There’s a new Thor movie out. If history were a guide, this would excite us not at all. While we have been, and still generally are, fully in the tank for the Marvel Cinematic Universe, we have not seen any of the Thor movies in an actual movie theater, and that’s saying something considering we did see The Incredible Hulk in our local theater.

Thor: Ragnarok, however, promised to combine Thor with the most important elements of Greg Pak’s Planet Hulk, which we did like. So we made our way to the theaters this weekend, and we spend a good chunk of the episode talking about the flick. Did we like it? Was there more to it than just the thrill of seeing Hulk in full gladiator dress with his Warbound? Is there anything there to make us care about Asgard? Does the movie make the living envy the Doug? Tune in and find out!

We also discuss:

  • The Jetsons #1, written by Jimmy Palmiotti with art by XXXXX, and:
  • Captain America #1, written by Mark Waid, with art by Chris Samnee!

This episode was recorded live to tape, so if you want to know why Rob has the completely wrong idea about what it means to get romantic with a guitar, you’re in luck!

Thanks for listening, suckers!

boston_comic_con_banner517491478Boston Comic Con, our local convention, was this weekend, and we went after it with both hands, hammer and tong… until we realized that we’d hit all the comics news panels by the end of the first day, collected all our commissions and desired books by midday on the second, and had one working hip between the two of us by the beginning of the third.

But our infirmities didn’t stop us from seeing the whole floor and attending some excellent comics panels. So we talk about this year’s show in general, some of the creators we met and the loot we scored, and then we talk the DC Universe Panel.

Held Friday, hosted by DC Co-Publisher Dan DiDio with panelists Aaron Lopresti, Phil Jimenez, Amanda Conner and Jimmy Palmiotti, the panel stayed away from DC: Rebirth news (other than providing some of the reasoning behind making the move), and focused more on the creators, their motivations, their inspirations, and how they managed to get some of their most high-profile gigs. And we not only talk about the panel, but we present audio direct from the show! It’s like you’re there! If you were there with two drunks able to stop the panel at will to interject with mouthy sarcasm!

And, before you ask: yes, we did attend the Frank Miller spotlight panel, and yes: we have audio. And we will present and discuss that panel during next week’s show.

And, the disclaimers:

  • Due to limited time (the convention ended today, for God’s sake), we were unable to clean up the panel audio as much as we would have liked. It should still be perfectly audible and understandable, but we apologize if it’s a little muddy.
  • This show contains adult, profane language, and is therefore not safe for work. One of our audio tracks is named “Scratch ‘N Sniff Beaver.” You are forewarned.

Thanks for listening, suckers!

 

vision_7_cover_2016It has been a stone bummer of a week when it comes to comic news. From the tragic loss of Darwyn Cooke to DC Comics having to release a statement on sexual harassment in the face of protests over allegations about Superman Group Editor Eddie Berganza, there haven’t been a lot of smiles in comics this week. Hell, when the most welcome news is that Supergirl was renewed and only has to reduce their budget and expatriate to Canada, you’re not talking a barrel of laughs.

But these things all happened, so we talk about them. Particularly the DC Comics harassment issue, as one of us was once harassed in the manner and circumstances in which Berganza is accused of harassing someone back in 2012, and therefore we wanted to share our perspective on it.

But we hate dwelling on negatives in our favorite hobby, so we spend more time than usual talking about actual comics this week, discussing:

  • Southern Bastards #14, written by Jason Aaron with art by Jason Latour,
  • The Vision #7, written by Tom King with art by Michael Walsh,
  • Starfire #12, written by Amanda Conner and Jimmy Palmiotti with art by Elsa Charretier, and
  • Powers #6, written by Brian Michael Bendis with art by Michael Avon Oeming!

And, the disclaimers:

  • This show contains spoilers. We will ruin the ending of the latest Powers story line for you… but then again, since it’s been seven months since the last issue, you probably don’t remember how the story line started.
  • This show contains adult, profane language, and therefore is not safe for work. Sure, the concept of a “kitten chaser” sounds benign, but do you want to risk your employment on it? Didn’t think so. Buy earphones.

Thanks for listening, suckers!

lucifer_foxWhat with the search for a new Home Office thanks to continual incursions by vermin (It’s like Secret Wars, only with ants!), we’re a little scatterbrained and fried this week, but we don’t let that get in the way of putting together a great show for you! Or at least a show of roughly professional-ish quality!

Disney’s D23 Expo was this weekend, and since Marvel Studios was bough by Chairman Mouse, that means that the first real footage from Captain America: Civil War has been shown. Not released, and not leaked in any fashion we’ve been able to locate, but descriptions abound, so we discuss what we’ve heard, what was announced about Doctor Strange, and whether we will be allowed to openly carry liquor and firearms at the Mos Eisley Cantina Disney will be building at Disneyland.

And while we weren’t able to see the Civil War trailer, we have been able to see the pilot to Fox’s upcoming adaptation of Vertigo Comics’s Lucifer. We are big fans of Mike Carey’s Lucifer series (and Neil Gaiman’s Sandman that introduced the character in that form), so we have strong opinions as to how the original comic series, about a fallen angel exploring what it means to have free will through the creation of literal universes, jibes with this new series about a Devil who solves crimes with a former actress cop.

We also discuss:

  • The Walking Dead #135, written by Robert Kirkman with art by Charlie Adlard, and:
  • Starfire #3, written by Amanda Conner and Jimmy Palmiotti, with art by Emanuela Lupacchino!

And now the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like a sudden tangent over which character in The Strain we want to kill with a pipe wrench (it’s totally Zach).
  • This show contains spoilers. While we try to shout out warnings ahead of time, be forewarned that we will reveal that people talk a lot in The Walking Dead.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you think your employer is interested in the continuity ramifications of perverse Wookie sex, get yourself some headphones.

Thanks for listening, suckers!

robobunny_batman_capulloWe are back, after a week spent upgrading various parts of our online infrastructure! Which was exactly as exciting as it sounds! Provided you are Lex from Jurassic Park and know Unix! Unlike us!

And we came back just in time for an almost complete comics news drought. This happens ever year in the couple of weeks leading up to San Diego Comic-Con; the publishers save their big announcements for the show, while leaking only little things, like TV casting announcements.

So the news about comics winds up being news about comics at SDCC. So this week, we discuss a couple of announcements about the convention itself, including some of the… shall we say, odder… convention exclusives that some vendors are making available, to the announcement that Marvel Studios won’t be having a Hall H presence this year, while Star Wars and DC / Warner Bros. (probably) will be having a big one.

And we took the opportunity afforded by a relatively slow news week to talk about more of this week’s comics than usual, including:

  • Starve #1, written by Brian Wood with art by Daniel Zezelj,
  • Starfire #1, written by Amanda Conner and Jimmy Palmiotti with art by Emanuela Lupacchino,
  • Constantine, The Hellblazer #1, written by Ming Doyle and James Tynion IV with art by Riley Rossmo, and
  • Batman #41, written by Scott Snyder with art by Greg Capullo!

And, as usual, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like learning why putting a cape on your office chair means Gotham City is doomed.
  • This show contains spoilers. While we try to shout out warnings ahead of time, please be aware that we might ruin stuff for you.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you want your employer to hear multiple references to a sketchy, ten-dollar party, get some headphones.

Enjoy the show, suckers!

c2e2_logoWe’re a bit later than we originally intended, but proud to present the first part of our C2E2 2015 panel recaps. But these aren’t your normal panel rundowns; these are chock full of audio from the panels, including quotes direct from Dan Slott, Brian Azzarello, Jimmy Palmiotti, Amanda Conner, Charles Soule, and a bunch of other creators!

We start by going through the Secret Wars: Last Days panel from Marvel, where the panel talks about the Last Days miniseries leading to Secret Wars for characters like Ms. Marvel, Black Widow, Silver Surfer, Punisher, Ant-Man and the Inhumans. While there’s not a lot in the way of revelations in this panel, there are one or two really interesting new tidbits… as well as the name a of supervillain that, by the end of the episode, will haunt your nightmares.

We then recap the New DC Universe panel, where the post-Convergence storylines of books including Harley Quinn, Starfire, Bizarro and Catwoman, as well as some details about the upcoming We Are Robin, are laid out. This was the panel where Dark Knight 3: The Master Race was made, and we have that audio (and our opinions) as well.

We plan to tape and release our recap episode about the Batman panel (where Scott Snyder talks openly about the Bat-Bunny) tomorrow or Friday, so stay tuned!

Thanks for listening, suckers!

gotham_donal_logue_harvey_bullockGotham premiered on NBC this past week, so Amanda and I talk about the first episode. We discuss what we thought worked, what didn’t, why we don’t want to see all the fan service super villains we got in this first episode… and frankly, why we don’t want to see much more of Bruce Wayne, either. We also compare the show to Ed Brubaker’s and Greg Rucka’s Gotham Central comic series, sometimes favorably, others… not so.

We also talk briefly about the second season premiere of Marvel’s Agents of S.H.I.E.L.D., and how we like that we got an honest-to-God supervillain, an early direction, and an Agent Ward who might not be long for this Earth!

And when it comes to comics, we discuss:

  • Secret Avengers #8, written by Ales Kot with art by Michael Walsh, and:
  • Harley Quinn: Futures’ End one shot, written by Jimmy Palmiotti and Amanda Conner, with art by Chad Hardin!

And now the disclaimers:

  • We record this show live to tape. While this might mean it’s a looser show than you are used to from other comics podcasts, it also means that anything can happen. Like discussing the mechanics of M.O.D.O.K. sex.
  • This show has a lot of spoilers. We try to warn you ahead of time, but consider this our blanket heads-up.
  • Amanda and I use adult, profane language, and therefore this show is not safe for work. Did you not see the warning that we talk about M.O.D.O.K. sex? Get some headphones.

Enjoy the show, suckers!

tmp_sin_city_a_dame_to_kill_for_teaser_poster_1_2013-1733579567It is the middle of Labor Day weekend, which means that things are slow in the world of comics news, and fast in the world of drinking whiskey to forget you still have a job to go to on Tuesday.

So Amanda and I use this lull to idly speculate who might be a good casting choice for Doctor Strange in the upcoming Phase 3 Marvel movie. And not only that, but we got ourselves out to see the currently-in-theaters Sin City: A Dame To Kill For adaptation of Frank Miller’s hard boiled crime comics… and we had remarkably different reactions to the flick. Specifically regarding Eva Green’s casting as Ava Lord, Eva Green’s ability to portray Ava Lord, and Eva Green’s qualifications as an actress beyond the ability of some of her bodily appendages to defy constant gravitational forces. We also talk about the other parts of the movie.

We also discuss:

  • All-Star Western #34, written by Jimmy Palmiotti and Justin Gray, with art by Darwyn Cooke, and
  • Silver Surfer #5, written by Dan Slott with pencils by Mike Allred!

And now the disclaimers:

  • We record this show live to tape. While this might mean a somewhat looser comics podcast than you are used to, it also means anything can happen. Like discussions about new supervillain Whistle Pig.
  • This show contains spoilers. While we try to shout out warnings before spilling secrets, be on notice that spoilers can happen at any time.
  • Amanda and I use explicit, adult language, and therefore this show is not safe for work. Before listening without headphones, please see the earlier note about the discussion vis a vis Eva Green’s bodily appendages. Get some headphones.

Enjoy the show, suckers!

sdcc_2010_pimp_fettSince we are less than 36 hours away from leaving for San Diego Comic-Con 2014, and therefore are fully engaged in preparing for the trip, we are a little fried today. So this is a shorter than usual episode (not the end of the world, considering we plan to podcast direct from the convention at least a couple of times), but a full one, where Amanda and I discuss:

  • The changes of Thor to a woman and Captain America to Sam Wilson that were announced on TV this week (if only there were a major convention to make these kinds of announcements!),
  • Since Amanda and I have attended nine straight San Diego Comic-Cons, we share a few tips on how to survive the whole experience (and avoid an extinction level digestive event), and:
  • Harley Quinn Invades Comic-Con International / San Diego #1, by Amanda Conner, Jimmy Palmiotti and a bunch of guest artists!

And now the legally-required disclaimers:

  • This show is recorded live to tape. This means there might be a few more pregnant pauses than you are used to in a comics podcast, but it also means that anything can happen.
  • There are spoilers in this show. We try to warn you ahead of time, but if you don’t know the kind of treatment you’ll get at a place called “Dick’s Last Resort,” you might deserve what you get.
  • This show contains adult, explicit language, and is not safe for work. I bought earbuds at a gas station for $12 today. What’s your excuse?

Enjoy the show, suckers! And don’t forget to tune in for episodes live(ish) from SDCC later this week!

tmp_batwing_29_cover_2014-1086982275So I haven’t written about Batwing for a while. Even though it has remained on my pull list, I had kinda tuned out of Batwing for a while. It survived my first cut of books from the initial New 52, unlike real stinkers like Hawk & Dove and The Savage Hawkman, and it never really got bad, but the whole former child soldier of African warlords angle never clicked all that well with me. Not because it was badly executed, but because it always reminded me of Joshua Dysart’s The Unknown Soldier, and that was a comparison that, when it comes to harrowing drama, a book about a guy in a Bat suit was going to lose.

Since writers Justin Gray and Jimmy Palmiotti took the book over, those issues have vanished. We’ve got a different guy in the Batwing suit, a Batwing suit that is basically the Batman Beyond suit, and we’re back in Gotham City, giving us a little distance from the whole Batman Incorporated conceit that almost forced the international feel. And what we wind up with is a version of Batman Beyond, with a young, brash guy being mentored by Batman in the most dangerous city in the world. And that works for me; I don’t have an original Bruce Timm Batman Beyond sketch and the Batman Beyond Black And White statue on my mantle because I don’t like that kind of story.

And in Batwing #29, Gray and Palmiotti put together a mix of tones that is a little weird, but generally pretty fun. There is urban horror and real terrible stakes to what’s happening to Luke Fox and his family, horror befitting a modern Batman family comic. And yet it is tempered with big, silly comic book-y ideas, like an unknown underground city beneath Gotham, populated with homeless geeks in Egyptian costumes and giant monsters. It’s a weird mix, but it generally worked for me, and I found it really pretty entertaining.

Provided I turned some parts of my brain off.