tmp_sin_city_a_dame_to_kill_for_teaser_poster_1_2013-1733579567It is the middle of Labor Day weekend, which means that things are slow in the world of comics news, and fast in the world of drinking whiskey to forget you still have a job to go to on Tuesday.

So Amanda and I use this lull to idly speculate who might be a good casting choice for Doctor Strange in the upcoming Phase 3 Marvel movie. And not only that, but we got ourselves out to see the currently-in-theaters Sin City: A Dame To Kill For adaptation of Frank Miller’s hard boiled crime comics… and we had remarkably different reactions to the flick. Specifically regarding Eva Green’s casting as Ava Lord, Eva Green’s ability to portray Ava Lord, and Eva Green’s qualifications as an actress beyond the ability of some of her bodily appendages to defy constant gravitational forces. We also talk about the other parts of the movie.

We also discuss:

  • All-Star Western #34, written by Jimmy Palmiotti and Justin Gray, with art by Darwyn Cooke, and
  • Silver Surfer #5, written by Dan Slott with pencils by Mike Allred!

And now the disclaimers:

  • We record this show live to tape. While this might mean a somewhat looser comics podcast than you are used to, it also means anything can happen. Like discussions about new supervillain Whistle Pig.
  • This show contains spoilers. While we try to shout out warnings before spilling secrets, be on notice that spoilers can happen at any time.
  • Amanda and I use explicit, adult language, and therefore this show is not safe for work. Before listening without headphones, please see the earlier note about the discussion vis a vis Eva Green’s bodily appendages. Get some headphones.

Enjoy the show, suckers!

superior_spider-man_31_cover_2014Editor’s Note: Yeah. That sounds just spoilery enough to be right. Let’s go.

It’s been about 16 months since Doc Ock took over as Spider-Man, which has been just enough time to forget that Spider-Man is supposed to be fun, dammit.

Spider-Man’s supposed to be a wisecrack and an acrobatic move and a triumphant battle against insurmountable odds, while simultaneously Peter Parker’s a self-defeating complaint, an overdue bill he can’t afford to pay and a ruinous relationship that disintegrates against, well, predictable odds. Is it a formula? Sure. Is it soap operatic? Hell, yeah. But it’s a thing that works, and which has been working for 52 years. And it seems like a simple enough formula that we’ve seen so often over the years that we wouldn’t miss it if it was gone for a while… but I did, dammit.

Doc Ock as Spider-Man has been an interesting thought experiment to help reinforce that it’s the character of Peter Parker that makes the comic and not just a power set and a red and blue leotard, but nobody falls in love with a thought experiment unless it’s the Milgram Experiment, and even then it’s only if the enthralled already had a closet full of jackboots. So while it’s been a kinda cool distraction to watch a darker, more obsessed version of Spider-Man, I was ready for it to be over since I already have Batman.

So not only is it just plain good to see Peter back in the saddle in The Superior Spider-Man #31, writer Dan Slott clearly knows it. Because throughout this issue, characters react to Peter being back in costume (despite ostensibly not really knowing that he ever wasn’t the guy in the costume) with a general sense of relief and a sense of return to normal.

And so did I.

tmp_amazing_spider-man_1_cover_2014871384253We’re a little late to the party on this one, but Marvel is already starting to hype the first big event of the soon-to-be freshly Peter Parker-centric reboot of The Amazing Spider-Man… because God knows that you need to market the living shit out of a book where you completely blow up the status quo to, well, return to the status quo. Jesus, Marvel and writer Dan Slott threw a pudgy, nearsighted, vainglorious motormouth into the Spider-Man suit for the past 15 months and have set sales records; I doubt you need to set the world alight to get people to read a Spider-Man book featuring the original dude.

Frankly, just seeing Peter Parker back in the saddle is enough of an event to get me excited… and yet this one sounds ambitious and kinda interesting. It’s called Spider-Verse, it’s gonna be written by Dan Slott with art by Olivier Coipel, it’ll be coming out in November starting in The Amazing Spider-Man #9, and it’s gonna feature Spider-Man.

Whaddya mean, “which Spider-Man?” Spider-Man! You know… all of them. Ever.

Seriously: check it out:

tmp_superior_spider-man_25_cover_20141062414147Editor’s Note: Ah, but my dear Spider-Woman… I so want to spoil you. And I can no longer think of a reason not to.

Now we’re getting somewhere.

I’ve been pretty vocal recently that, while I’m generally enjoying Dan Slott’s tale of Doc Ock as Spider-Man in The Superior Spider-Man, it’s felt like it’s been dragging along for a while to me. With the foregone conclusion that Peter Parker would eventually be returning as Spider-Man – a foregone conclusion that has been bourne out by recent news (spoilers at that link, by the way) – I had passed the point where I was fully engaged in seeing how Doc Ock would operate as Spider-Man and had reached the point where I wanted to see how things turned out to put Peter back into the suit. Picture it like sex: foreplay is fun and all, but as a wise man once said, eventually you gotta go into the trenches and bump uglies. So to speak.

Well, we are now on the 25th issue of The Superior Spider-Man – an impressive feat, considering the first issue was only a year ago – and now we’ve got some solid rising action moving toward a denouement of this whole Otto situation. Writers Dan Slott and Christos Gage take a solid step in this issue toward yanking the rug out from under Otto, showing cracks in his public image, suspicion from Spider-Man’s allies, and some real opposition from someone who can actually get to the bottom of this whole Ock / Spider-Man situation.

After months of foreplay, characters are finally starting to bump Editor’s Note: Rob, this metaphor is a dicey pile of shit. Move along. -Amanda

Ahem. Anyway.

tmp_amazing_spider-man_1_variant_cover_2014962603996Editor’s Note: Look, this entire article is loaded with spoilers about upcoming events related to Spider-Man and Marvel’s and Dan Slott’s plans for the character in the coming months. And while none of those events are particularly hard to guess, if you want to remain pure and unspoiled about things, you should probably move along. And try not to think about the most likely actions a corporation might take to maximize profit via cross-platform synergy. And if you don’t have to think about what “cross-platform synergy” means because it is a part of your job, you should move along before I call you something I can’t take back. 

I wrote not too long ago that, despite generally enjoying Dan Slott’s The Superior Spider-Man, that I was ready for the whole Doc Ock as Spider-Man storyline to start coming in for a landing. While it’s been an interesting storytelling experiment, in the sense that it explores a different and darker angle on the concept of “with great power comes great responsibility” that’s at the core of Spider-Man’s character, it’s grown a little long in the tooth for me, since I knew full Goddamned well that eventually, Peter Parker was gonna come back. When? Well, sometime before The Amazing Spider-Man 2 opens in theaters in May, at the very least… no matter what Dan Slott said about Peter Parker staying dead.

Well, Slott and Marvel have finally gone on record about their long-term plans for Peter Parker. And while the broad strokes might be pretty much what one would expect, they amount to pretty big spoilers, so if you want to know what’s up, you can find out after the jump.

tmp_superior_spider-man_22_cover_20131746222442I haven’t written about The Superior Spider-Man in a while, even though I am still reading it and still generally enjoying it, because it is beginning to succumb to The Walking Dead disease.

Here’s what I mean: we all know full well how The Superior Spider-Man is going to end. No matter what writer Dan Slott says on Twitter and at conventions, we all know that Peter Parker will return as Spider-Man at some point before the Amazing Spider-Man 2 movie opens on May 2nd next year. And even if you choose to believe that Marvel’s overlords at Disney will be willing to allow that corporate synergy and mindshare (Christ, I feel dirty just typing that) to pass since the movie’s owned by Sony and Columbia, the signs are all here that Peter Parker will return and Otto Octavius will suffer a fall. Otto’s showing hubris, he’s arrogant, and his sense of superiority is rubbing damn near everyone the wrong way.

All the signs point to Otto falling from grace and Peter returning, and the problem is that every reader knows this. Because we read comic books, and we know full well that dead only means dead in comics if the dead guy is Uncle Ben, Thomas Wayne or Martha Wayne. So we all know that the broad-stroke ending of Otto falls / Peter returns is coming (the same way we’ve known that Negan falls / Rick triumphs is the likely ending of the Walking Dead arc that’s been going on since 2012)… but it seems it has been going on forever.

And the events of The Superior Spider-Man #22 continues with the long, slow arc of Otto blindly heading toward a bad end, with yet another instance of Otto interacting badly with someone who would expect Peter to know and be friendly with him. And it’s certainly enjoyable enough, particularly in seeing J. Jonah Jameson’s reaction to some of the events of the issue… but it is also still more of the same interminable setup for a story for which I’m becoming damned impatient to see the punchline.

superior_spider-man_7_cover_2013The Superior Spider-Man is not sustainable. It has never been sustainable. We have known this from the beginning.

Let’s face it: The Superior Spider-Man only works for as long as you accept that there’s a megamaniacal supervillain who talks like Ming The Merciless on a coke bender and kills more people as Spider-Man than he did with his pre-body switch Death Satellites pretending to be Peter Parker… without anyone noticing. Including the readers. I have been able to suspend my disbelief on my that plot point for a while, but the entire time I have been reading this book, I have known in the back of my mind that if I called someone a “dolt” more than three times in a month, my friends would demand to know what was wrong… and if I used the term “pilfering parasite” more than once in, well, ever, my own parents would hold me at pitchfork-point until the DNA results came back clean.

The cracks in this whole Doc-Ock-As-Spider-Man conceit are already beginning to show. In the current Marvel crossover event Age of Ultron, which was written by Brian Michael Bendis months ago, Spider-Man is pretty clearly Peter Parker… which caused writer Dan Slott to have to produce last week’s The Superior Spider-Man #6AU (AU for “Age of Ultron”), which tried valiantly to shoehorn Ock’s version of Spider-Man into the event… even though only a reader who uses the cover of an issue of Age of Ultron to roll a fat one would believe that Otto Octavius has a wisecrack in him that doesn’t include the word “pusillanimous.”

Thankfully, Slott seems to know the limitations of the body-switching gag. Because just over three months into the whole deal, he is simultaneously showing Peter beginning to show a modicum of control over his Otto-infested body, and Spider-Man’s teammates on The Avengers are finally convinced that something isn’t right with the guy. And while all this is happening with what feels like a fairly contrived situation just to show the extent of Doc Ock’s newly-found moral relativism, it’s good to finally see the noose tightening on this whole gimmick.

superior_spider_man_2_cover_promoEditor’s Note: Let me go wild, like a spoiler in the sun…

The problem with The Superior Spider-Man #2 is the scene. The scene.

You will know The Scene when you see it. In fact, you will have some difficulty unseeing it. And given that Doc Ock is occupying Peter Parker’s body, and given that Ock, a former ugly duckling, is suddenly in the body of a guy that can allow him to do things that he has never been able to do, while not necessarily understanding how to do those things, the scene makes complete and total sense.

And yet The Scene overpowers almost everything else in the issue, and it does it unnecessarily. Sure, it serves a purpose in furthering a main plot point, but it does it in a way where you almost won’t remember the plot point it furthers. The Scene just about turns this issue into the comics equivalent of Vincent Gallo’s Brown Bunny: do you have any idea what Brown Bunny is about? Of course not, all you know is that Gallo got his cock sucked by Chloe Sevigny on camera.

And we will address The Scene, and how it affects the comic… which, in spite of the scene, gives us more Peter Parker than I would have expected even a month ago, and which finally shows some real signs that maybe, just maybe, Otto Octavius really has some elements to be a superior Spider-Man… and, in some areas, a superior Peter Parker.

You know, if you can get past The Scene.

superior_spider_man_1_cover_promoEditor’s Note: I’ve come to say goodbye to my old life. A life wasted on spoilers and ruined plot twists. A man whose sole victory was cheating comic readers… by switching – ah, screw it. This review contains spoilers. Many. many spoilers.

I’m done. Done accepting things the way we are. I swear to you… from now on… whenever I’m around, wherever I am… …No one dies!
– Peter Parker

Okay, that’s one way to end a comic book. But we’ll talk about that later.

So here we are: the first issue of a Spider-Man comic with Otto Octavius riding the peak seat, and our first chance to see how he handles the, well, power and responsibility. And coming out of the events of The Amazing Spider-Man #700, that was a serious question; sure, we’ve known what Doctor Octopus is like for the past fifty years, and it seems unlikely that an arrogant megalomaniac like that is likely to turn over a new leaf just because he can suddenly see his dick for the first time since Eisenhower was President. But still, we’ve seen that Ock obtained access to all of Peter’s memories and experiences, which could have an effect on Otto. So the question is: how does he behave as Spider-Man?

A lot like a supervillain, actually. But not in the way that you’d think.

FiredMarvel is throwing another comic book teaser our way, this one somewhat less mysterious than yesterday’s XX promo, but still ambiguous enough to make us wonder…

…how can “that old Parker luck” (as Comic Book Resources called it) run out so fast when Peter Parker isn’t even driving the bus anymore? I mean, look at those faces teased up on that image: OctoSpidey seems to have pissed off the whole of The Avengers and gotten himself fired. That’s fast work, faster than my Uncle Louie can get himself drunk, disorderly and tasered at GED Prom Night Zumba at the Learning Annex.

In any event, the “Fired” teaser also points to a new arc that will see Ryan Stegman departure. Humberto Ramos will be joining writer Dan Slott, as penciler. Fans of big-eyed, lanky looking manga type characters, rejoice.

Superior Spider-Man drops at your LCS this Wednesday, January 9. Slott and Ramos’s new arc begins in April 2013.