

Well, Brubaker is already off of Captain America in favor of Rick Remender, but he has remained on Winter Soldier… until now. Brubaker says goodbye to Bucky and Captain America, at least for now, with Winter Soldier #14. And while I had some issues with the early issues of the title (somewhere along the line, we went from Captain America being martyred in the aftermath of Civil War to a filthy Commie monkey with a machine gun), as a swan song for Brubaker’s run in Cap and Bucky’s world, it is true to form, a fitting conclusion for his work with the character… and a reminder that we are in a whole new world with Marvel Now… for good or ill.

It’s been an eventful week at the big two this week when it comes to high profile creators stepping away. Earlier this week, Rob Liefeld left DC in what could be called “colorful circumstances”… but which most people would call a petulant display of “Fuck you, Mom! You’re not the boss of me!” via Twitter. And while an argument could be made, given similar (albeit lower-keyed) sentiments about post-New 52 practices by DC Editorial have been voiced by creators like John Rozum and Gail Simone, that maybe there is a logic behind a public airing of grievances, all I can say is, that as a guy who recently changed jobs, I find the airing of dirty laundry in public, and the burning of bridges, to be incomprehensible to me. Don’t get me wrong, I did it – once – and it basically guaranteed that I could never work in that particular industry again. But then again, I was never a particular name in that industry, so there was no reason for anyone to try to keep me, despite the fact that, drunken snit or no, at least I never drew tits on Captain America. But I digress.

Turns out Liefeld isn’t the only high profile creator walking away from a high-profile assignment: yesterday, also via Twitter, Winter Soldier and Captain America writer, and Marvel Architect Ed Brubaker, announced that his current tenure at Marvel is drawing to a close:

Okay: we’re two issues into Winter Soldier now, and I’m getting a better sense of what Ed Brubaker’s going for here: some old-school, Steranko-style, 60s-S.H.I.E.L.D. sci-fi super spy stuff that doesn’t necessarily need to make any logical, real-world sense beyond a James Bond film with a 200 million dollar budget. All of which takes some of the edge off the fact that what initially appeared to be a modern, Marvel-based espianoge story suddenly spun, by the end of the first issue, into a scene of a screaming gorilla with a machine gun…

…and none of which makes it any easier to see that same gorilla with a jetpack at the beginning of this issue. That Goddamned gorilla is living every dream I’ve had since I was nine years old. By the third issue he’s gonna be throwing the meat to Heather Thomas, and by the fifth that fucker’ll be chucking feces at The New Kids On The Block.

EDITORS’ NOTE: This review, should you choose to accept it, contains spoilers. If read, the Web site will disavow any knowledge of how we fucked up the book for you. This message will self-destruct in five seconds. Assuming your browser has been hijacked by a virus. Get that looked at.

Dammit.

I was really looking forward to Winter Soldier by Ed Brubaker with Butch Guice on art. This is the team that brought us the aftermath of the Death of Captain America arc back in 2008, which, gimmick death doomed to reboot or not, hooked me into Captain America for the first time since I was a kid. And it kept me hooked in because it was damn good comics: interesting characters with a darker turn than many superhero comics – almost a spy story set in the Marvel Universe, although with 72% fewer Howling Commandos than most Marvel spy stories (Seriously: if a kid hides a porno mag in a Marvel book, you can count on Nick Fury and Dum Dum Dugan skulking in his closet to pick up the dead drop).

So I was psyched about Winter Soldier, because it put the creative band back together, in a story about a couple of powered-up secret agents working on the fringes of the 616. But ultimately, I found this first issue disappointing. Not enough to give up on it, but for a book produced by A-List talent that promised to live in the shadows, it has two things terribly wrong with it:

  • Butch Guice’s storytelling, and:
  • Gorilla with a machine gun.

EDITOR’S NOTE: This final review of last week before the comic stores open contains… I’m not sure “spoilers” is the correct term… howsabout “reckless speculation?” Nah, we’ll stick with spoilers. We’re fucking OG that way.

So being an American hero runs in Battle Scars protagonist Marcus Johnson’s family, and people think his father can’t die. That conventional wisdom is that those statements mean the smart money’s on his dad being Nick Fury… but since plot credit to this book includes Matt Fraction, it really could be anyone. Because no one can die in a Marvel comic by Matt Fraction.

Battle Scars has been the most – if not the only – interesting spinoff from the Fear Itself event, the story of an Army Ranger whose mother was killed during that event, and who returns home for the funeral to find he’s extremely popular with S.H.I.E.L.D., Captain America, and Taskmaster. In this third issue of the six-issue miniseries, Johnson discovers that he is also popular with everyone in the Marvel Universe with a gun and a Swiss bank account. This month, that includes Deadpool, and thank God, because he almost never appears in comic books these days.

EDITOR’S NOTE: It’s Wednesday, so let’s slip one more review in before the comic stores open with this week’s books. And this review contains spoilers. But it’s no big deal, because the spoilers in this review have already been spoiled. And sacked. Oh wait, I’m American – I meant teabagged. Whatever. Anyway…

Life Model Decoys are android body doubles that are sold to S.H.I.E.L.D. by Stark Enterprises. Which is owned by Tony Stark. Who is Iron Man. And would presumably recognize one of his products. Particularly when wearing his Iron Man armor, which is all sensory and shit.

So when expert spymaster Nick Fury decided to hide the fact that Bucky Barnes was not actually killed in Fear Itself #3 but instead was apparently just resting, he chose to replace him with a Life Model Decoy. And make Tony Stark, while wearing the aforementioned sensory-and-shit Iron Man armor, the first person to whom he showed said decoy in service of this fraud.

With logic like that at hand, it’s a shame that Fear Itself #7.1 writer Ed Brubaker isn’t writing issue 7.2, so we could see Fury trying to convince Thor that Mjolnir is a buttplug.

Teaser for Marvel's Winter Soldier #1, written by Ed Brubaker and drawn by Butch GuiceWe’ve talked a lot here at Crisis On Infinite Midlives about the formula of event comics: new costumes, giant battles, and the death of at least one character. Some creator boasting that the event is so big it will “change everything” and will “break the Internet in half” remains optional. For now. Rob Liefeld still has to submissively piddle at the end of each event. Rumor is it’s in his contract, along with the whole “coprophagia” clause. But this is no time to be making up stories about Liefeld, this is serious business. We’re talking about death here.

One of the two big deaths in Marvel’s Fear Itself event was the death of Bucky, Captain America’s old World War II sidekick who took over Cap’s mantle after Steve Rogers was killed in (say it with me!) a big crossover event in 2007. Bucky, who was also killed during World War II, was the victim of the new Red Skull, who tore his arm off… probably at the direct order of Joe Quesada, who figured out that it would probably be a bad idea to have a different guy as Captain America in the comics than in the multi-million dollar blockbuster movie of the same name. He apparently realized this several months after the movie was released, and several years after most of us understood that “Bucky Cap” sounds like euphemism for some kind of French Tickler-type device, but that’s not important right now.

What’s important is that Bucky is dead. He is bereft of life. He rests in peace. His metabolic processes are now history. He’s kicked the bucket. He is an ex-Bucky. And he’s been an ex-Bucky twice. That’s pretty final. Right?

Sure it is. This is Marvel we’re talking about: