We are back and recovered from San Diego Comic Con 2017. SDCC is a show we’ve attended more than almost any other, and yet this year it seemed, I don’t know… bigger. More oppressive. More willing to empty your wallet and leave you for dead, while showing you genre spectacle you couldn’t get with an all access pass to Industrial Light and Magic.

So after recovering (and even the recovery from Con Crud seemed more difficult than past years), we were joined by longtime SDCC attendee, Los Angeles comedian Gariana Abeyta, to talk about being assaulted by childrens’ strollers on the floor, taking revenge by trampling young cosplayers on the way to ask panel questions, the horrors of Hall H (and how they compare to the horrors of a malfunctioning RFID badge), “Resting Crime Face,” and whether the experience is still worth the time, planning, exhaustion and literally thousands of dollars it can take to attend.

Oh yeah: we also have the panel audio of Rob asking Nick Lowe about the status of Miracleman.

As a reminder: this show contains adult, profane language, and is therefore not safe for work. Take a look at the episode’s title, and know that fear is not the only convention smell we discuss. Get yourself some headphones.

Thanks for listening, suckers!

The first official day of San Diego Comic-Con 2017 was yesterday, and we are doing shows live (to tape) from the belly of the beast.

Being our first day back to SDCC in three years, we discuss what’s changed in the intervening time, including a brand new requirement to bend the knee and pledge fealty to Rick Grimes. We also discuss some of our strategies for working the floor, some interesting observations about the state of the convention, and some protips on how to ask a question at a panel (The protip being to ask a question, and remember that your life story is not a question).

We also discuss some observations and news tidbits from the Karen Berger / Paul Levitz panel, and the DC Meet the Publishers panel!

And a few points to remember:

  • We encoded this episode at a slightly lower bitrate than usual. We did this to try to save bandwidth and to ensure we’d have enough space to deliver episodes from San Diego Comic-Con. So we apologize if the sound isn’t quite as clean as it usually is. Luckily, you don’t need a lot of bits to record drunken profanity.
  • This show contains adult, profane language, and is therefore not safe for work.
  • While we will be uploading podcasts periodically throughout the convention, you should follow us on Facebook for uploads of photos and other media we grab during SDCC.

Thanks for listening, suckers!

We are mere days away from San Diego Comic-Con 2017, which will be the first we’ve attended and covered in the past three years. To say we’re excited would be a massive understatement, and we’re putting together our plans to cover the show and record and release short episodes directly from the con.

But figuring out what to cover means knowing what’s there. The convention released the complete programming schedule last week, and we spent some time poring over it, finding not only the panels we’re hoping to cover for some comics news, but some ones that are just plain cool-looking… plus a few that clearly exist only to give someone’s nephew’s best friend who’s also an agent a bone in exchange for getting someone you actually heard of to show up.

And, as always, the disclaimers:

  • We encoded this episode at a slightly lower bitrate than usual. We did this to try to save bandwidth and to ensure we’d have enough space to deliver episodes from the convention. So we apologize if the sound isn’t quite as clean as it usually is. Luckily, you don’t need a lot of bits to record drunken profanity. Speaking of which:
  • This show contains adult, profane language, and is therefore not safe for work. Rob places over-under odds on many aspects of Comic-Con in this episode. Some of those odds might relate to bodily fluids and / or distance. If you’re going to be around anyone civilized, get some headphones.

Thanks for listening, suckers!

As we ease into convention season, the comics news starts to slow down so publishers have something to discuss in panels. You know, other than garbage news items about the dangers of trying to be funny in 140 characters or less.

So we briefly discuss the next step in the million-mile march toward San Diego Comic-Con: hotel sales, which happened last Wednesday. We also talk about a superhero movie that we missed in 2016: X-Men: Apocalypse, which didn’t really interest us at the time – seeing Oscar Issac painted blue is only a gimme draw if you’re in his fraternity – but which really impressed us now that it’s on cable.

We also talk about some of this week’s books:

  • The Flash #21, written by Joshua Williamson with art by Howard Porter,
  • Action Comics #978, written by Dan Jurgens with art by Carlo Barberi,
  • Ben Reilly: The Scarlet Spider #1, written by Peter David with art by Mark Bagley, and:
  • Detective Comics #955, written by James Tynion IV with art by Marcio Takara!

What’s that? You want disclaimers?

  • This show contains spoilers. While we try to give warnings ahead of time, if you don’t want to find out why Angel is a terrible character in X-Men: Apocalypse, I don’t know why you’re listening, since you’ve clearly never read a comic book before.
  • This show contains adult, profane language, and is therefore not safe for work. During this episode, Amanda says, “Touch the fishy.” Your boss won’t want to know why. So get some headphones.

Thanks for listening, suckers!