clone_conspiracy_promo_poster_1This week, Marvel and Spider-Man writer Dan Slott announced that this fall’s Spider-Man event will be called The Clone Conspiracy, and will feature The Jackal and the clone of Gwen Stacy, possibly bringing a bunch of long dead Spider-Man characters back from the grave. We initially had a very negative reaction to this news, because any Spider-Man title that includes the word “clone” brings back memories of the 1990s Clone Saga… but then we realized that neither of us had actually read all that much of the original Gerry Conway clone stories from the 1970s, or the Clone Saga stories from the mid 90s.

So we ran out and purchased the trade of the original clone stories from 1975 through 1990, and one of the trades of the 90s Clone Saga, to see how we really felt about the clone stories in the face of the actual works. And we discussed, in the face of actual exposure to the clone stories, whether we wanted to see any more clone stories… and whether we did or not, if they could possibly overcome the reputation of the 90s Clone Saga.

We also discuss:

  • Civil War II #2, written by Brian Michael Bendis with art by David Marquez,
  • Superman #1, written by Peter Tomasi with art by Patrick Gleason, and:
  • Batman #1, written by Tom King with art by David FInch!

And, the usual disclaimers:

  • This show contains spoilers. If you don’t want to learn the ending of who wound up with the mantle of Spider-Man at the end of The Clone Saga 21 years ago, you are a wise person with good taste in serialized graphic storytelling! But we’ll still ruin it for you.
  • This show contains adult, profane language, and is therefore not safe for work. If you don’t think your mom wants to hear how there’s a big bit of Hal Jordan in Carol Danvers, then get some headphones.
Play

Thanks for listening, suckers!

Share

flash_arrow_crossoverWell, New York Comic Con was this week… and we were not at it. And what with the impending Home Office move, we were too busy to follow nearly as much of it as we would have liked. But still, we open the episode gamely trying like hell to round up some of the news and announcements from the convention… before realizing that there is one activity that no amount of bad scheduling or work commitments or lack of funds can keep us from experiencing: television.

This week gave us the debuts of the new seasons of The Flash and Arrow on The CW (or, as Rob continues to insist upon calling it, The DCW). And these debuts brought some interesting new angles to old familiar characters, like Arrow trying to find love, and The Flash trying to nuke a guy to death. So we discuss the episodes, some of the changes that seem to be in store for the characters in the coming season, who we think will die, who we think will receive either a power ring or villain helmet… and most importantly, how Arrow and The Flash seem willing to take standard superhero story tropes and turn them delightfully on their heads.

We also discuss:

  • Dr. Strange #1, written by Jason Aaron with art by Chris Bachalo, and:
  • The Amazing Spider-Man #1, main story written by Dan Slott with art by Giuseppe Camuncoli!

And, as usual, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like a discussion about how the best Inhumans movie would feature Lockjaw, a green screen, and piddling on a baby.
  • This show contains spoilers. While we try to shout out warnings ahead of time, be warned that you will learn whether or not we were serious about The Flash nuking a dude to death.
  • This show contains adult, profane language, and is therefore not safe for work. Do you want your employer hearing about the surgical alternative to Method Acting? You do not. Listen with headphones.
Play

Thanks for listening, suckers!

Share

c2e2_logoWe’re a bit later than we originally intended, but proud to present the first part of our C2E2 2015 panel recaps. But these aren’t your normal panel rundowns; these are chock full of audio from the panels, including quotes direct from Dan Slott, Brian Azzarello, Jimmy Palmiotti, Amanda Conner, Charles Soule, and a bunch of other creators!

We start by going through the Secret Wars: Last Days panel from Marvel, where the panel talks about the Last Days miniseries leading to Secret Wars for characters like Ms. Marvel, Black Widow, Silver Surfer, Punisher, Ant-Man and the Inhumans. While there’s not a lot in the way of revelations in this panel, there are one or two really interesting new tidbits… as well as the name a of supervillain that, by the end of the episode, will haunt your nightmares.

We then recap the New DC Universe panel, where the post-Convergence storylines of books including Harley Quinn, Starfire, Bizarro and Catwoman, as well as some details about the upcoming We Are Robin, are laid out. This was the panel where Dark Knight 3: The Master Race was made, and we have that audio (and our opinions) as well.

We plan to tape and release our recap episode about the Batman panel (where Scott Snyder talks openly about the Bat-Bunny) tomorrow or Friday, so stay tuned!

Play

Thanks for listening, suckers!

Share

secret_wars_teaser_alex_rossIt’s been three months since Marvel announced the Secret Wars crossover event, and since then, speculation has been flying about what it meant for the Marvel Universe: would it be a reboot, or just an event allowing Marvel characters from all their various universes to punch on each other for a few months?

Well, Marvel’s Senior Vice President and Executive Editor Tom Brevoort and Editor-In-Chief Axel Alonso did a press conference about Secret Wars this week, and it turns out the answer is: both!

So this week, we spend a lot of time poring over audio from that press conference, first trying to figure out if this reboot was planned before or after Alonso famously denied that Marvel was planning a reboot. We also discuss whether and what we’ll miss from the Ultimate Universe, what we want to see written out of Marvel continuity, and what we think is absolutely sacrosanct. Further, when it comes to Secret Wars itself, we talk about Battleworld, what battles we want to see between characters and universes, and ultimately, whether or not we’re excited by the idea of a Crisis On Infinite Earths-style reboot of Stan and Jack’s Marvel Universe.

We also discuss:

  • The Amazing Spider-Man #13, written by Dan Slott with art by Giuseppe Camuncoli, and:
  • Powers #1, written by Brian Michael Bendis with art by Michael Avon Oeming!

And now, the disclaimers:

  • We record this show live to tape. While this might mean this is a looser comics podcast than you might be used to, it also means that anything can happen. Like discussions over whether we want to start a Kickstarter to fund the purchase of a Crisis On Infinite Midlives Kill-Bot.
  • This show contains spoilers. While we try to shout out warnings ahead of time, just assume that we’ve ruined the end of Spider-Verse for you.
  • This show contains adult, profane language, and therefore is not safe for work. Unless you want your employer finding out what body part we want to use to trigger the machines guns on our Kill-Bot, get some headphones.
Play

Enjoy the show, suckers!

Share

multiversity_pax_americana_1_coverThe world of comics is big, complex, and sometimes even literary… and we are not. So we open this show talking about the return of Underoos. Which might sound frivolous, but when you consider that those underwear packs were the only place we middle-aged geeks could get a decent superhero t-shirt in the late 70s, it means something to us.

In addition, we also talk about the radical change in Batgirl to appeal to younger readers, we talk about whether that re-imagining of the character was the right way to go, and what other efforts the Big Two publishers might use to attract readers who aren’t middle-aged white guys with massive disposable incomes. We cover reboots like Batgirl’s, new characters in old costumes like Ms. Marvel, and the good old days, when Avengers and Justice League were places where new and B-List characters could get a fair shake at building a fanbase that could maybe carry a solo title for them.

We also go over the recently announced week two books of DC’s Convergence event, speculate on which titles seem most likely to hold hints about the permanence of this event, and again despair why some creators are on books that don’t seem like the best possible fit (why is Keith Giffen not writing Justice League International, for the love of God?).

And finally, we talk about:

  • Multiversity: Pax Americana #1, written by Grant Morrison with art by Frank Quitely, and:
  • Spider-Verse #2, written by Dan Slott with art by Olivier Coipel!

And now the disclaimers:

  • This show is recorded live to tape (There is one edit in this week’s episode to cover when I nearly revealed my secret identity). While this might mean a looser show than other comics podcasts, it also means that anything can happen. Like mangling the name of a classic comic to make it sound like Green Arrow is a gentleman of leisure who favors baseball bats.
  • This show contains spoilers. While we try to yell out warnings ahead of time, be aware that they can come at any time.
  • We use adult, profane language, and therefore this show is not safe for work. Unless you, like Green Arrow, are a gentleman of leisure, consider wearing headphones.
Play

Thanks for listening, suckers!

Share

ConvergencePromo_1200Pre-registration for San Diego Comic-Con 2015, for people who attended SDCC in 2014, came and went yesterday, and it marked the first disappointment for would-be attendees who didn’t manage to snag passes… including us. So we spend some time talking about the process, how it differed from registration procedures over the past ten years, and whether there are any other fair options that can balance the need to allow as many people as possible to experience the con, against the horrors of being forced to impotently watch the Blue Ring of Disappointment.

In addition, DC announced their spring crossover event, Convergence, and it was interesting in that it could bring back some pre-Flashpoint characters, it might roll back some New 52 changes, and it sounds suspiciously similar to Marvel’s upcoming Secret Wars event. So we talk about how these respective events might affect their greater continuities, for which publisher this might be a better and stronger move, and ultimately, which one we’re most looking forward to.

We also talk about:

  • Grayson #4, written by Tim Seeley with art by Mikel Janin, and:
  • Spider-Verse #1, written by Dan Slott with pencils by Olivier Coipel!

And now the legalese:

  • This show is recorded live to tape. While this might mean a looser comics podcast than you’re used to, it also means that anything can happen. Like the observation that, if people bitten by radioactive spiders throw off irresistible pheromones, then Spider-Verse will become a very sticky place for reasons other than webbing.
  • This show contains spoilers. While we try to shout out warnings ahead of time, just assume that we might ruin everything you love.
  • This show contains adult, profane language, and is therefore not safe for work. Your boss doesn’t have Spyral’s nano-bugs, so all you’ll need is some headphones.

Oh, and here’s that Marvel Secret Wars video we talked about:

Play

Enjoy the show, suckers!

Share

tmp_sin_city_a_dame_to_kill_for_teaser_poster_1_2013-1733579567It is the middle of Labor Day weekend, which means that things are slow in the world of comics news, and fast in the world of drinking whiskey to forget you still have a job to go to on Tuesday.

So Amanda and I use this lull to idly speculate who might be a good casting choice for Doctor Strange in the upcoming Phase 3 Marvel movie. And not only that, but we got ourselves out to see the currently-in-theaters Sin City: A Dame To Kill For adaptation of Frank Miller’s hard boiled crime comics… and we had remarkably different reactions to the flick. Specifically regarding Eva Green’s casting as Ava Lord, Eva Green’s ability to portray Ava Lord, and Eva Green’s qualifications as an actress beyond the ability of some of her bodily appendages to defy constant gravitational forces. We also talk about the other parts of the movie.

We also discuss:

  • All-Star Western #34, written by Jimmy Palmiotti and Justin Gray, with art by Darwyn Cooke, and
  • Silver Surfer #5, written by Dan Slott with pencils by Mike Allred!

And now the disclaimers:

  • We record this show live to tape. While this might mean a somewhat looser comics podcast than you are used to, it also means anything can happen. Like discussions about new supervillain Whistle Pig.
  • This show contains spoilers. While we try to shout out warnings before spilling secrets, be on notice that spoilers can happen at any time.
  • Amanda and I use explicit, adult language, and therefore this show is not safe for work. Before listening without headphones, please see the earlier note about the discussion vis a vis Eva Green’s bodily appendages. Get some headphones.
Play

Enjoy the show, suckers!

Share

superior_spider-man_31_cover_2014Editor’s Note: Yeah. That sounds just spoilery enough to be right. Let’s go.

It’s been about 16 months since Doc Ock took over as Spider-Man, which has been just enough time to forget that Spider-Man is supposed to be fun, dammit.

Spider-Man’s supposed to be a wisecrack and an acrobatic move and a triumphant battle against insurmountable odds, while simultaneously Peter Parker’s a self-defeating complaint, an overdue bill he can’t afford to pay and a ruinous relationship that disintegrates against, well, predictable odds. Is it a formula? Sure. Is it soap operatic? Hell, yeah. But it’s a thing that works, and which has been working for 52 years. And it seems like a simple enough formula that we’ve seen so often over the years that we wouldn’t miss it if it was gone for a while… but I did, dammit.

Doc Ock as Spider-Man has been an interesting thought experiment to help reinforce that it’s the character of Peter Parker that makes the comic and not just a power set and a red and blue leotard, but nobody falls in love with a thought experiment unless it’s the Milgram Experiment, and even then it’s only if the enthralled already had a closet full of jackboots. So while it’s been a kinda cool distraction to watch a darker, more obsessed version of Spider-Man, I was ready for it to be over since I already have Batman.

So not only is it just plain good to see Peter back in the saddle in The Superior Spider-Man #31, writer Dan Slott clearly knows it. Because throughout this issue, characters react to Peter being back in costume (despite ostensibly not really knowing that he ever wasn’t the guy in the costume) with a general sense of relief and a sense of return to normal.

And so did I.

Share

tmp_amazing_spider-man_1_cover_2014871384253We’re a little late to the party on this one, but Marvel is already starting to hype the first big event of the soon-to-be freshly Peter Parker-centric reboot of The Amazing Spider-Man… because God knows that you need to market the living shit out of a book where you completely blow up the status quo to, well, return to the status quo. Jesus, Marvel and writer Dan Slott threw a pudgy, nearsighted, vainglorious motormouth into the Spider-Man suit for the past 15 months and have set sales records; I doubt you need to set the world alight to get people to read a Spider-Man book featuring the original dude.

Frankly, just seeing Peter Parker back in the saddle is enough of an event to get me excited… and yet this one sounds ambitious and kinda interesting. It’s called Spider-Verse, it’s gonna be written by Dan Slott with art by Olivier Coipel, it’ll be coming out in November starting in The Amazing Spider-Man #9, and it’s gonna feature Spider-Man.

Whaddya mean, “which Spider-Man?” Spider-Man! You know… all of them. Ever.

Seriously: check it out:

Share

tmp_superior_spider-man_25_cover_20141062414147Editor’s Note: Ah, but my dear Spider-Woman… I so want to spoil you. And I can no longer think of a reason not to.

Now we’re getting somewhere.

I’ve been pretty vocal recently that, while I’m generally enjoying Dan Slott’s tale of Doc Ock as Spider-Man in The Superior Spider-Man, it’s felt like it’s been dragging along for a while to me. With the foregone conclusion that Peter Parker would eventually be returning as Spider-Man – a foregone conclusion that has been bourne out by recent news (spoilers at that link, by the way) – I had passed the point where I was fully engaged in seeing how Doc Ock would operate as Spider-Man and had reached the point where I wanted to see how things turned out to put Peter back into the suit. Picture it like sex: foreplay is fun and all, but as a wise man once said, eventually you gotta go into the trenches and bump uglies. So to speak.

Well, we are now on the 25th issue of The Superior Spider-Man – an impressive feat, considering the first issue was only a year ago – and now we’ve got some solid rising action moving toward a denouement of this whole Otto situation. Writers Dan Slott and Christos Gage take a solid step in this issue toward yanking the rug out from under Otto, showing cracks in his public image, suspicion from Spider-Man’s allies, and some real opposition from someone who can actually get to the bottom of this whole Ock / Spider-Man situation.

After months of foreplay, characters are finally starting to bump Editor’s Note: Rob, this metaphor is a dicey pile of shit. Move along. -Amanda

Ahem. Anyway.

Share