dc_comics_logo_2013After another week of snow in Boston, we are half-insane from seeing the same four walls, but we have braved rolling blizzards, loud workmen and sporadic Internet outages to bring you a discussion about DC’s new publishing strategy!

It’s not quite a reboot, and it’s not quite an Implosion, but it seems like an attempt to step back from three years of tightly-enforced continuity, to roll back a few missteps introduced in the 2011 reboot (Hi, Starfire!), and to welcome new readers of demographics other than middle-aged white people. However, considering we are both middle-aged white people, this move means different things to each of us, so we try to hash out how we feel about the idea.

We also discuss:

  • Miracleman #15, written by Alan Moore (we’ll call you “The Original Writer” once your check clears, Alan) with art by John Totleben, and:
  • The Goon: Once Upon A Hard Time #1, written and drawn by Eric Powell!

And now the disclaimers:

  • We record this show love to tape. While this might mean a looser comics podcast than you are used to, it also mean that anything can happen. Like an intense discussion about scotch that has been sent into space.
  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware that at the very least, we will be spoiling a story that was originally published in 1988 (and seriously, you should buy and read Miracleman #15).
  • This show contains profane, explicit language, and is therefore not safe for work. Blame it on the Space Scotch and cabin fever if you must, but get some headphones.

Enjoy the show, suckers!

all_new_miracleman_annual_1_coverIt’s the first episode of 2015! In a week where there’s no comics news since everyone in comics is on vacation, and there were almost no new comics for exactly the same reason! Which means most comics podcasts and news sites are doing their Best Of / Worst Of lists this week… while we did ours last week. Clearly we don’t plan well.

So this week, we decided to look back to a couple of events from 2014 that we haven’t previously talked about in a lot of detail:

  • The Doctor Who Christmas Special, Last Christmas, and:
  • Luc Besson’s superhero-ish movie from last summer, Lucy, starring Scarlett Johansson!

And while it was a light week for comics, there were a couple of big, highly-anticipated issues. So we discuss:

  • All-New Miracleman Annual #1, written by Grant Morrison and Peter Milligan, with art by Joe Quesada and Mike Allred, and:
  • S.H.I.E.L.D. #1, based on the TV show Marvel’s Agents of S.H.I.E.L.D., written by Mark Waid and drawn by Carlos Pacheco!

And now the legalese:

  • We record this show live to tape. While this might mean a looser comics podcast than you are used it, it also means that anything can happen. Like the definition of a Face Dream Herpe.
  • This show contains spoilers. While we try to shout out warnings ahead of time, just assume that you will be told the villain of 1988’s Miracleman #15. 27 years is enough of a cushion.
  • We use adult, profane language, so therefore this show is not safe for work. This week’s title is “Wookie Shoe Porn,” for God’s sake. We shouldn’t need to warn you to get some headphones.

Enjoy the show, suckers!

miracleman_annual_1_coverThere are two types of people in this world: superhero comic fans who love Miracleman by Alan Moore and Neil Gaiman, and superhero comic fans who haven’t read all of it yet. Rob is in column A, and Amanda is in column B. Which means that they had very different reactions upon hearing that Marvel has announced that they will be publishing a Miracleman annual, with stories by Grant Morrison and Peter Milligan. This announcement begs the question: should new creators be allowed to jump into a story like Miracleman, which is a combined yet singular vision between two epic creators? And being two different types of people, Amanda and Rob have differing views on the announcement.

But there is more to comics than a couple of new short stories tacked onto a 30-year-old narrative. So Amanda and Rob also discuss:

  • The Death of Wolverine #1, written by Charles Soule with pencils by Steve McNiven,
  • Original Sin #8, written by Jason Aaron with art by Mike Deodato and
  • Big Trouble In Little China #4, written by Eric Powell and drawn by Brian Churilla!

And now the legalese:

  • We record this show live to tape. While this might mean a slightly looser show than your normal comics podcast, it also means that anything can happen.
  • This show contains spoilers. While we try to throw out a verbal warning before we cut loose, consider this fair warning.
  • Amanda and Rob use adult, explicit language, and therefore this show is not safe for work. The janitors portrayed in Miracleman had Walkman headphones for work, and that was 1984. What’s your excuse?

Enjoy the show, suckers!

MiracleMan1This week, Marvel comics began selling reprints of Miracleman. Miracleman #1 includes the eleven page prologue story “The Invaders From The Future”, originally published in 1985, along with “A Dream Of Flying”, parts 1 and 2, which were originally published in 1982 by Warrior magazine. Miracleman creator, Mick Anglo, wrote the prologue. Alan Moore, who chose to have his name stripped from this reprint, wrote “A Dream Of Flying”. Indeed, if you look at the inside cover where the author typically is listed, it instead says “The Original Writer”. It’s like Moore has never heard of Alan Smithee.

I’ve never read any of the Miracleman books before. My only exposure to them was watching Rob one night in a drunken Ebay war to track down the fabled 15th issue, where I gather one of the good guys goes bad and does something truly heinous to the city of London and it’s received more poorly than when Superman and Zod do the same thing in Man Of Steel. However, having read much of Moore’s other work, I can see the appeal the Miracleman story must have had for him: Golden Age hero whose story he re imagines in the early 80s, when the apple cheeked Boy Scout heroes of the 50s could be more thoroughly examined for their dark undersides. It is a theme Moore has visited often since, in Watchmen and as recently as the Image Comics, originally as Awesome Comics, reboot of Supreme.

miracleman_1_eclipse_coverThe first issue of Marvel’s reprint of Miracleman, drawn by Garry Leach and written by someone Marvel is referring to as “The Original Writer” in order to avoid litigation, but who we will refer to as “The Cranky Old Bastard,” will be released on January 15th, 2014, which, purely by coincidence, will be the same day that my original Eclipse Comics copy of Miracleman #1 plummets to a value where it will be less expensive to use as attic insulation than fiberglass.

While I have been excited for these reprints, it has only been in that they are precursors for Neil Gaiman’s and Mark Buckingham’s completion of their The Silver Age and The Dark Age stories that were scuttled in the 1990s when Eclipse went under. After all, I do own the complete original Eclipse run (including Miracleman: Apocrypha, Miracleman 3D and one or two of the trade paperback reprints of the original issues), so it’s not like I need the reprints for the story. And sure, Marvel has announced that they’re completely digitally remastering the artwork, but really: how much of a difference could that make?

A reasonable amount, it turns out. Marvel has released a few pages from that first issue to show off some of that remastered original Leach art… and it’s looking pretty good. And you can check them out after the jump.

miracleman_1_eclipse_coverOne of the hard parts about getting older is that you start to understand that there’s a chance you won’t live long enough to see all the cool shit you assumed you would when you were a kid. When I was a kid in the 70s, I assumed that someday I would live on the moon, while now I understand that the best I will ever be able to do is a few minutes in low Earth orbit, strapped into a chair and watching only my vomit float in zero gravity, and even that assumes that I have six figures to give Richard Branson in exchange for a 45 minute “vacation” in space. Hell, when Warren Zevon was diagnosed with terminal cancer, he famously said that he hoped he hung on long enough to see the next James Bond flick, and the poor prick never knew that if he’d survived for two James Bond flicks, he might actually witness a good one.

Yes, this is a morbid and depressing way to start a post about comic books, but it feels appropriate, because I am a Miracleman fan. And as a Miracleman fan, I was thrilled by the recent news that, after 20-plus years of waiting, Marvel was not only gonna reprint the original series written by Alan Moore and Neil Gaiman, but that they intended to publish the as-yet-unseen conclusion of Gaiman’s and Mark Buckingham’s The Silver Age and The Dark Age stories that were aborted when Eclipse Comics went under and suddenly nobody – and everybody – owned the rights to the character.

However, in comics as in life, there is no good news without bad news. The good news is that Marvel will start reprinting the original out-of-print stories soon, but I don’t care about that since I already own the entire original Eclipse Comics run (including Miracleman 3D and Miracleman Apocrypha). But the bad news in this story is that Joe Quesada, Marvel’s Chief Creative Officer, thinks that we will see new Gaiman / Buckingham Miracleman stories, well, a little less soon.

Like, in two or three years soon. When I will be 45 years old, and actuarially closer to dead than alive even if I didn’t have 35 pack years of cigarettes and about 5,000,000 case years of whiskey under my belt. Or sometimes overflowing my belt.

miracleman_1_eclipse_coverThere are hazards, when you run a comics blog, to making the decision to fuck off to central New Hampshire to play classic video games during the weekend when the New York Comic Con is occuring. We knew when we made the call that we would miss some news, but we figured that that wouldn’t be all that big a deal, as there would be half a dozen comics blogs with budgets bigger than ours (read: almost all of them) who would have boots on the ground and be better able to cover it than we would even if we spent the weekend parked at the Crisis On Infinite Midlives Home Office Information Center (read: the couch with a first-generation Transformer tablet tuned to our “comics news” RSS feed).

So we knew that we would be late with some news… we just didn’t anticipate that some of that news would entail several hundred dollars worth of direct impending loss of value to our personal comic collection!

To wit: Marvel announced at New York Comic Con that they would be reprinting Neil Gaiman’s and Mark Buckingham’s late-80s / early-90s run on Miracleman… and that they would be finishing the three-part storyline that was aborted after Miracleman #25, the first part of the middle The Silver Age storyline, after Eclipse Comics went under.

Which is excellent news (well, it’s excellent news for anyone who didn’t spend the first two years of the 21st Century hunting down those original Eclipse issues), but that original announcement only referenced Gaiman’s and Buckingham’s issues, which didn’t start until Miracleman #17. Miracleman #1 through #16 were written by Alan Moore, and include the infamous 15th issue, Nemesis, writh art by John Totleben and featuring the complete decimation of London in the battle between Miracleman and Kid Miracleman. If you’ve never read it, it’s a classic, that is well worth the fat cash I dropped on it during a drunken bidding war on eBay in 2002.

And it looks like that is fat cash that I will never see again, because today Marvel made it official: they will be reprinting the entire Eclipse Comics run, starting with Alan Moore’s Miracleman #1, starting in January.

But Marvel’s still not using Moore’s name anyplace.

miracleman_1_eclipse_coverBack in the halcyon days of 1993, (not the Halcion days, at least not that I’ll admit on a public Web site), when Kurt Cobain was alive (if you can call cohabitating with Courtney Love living), a man could light a cigarette in a bar where people were disintegrating their livers with cheap domestic bourbons without someone getting all self-righteous about their health, and Eclipse Comics was still a going concern. A going concern with, on paper at least, the free and uncontested right to publish Miracleman.

Back then, Neil Gaiman had blessed a miniseries to fill in some of the gaps as to what happened between the end of Alan Moore’s run and the start of Gaiman’s The Golden Age arc. The miniseries, Miracleman Triumphant, was to be written by Fred Burke – the writer of, well, some stuff you’ve never heard of –  with art by recent New Avengers artist Mike Deodato and inks by Jason Temujin. Here’s what the story was to cover:

Miracleman Triumphant #1, entitled “Oracles,” begins where Miracleman #22 leaves off, focusing on the aftermath of the annual Carnival memorializing Kid Miracleman’s slaughter of London in Miracleman #15. The opening pages were to show Miracleman, disguised as an ordinary human, surveying the closing moments of the Carnival, wondering to himself if the changes he has brought to the world were the right ones. While ruminating, he stumbles onto a flier advertising a family of fortune-tellers and, interested in their opinion, seeks them out.

That miniseries was in the works when Eclipse Comics choked on its own debt, going down with all hands and throwing the rights to Miracleman into a legal black hole that would make Stephen Hawking scream in existential horror were he to contemplate it.

And that was pretty much that; sure, the odd partial page has popped up now and again, but not much in the way of completed art… that is, until this morning. That’s when Temujin posted the latest of four pages that he had finished inking before Eclipse went out of the comics business and into the asset auctions business. There’s no dialogue attached, but considering that these are pages from one of my favorite comic sagas, drawn by one of my favorite comic artists, I figured they’re worth making note of. And you can check them out after the jump.

Goddammit Marvel, now you’re just fucking with me.

Last week, Marvel released a series of one-word teaser posters hyping the winter round of Marvel Now relaunches (but not reboots! Marvel doesn’t reboot! And Mile Morales has always been Spider-Man in the Ultimate Universe! And Cyclops has always dressed like Nightwing on his way to an evening at The Ramrod’s Tower of Power night!). And while the first round of pre-San Diego Comic-Con teases were pretty transparent – “Mighty,” Marvel? Really? – the last few have been downright inscrutable. “Killers” could mean anything from a team led by The Punisher to some anonymous soul in Marvel editorial subtly bragging about blowing Brandon Flowers.

But yesterday, Marvel outdid themselves… and not necessarily in a good way, depending on how you interpret it.

It can’t be this easy. And make no mistake, it won’t be… but as of a week or so ago, Marvel Comics now seems to have the rights to the trademarks of Marvelman and Miracleman, putting them under the same roof for the first time in… well, considering Dez Skinn started publishing Marvelman stories in Warrior back in the 80s without necessarily paying Mick Anglo, the character’s creator know, maybe ever.

So here’s how it apparently plays out… and let’s all keep in mind that I am not a lawyer, I am not privy to nearly 30 years of discussions and legal paperwork, and I am quite hung over: Neil Gaiman settled the main part of his lawsuit against Todd McFarlane over the rights to the Spawn characters Gaiman created for McFarlane back in January of this year. But apparently there was still an outstanding issue: McFarlane had filed a trademark for the Miracleman character after he bought out Eclipse Comics in the early 2000’s, and Gaiman had, in turn, filed an opposition to that trademark. And that trademark has remained in dispute since then, even after the disposition of the original lawsuit, meaning that even though Marvel bought the rights to the Marvelman trademark from Anglo back in 2009, the trademark for Miracleman – which includes all the Eclipse-printed Alan Moore and Neil Gaiman stories form the 80s, which are the only ones anyone gives a fuck about – was still up in the air.

Well, whether as part of the terms of the settlement, or via sheer laziness or forgetfulness, it seems McFarlane has legally abandoned his claim to the Miracleman trademark. And on September 5th, Marvel Comics filed their own notice of trademark on the name.