ant_man_wright_tweetIf you had asked me six months ago, I would have firmly stated, with a great deal of confidence, that nobody gives a shit about Ant-Man.

Sure, Ant-Man was one of the first Marvel superheroes, debuting in 1962, and he was a founding member of The Avengers, but seriously: the dude shrinks. So what? And it’s not even like he can go microscopic like The Atom and fight sentient viruses in someone’s body the way he did in World’s Finest Comics #236, which I read when I was five years old and have never forgotten.

Look at it this way: Ant-Man is so lame that Hank Pym has since gone on to be known as Giant-Man, Goliath, Yellowjacket and The Wasp… basically he’s tried to be anything so he doesn’t have to be Ant-Man.

So I didn’t really give a hoot in hell about the Ant-Man movie that Marvel Studios has on the slate for 2015… until one thing happened. I saw The World’s End by director Edgar Wright, who is also slated to direct Ant-Man, and it was bar none the best movie I’ve seen this year (Sorry, Iron Man 3, Man of Steel and The Wolverine). It became the first Blu-Ray I’ve ever pre-ordered to make sure I don’t miss it, it caused me to go back and revisit Shawn of The Dead and Hot Fuzz… and more importantly, it made me look forward to what he’s gonna do with Ant-Man.

And apparently he has started doing stuff with Ant-Man, because Wright tweeted this yesterday:

avengers_age_of_ultron_movie_logo_1301720927While we did attend this year’s San Diego Comic-Con, we were not able to attend the big Marvel Studios Hall H panel that hyped Thor: The Dark World, Captain America: The Winter Soldier and, most prominently, Avengers: Age of Ultron. We weren’t able to get in for a variety of reasons, the most important being that we didn’t even try. Seriously: have you seen the line to get into the Big Room for the past several years? It looks like the aftermath of one of the battles from Kingdom Come, only with a significantly higher body fat percentage. It’s easier to break into the comic industry proper than it is to get into Hall H, for Christ’s sake.

So despite being among the lucky few to even be at the convention, we were not amongst the few thousand hardy (and sweaty. And exhausted.) few who saw Joss Whedon introduce the first teaser reel for Avengers: Age of Ultron. And for two months, I have consoled myself by trying to remember that, while those people were watching that video, I had access to unclogged toilets and food that had a surprisingly small amount of cheez dust.

Well, to hell with that small consolation. Because that video has finally made its way to the Internet. Which means that you can watch it from the comfort of the device of your choice… but if you want a truly authentic experience, I recommend going without showering before sitting in your least comfortable chair for several hours, and then watching the video on your cell phone… which you have placed on the other side of the room, preferably behind a volunteer wearing either a Batman cowl or a Heisenberg hat.

Regardless of your viewing preferences, you can check the video out after the jump.

batman_vs_superman_logo-996278732Things have been quiet here at the Crisis On Infinite Midlives Home Office, because we are possibly nearly dead. Yesterday afternoon and evening, we conducted a staff meeting with most of our contributors that started with conversations about what conventions we might try to attend over beers, continued with discussions about whether we should playtest and review the Star Wars X-Wing miniature game or whether we should just blow the miniature TIE Fighters up with firecrackers over whiskeys, and concluded with car bomb shots, regret, and no geek conversation whatsoever. Because by that point, none of us could even say “Avengers,” let alone form a coherent opinion about them.

So we were hoping for a quiet afternoon to lick our wounds and wait for the photophobia to go away. Unfortunately, I had to get stupid, turn on my computer, and connect it to the Internet. Only to have this apparent atrocity shoved in my face.

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star_wars_logoWe all know that Star Wars Episode VII (a film as yet to be subtitled, but allow me to pitch one of our old podcast titles: The Fist of Justice) will be coming out in 2015 – a summer that will be so geek supersaturated, between Star Wars, Batman Vs. Superman and Ant Man that I should be allowed to retroactively wedgie the jocks who knocked the The Dark Knight Returns trade paperback out of my hands back in high school.

We also all know that Disney, the new owners of the Star Wars property, not only intends to make more big trilogies, but that they intend to make Star Wars movies that do not fall within the scope of another epic trilogy. But exactly what kind of ancillary movies they intend to make hasn’t really been totally clear. Would they be cartoons for kids? Political dramas? Porn?

Well, according to Disney’s Chief Financial Officer Jay Rasulo, who spoke about Star Wars at an investor’s conference yesterday (Rumors that the second order of business was to ratify Disney’s new corporate mission statement of “Kneel before Zod!” remain unconfirmed), said that those non-trilogy flicks will be prequel stories. Which has historically been a good decision when it comes to Star Wars movies.

And unconfirmed rumor is, that the first prequel will be Han Solo’s origin story.

Oh, shit.

avengers_age_of_ultron_movie_logo_1301720927So the big geek news today was that James Spader has been cast to play Ultron in Joss Whedon’s upcoming Avengers: Age of Ultron, to which my initial reaction was, “Huh. Whatever.”

Seriously, I didn’t have much of an initial positive reaction to the news, firstly because early this morning, I read a wild-assed rumor on Ain’t It Cool News that the plan for Ultron was to make Tony Stark’s JARVIS artificial intelligence go rogue and start tearing shit up for, I don’t know, being forced to spend four movies as part of the programming for Stark’s jockstrap or something. And while I didn’t know whether there was any truth to the rumor or not (clearly, there was not), the idea made a lot of sense to me. It utilized an existing character, it completely cut around the inclusion of Hank Pym in Ultron’s creation, and most importantly: it would have eliminated the need for probably at least 20 minutes of story setup to get Ultron off his ass, on his feet, and whimpering about his daddy issues in ways that would embarrass Lena Dunham.

But James Spader? Who really gives all that much of a damn about James Spader?

iron_man_3_animaticHere’s the thing about making movies: there isn’t a screenplay out there that doesn’t go through a half a dozen revisions and rewrites before they get locked down. Sometimes they’re not locked until after principal photography begins.

Which is all well and good for some indie flick made on a Flip Cam, but when it comes to big special effects extravaganzas, the visual effects guys can’t wait for the Suits in Corporate to get tired of giving notes like, “More edgy,” and “Can we get anyone on the planet other than Edward Norton?” They need to start planning stuff out quick, usual with animatics: little flipbook animations of the SFX sequences, done in varying degrees of detail, to give a movie storyboard of what the finished effects shots are gonna look like. And if they do an animatic for a sequence that winds up getting cut or altered? Well, that’s tough luck, Charlie; go to whatever bar Edward Norton’s drinking his sorrows away in so you can whimper to someone who gives a fuck.

But those animatics don’t just disappear… and sometimes, they make their way onto the Internet. Case in point: animator Federico D’Alessandro, who has done work on more than a dozen movies – including, most pertinent to readers of this site, every Marvel Studios movie since Thor, did a bunch of animatics of scenes from Iron Man 3 and The Avengers that didn’t make the final movie… and some of those animatics have made their way to the Web.

Now, I’ve seen plenty of animatics that are, at best, mild curiosities showing only some raw visuals. But these, however, are a little different. All of them include background music and sound effects, some of them have dialogue subtitles laid in, and all of them are just damn cool to watch, to get a sense of what we might have gotten from those two movies… including if The Wasp were part of The Avengers. And you can check them out after the jump.

ben_affleck_as_superman-404786088Christ, you go out to dinner late on a single, solitary Thursday evening, and what do you miss

Ending weeks of speculation, Ben Affleck has been set to star as Batman, a.k.a. Bruce Wayne. Affleck and filmmaker Zack Snyder will create an entirely new incarnation of the character in Snyder’s as-yet-untitled project—bringing Batman and Superman together for the first time on the big screen and continuing the director’s vision of their universe, which he established in “Man of Steel.” The announcement was made today by Greg Silverman, President, Creative Development and Worldwide Production, and Sue Kroll, President, Worldwide Marketing and International Distribution, Warner Bros. Pictures.

The studio has slated the film to open worldwide on July 17, 2015.

Okay, let’s all get our, “Oh Jesus, Affleck was in Gigli / Saving Christmas / Sum of All Fears / Jennifer Lopez!” panic out of our system. Feel better? Now settle down, huddle up, fetch your old Uncle Rob some more bourbon, and listen up: this is not bad news.

two_guns_trade_cover_2013Hey, didja know that 2 Guns, that movie you’ve seen advertised on TV with Mark Wahlberg and Denzel Washington where they obviously cough up the ending by showing Denzel saying “Make it rain,” and blowing up the car full of money, was based on a comic book? Yeah, neither did I until I came across the recently reprinted trade paperback of writer Steven Grant’s 2007 original at the Boom Studios booth at SDCC. And frankly, I didn’t even make the connection between the comic and the movie when I bought the book, because the title of the movie had never stuck to my brain, since 30 seconds of trailer was all it took for me to think, “Yeah, this is the movie that Denzel takes to pay the mortgage in between his semiannual Oscar bait flicks, and that Marky Mark takes when he’s, well, being Marky Mark. Pass.”

The comic itself is a pretty decent read – an undercover DEA agent and an undercover Naval Intelligence officer are manipulated into trying to sting each other into robbing a bank, before finding out that the bank belongs to someone who doesn’t rely on the FDIC to recover their losses, and that some other parties have plans for this off-the-books stolen money, requiring the two guys to go rogue – and was certainly entertaining enough to get me through an hour of the flight home last week. So the trade is certainly well worth picking up this Wednesday if you’re a light action crime comic fan (hard-boiled noir it ain’t, but it has a decent enough edge to keep you in suspense) and you have an extra 15 bucks to burn.

Grant apparently made a decent chunk of change for himself and Boom Studios for doing the flick, and Grant has not only been doing a series of columns for Comic Book Resources under the name Temporary Madness that could serve as a crash course for comic creators hoping to someday make that mad Robert Kirkman money off of their idea, but has announced that he’s working on sequel Three Guns (because Grant’s not a dope, fer Chrissake)… but none of that addresses whether the movie, which is being released in the United States this Friday, August 2nd, is to par with the comic, or worth what will cost you, after popcorn and a Coke at a 10:30 a.m. bargain matinee, more than the trade paperback.

Well, to help you make up your mind, a final red band trailer for the movie has been released, featuring more violence, profanity and nudity than we’ve seen to date. And while to me, even knowing that the film is based on the work of a comic writer I like, it still screams “Wait for cable!”, and I suspect the director might have spent a large percentage of the shoot saying, “Denzel, Mark: banter like dudes. You know, bros! Aaannnd, action!”, your mileage may vary. So check it out after the jump.

j_michael_straczynski_SDCC_20131925073596We attended several panels yesterday, and will be writing up more extensive write-ups of at least one of them later or tomorrow (Robert Kirkman’s Skybound panel in particular was interesting), but in the meantime, I wanted to put up something that was interesting, but not particularly comics newsworthy.

Every year of the eight we have attended San Diego Comic-Con, J. Michael Straczynski has hosted a Spotlight panel, where he talks about some of the stuff that he’s working on, but mostly spends his time answering any and all questions posed to him. Be they inquiries about the infamous “Spider-Man Sells His Soul To The Devil To Get Younger Poontang” story in One More Day, or the reasoning behind taking on the controversial Before Watchmen books, to whether or not he liked The Hobbit, he will answer any question… provided it isn’t posed by some naive foreigner.

And you can see this for yourself, as we took video of big chunks of Straczynski’s panel this year, and have included those videos here. But now, a disclaimer: some of these videos may or may not have minor hitches in them. I’m seeing them on my two-year-old tablet via shitty hotel WiFi, but then again, on this rotten, overloaded connection (that only cost me $14.95! For 24 whole hours! And, due to the three hours it took to upload a handful of minute-long video clips, prevented me from publishing this last night as originally intended!), Web pages chug when I try to load them in Lynx. So your mileage on a wired connection may vary. If you find them distracting, I apologize.

Either way, you can check them out (and learn his criticisms of The Bible’s literary merit) after the jump.