Avengers, assemble: Things that make you go "BOOM"!

Today was a big day on Twitter; Joss Whedon, Samuel L. Jackson, Gregg Clark, and Tom Hiddleston participated in a live chat to promote The Avengers movie. If you’re interested in catching up with the chat, in which Joss Whedon tells us that not only will there be Easter eggs in the movie, but that they will be “actual dyed eggs” (I’m not kidding), head on over to @Avengers on Twitter or go Marvel’s Avengers Assemble. A transcript of selected highlights from the chat can also be found at Slash Film. For example:

Can you enjoy Avengers without seeing all the other films?
Joss Whedon: “You don’t need to see any Marvel movies to enjoy Avengers! But you need to see Steel Magnolias, like, six times.”

Oh, I don’t know Joss. I can only take watching Julia Roberts die of kidney failure so many times before my face hurts too much from laughing. That’s just me though.

The chat ended with a link to a 10 second teaser trailer from the new 30 second commercial that will be aired this Sunday, February 5, during the NFL Super Bowl.

Check out the teaser, with new, previously unseen Avengers footage, after the jump!

Remember that episode of Buffy where Willow got all twisted on dark magic and couldn’t leave the house? And she was willing to ignore anything else that was going on in the Buffyverse because she was just too willing to roll around in the darkness in exchange for a free taste for a load of evil across her naked chest (Perhaps I’m misremembering the episode… but if I am, don’t you fucking dare tell me)? Yeah, that’s what Angel & Faith #6 is: the crack of the Buffyverse.

Whereas the actual Buffy The Vampire Slayer comic feels committed to advancing the Buffyverse and showing the Scooby Gang pushing forward into adulthood, Angel & Faith as written by Christos Gage, particularly in this issue, feels committed to beefing up and filling out previously mentioned areas of the Buffy mythos. On its face, this can be dangerous; any storyline that is less concerned with advancement and more concerned with its own continuity runs a serious danger of crawling up its own ass and dying (hello, Grant Morrison’s run on Batman!).

It is (almost) official: the long-running lawsuit between Neil Gaiman and Todd McFarlane over the rights to Spawn characters Angela, Medieval Spawn, and Cogliostro that Gaiman wrote into Spawn back in the early 90s is over. I don’t know what’s harder to believe: that this mess has been going on for just about ten years… or that there was once a time when someone thought that Spawn characters had value.

The long, twisted and complete tale is available elsewhere at more reputable Web sites, but in a very incomplete, semi-biased and opinion-laden nutshell written mostly from booze-addled memory: in the early 90s, McFarlane was probably the hottest artist in comics, so he decided that he would take a shot at doing the stories as well. But there was a problem: at the time, he shouldn’t have been allowed to write anything longer than his own name. Seriously: have you read Spider-Man #1? Constant drum sound effects of DOOM, DOOM, DOOM; it reads like it’s being told from the point of view of a twitching boner.