…You Rent Them: The Tale of The ComiXology Backup Script

Earlier this week, some dude posted to the Reddit Comic Book board that he had written a short Bash script (for the technologically challenged, think an old Windows batch file with ambition) that would allow you to download any digital comics you purchased from ComiXology, strip the DRM (again, for the uninitiated, DRM stands for digital rights management, which is nothing but copy protection with an official-sounding acronym to make it sound intimidating, like “FBI,” “CIA” or “DIAF”), and convert them to a format you can store locally and read on anything. Clearly this is a young man with plenty of free time to spend frittering on coding and hanging around in courtrooms.

The script author even posted a copy of the script with detailed instructions on how you could use it to download copies of the books you bought from ComiXology. Isn’t that nice? Oh, don’t go searching for it – ComiXology caught wind of it and asked the kid to delete the script.

Further Adventures In Digital Comics – Review Of Hopeless, Maine: Personal Demons #1

Spent from a road trip to catch The Avengers with Rob, Trebuchet, and Pixiestyx, I found myself with barely enough energy to stare blankly at ladies in silly hats during the three hour coverage of the Kentucky Derby yesterday on the TV. Fun fact: only about 4 minutes of the race coverage is about the race. The rest is about women in silly hats, bemoaning how other women’s silly hats invade their “hatmosphere”. There is also a fair amount of bourbon and “My Old Kentucky Home” karaoke sing-a-long. I could have played along with the bourbon part at home, which would have helped with both the “hatmosphere” and the karaoke. Unfortunately, Rob is on antibiotics this week as he nurses a vicious stab wound obtained while refereeing “Bum Fights For A Week’s Worth Of Coors Light Empties”. What can I say? We live in an interesting neighborhood. So, anyway, I was trying to show solidarity by joining him in the not drinking.

Eager to find a diversion for my sobriety, I turned to the Comixology app for my smartphone. I worked my way down to the “Digital Firsts” section. I’ve really been trying to only use the app for books that are only available digitally, since I like to support our LCS, where the owner knows us by name and has asked Rob to stop hosting the bum fights on the sidewalk outside the store because it’s “bad for business”. Recently, Archaia has digitally released part one of a graphic novel called Hopeless, Maine, by Nimue and Tom Brown. Nimue is an author and Tom is an artist. Hopeless, Maine began its life as a Web comic, which is up to two booksworth of material on their site. The digital download of Hopeless, Maine: Personal Demons Part One contains chapters 1 and 2 of the first book in the series. So, what’s it about?

Hopeless, Maine is a little, forgotten island where many of the children have become orphaned through mysterious circumstances. There are magic and strange creatures. Chapters 1 and 2 center around orphan Salamandra, a young girl who greets the reader on the opening page of the story by informing us that “my mother wants to drink me”. Okay, Salamandra: you have my attention.

Can Salamandra’s tale distract me from my own strange world of silly hats and bum fights? Spoilers and more after the jump.

Further Adventures In Digital Comics: The Gorilla, In The Panda Habitat…With A Candlestick? – Review Of Sanctuary #1-4

EDITOR’S NOTE – This review is on issues #1-4 of Sanctuary, by Stephen Coughlin and is based on preview copies forwarded to the Crisis Home Office by Mr. Coughlin. Also, there will be spoilers. Mystery solved!

When I examine my pull list, I have to admit that deep down I’m kind of a Capes and Cowls sort of girl. As someone who got back into reading comics by way of Transmetropolitan and Preacher, I didn’t think I was. But, lately, my weekly take skews heavy to The Big Two and The Big Two are mostly Flights and Tights. After that, I have a healthy chunk of Vertigo books, which tend to not be super powers books, but still generally have magic and weirdness. Following that are Image books, which could be about anything, but often deal with super powers though. Rounding out the pack are books from Boom Studios and small press (which, I guess you could say would include Boom, if only because it’s not Marvel or DC). Small press books tend towards the quirky and are less likely to be “traditional”, at least the ones I get. Maybe the protagonist is a talking teddy bear whose mortal enemy is the family cat. Or maybe the protagonist thinks he’s a superhero, but he’s really an oddly nigh invulnerable nut job who runs around in blue spandex doing more damage than good. Either way, for good or bad, my pull list tends toward the big established guys with their big established, practically heirloom, hero properties. Furthermore, my weekly take is also, entirely, physical paper copy.

Enter Slave Labor Graphics.

Crisis On Infinite Midlives Podcast Episode 8: The Kick of Osteoporosis

Guess who found their microphones?

That’s right, after five months, and literally no waiting with bated – or any – breath, it’s time for another exciting episode of the Crisis On Infinite Midlives Podcast!

In this week’s episode, we drunkenly rant about:

• Digital Comics. Specifically, it was a big week encompassing the closing of the Graphic.ly Web storefront and the release of the first of Marvel’s Infinite Comics via ComiXology, so we talk about how faithful customers of digital comics get to be in the vanguard of comics publishing while eventually being doomed to wind up with fuckall for their money!
• Marvel’s Augmented Reality application, which forces you to read your printed comics through your cell phone like Commander Data or some other robotic autistic person!
• Fanboys Vs. Zombies, and how it is an awesome book if you have been to SDCC, want to go to SDCC, or want to see Joe Quesada eaten by a grue!
• The Avengers movie: can it possibly be as good as the trailers and the TV spots make it look?
• Agent Coulson: Xander of the Marvel Movie Universe?
• Hawkeye: Like a Boss? Or Like a Miss?
• SDCC Hotel Sales: big mess or biggest mess?
• Plus: Justice League Dark and The Boys!

Podcast: Play in new window | Download (Duration: 56:47 — 52.0MB)

Subscribe: Apple Podcasts | Android | Google Play | Stitcher | TuneIn | RSS | More

As always, if you listen to this show at work, wear headphones unless you want to explain to your boss why you’re listening to someone bemoan the lack of glory holes in San Diego hotel rooms! And if you can listen to the whole thing, see if you can tell the moment when the booze gets on top of us!

As always: thanks for listening, suckers!

Adventures In Digital Comics – Review Of Comixology App, Fanboys Vs. Zombies #1, And Marvel Infinite Comics

You may remember that I was very excited to review Fanboys Vs. Zombies #1 the other day. Unfortunately, my Local Comic Book Store, where the owner knows us by name and asks Rob wear his Gleek Underoos under his pants, did not have the book in stock. What to do? Take this as an opportunity to investigate the growing medium (sort of) of digital comics!

I downloaded Comixology onto my phone and an Asus Transformer Eee pad. From there, I was able to download a couple of books relatively easily to the app to read. I say “relatively” because, while the functionality is an easy “touch-the-button” user interface, it is a few long minutes before each book will appear on the device. So, there’s some wait time until gratification. And, while you can read any book you’ve purchased on any device on which you’ve installed Comixology, it appears you need to download books locally to the new devices. One digital comic book takes up 74 MB of space on the Eee pad.

Of course, once you have the books, how is the app overall for reading the books? That is the most important question after all.

Check out my video review of Comixology and the books I used it to purchase after the jump!

Man Down: Graphic.ly Closes Online Comic Store

Crisis On Infinite Midlives hasn’t been around all that long in the greater scheme of things, but almost since our first day, we’ve been skeptical about digital comics, at least in the formats and forms of distribution in which they currently exist. Custom apps requiring mothership server authentication when you want to read your comics and with limited download and archiving options seemed less like buying comics than it did paying someone for the right to read their comics. This is very much unlike the experience of buying actual physical books from my local comic store, where they know me by name and ask me to stop offering ten bucks for half an hour alone with the Omaha: The Cat Dancer books.

Until now, these concerns have been a moot point. After all, digital comics is still a young field, and no matter which platform you chose to buy your digital comics, they would still be around for a while, allowing you to build your collection while the hardware with which to read that collection get better, faster, and more easily able to maintain your books locally. Right? Sure.

Wait, what?

Cognitive Dissonance: Mark Waid on Digital Comics

Sometimes people ask me why Amanda, Trebuchet, Pixiestyx, Lance and I bother to run a comics Web site when not only is there no money in it, but when it takes so much Goddamned time on top of our day jobs that actually pay for the comics (and liquor) it takes on a daily basis to endure said day jobs.

Until recently, I could only briefly stop and consider how I might possibly articulate my 35+ year relationship with comics, shrug my shoulders and thell them to fuck off and mind their business. However, now I can refer them to this recent video by legendary comics writer Mark Waid, who describes what it was like to be a comics fan growing up in the pre and nascent direct market world.

Crisis On Infinite Comics

A couple of weeks ago, Marvel Chief Creative Officer Joe Quesada posted a few cryptic and interesting tweets, starting with, “The future is ∞”. Initially, we at Crisis On Infinite Midlives didn’t pay as much mind as many did because we figured Joe had just looked at our Twitter profile and suddenly realized you could use the ∞ in tweets (about an hour before Joe’s tweets, we had just gotten into a Twitter exchange with Marvel exclusive artist Mike Deodato, after all).

Speculation on the meaning of the tweets ran rampant, from the start of a new line of comics from Marvel, to a New 52-style reboot (But Marvel doesn’t reboot! And Miles Morales has always been at war with Eastasia!) to a baffled suspicion that Joey Q just found Wingdings in his font list, thus officially moving boldly into the state of the art digital technology, provided it’s 1996.

However, at this past weekend’s South By Southwest festival in Austin, TX, Marvel announced what Infinite Comics really means: three digital-only comics, written by Mark Waid and co-written and drawn by Stuart Immonen, tying into the upcoming Avengers Vs. X-Men event.

Well, just calling them “digital-only” comics is selling the thing a little bit short… or hyping them a little bit too much.

Kicks To The Skull, Prices Reasonable

We haven’t talked a lot about Skullkickers here because frankly, it flies a little under our radar despite being one damn fun comic book. It’s a story about two fantasy adventurers – one an alcoholic dwarf, the othe an alcoholic classic Conan type, only with a foul mouth and a gun – for hire to the highest bidder. Or any bidder. Think Lord of The Rings with a quualude habit. Or a messy, serialized Uwe Boll film that’s actually fun to watch.

The Image book became a hit quickly, selling out its early issues quickly enough that for a while it could be hard to find those comics to catch up… not that you need a lot of backstory to understand “Drunks… monster(s)… FIGHT!” The difficulty in hunting down back issues is, however, no longer an excuse for not checking the book out, because creator Jim Zub is releasing the book from the first issue on the Web. A page a day. For nothing. Gratis. Bupkis. Which is not a business plan that the protagonists of the book would embrace.

What the hell, Jim?

Ones And / Or Zeroes: Nook Comics, Part 2

EDITOR’S NOTE: This is part 2 of our review of buying and reading comics on the Nook Color in its new version 1.4.1 software release. You can find part one here. You can find an anxious walrus reporting crimes here.

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Look: one thing you’re never gonna get past reading a comic on the Nook is the size of the screen. At about seven inches of widescreen diagonal, it’s 2/3, maybe 3/4 the size of a standard printed comics page. That’s not the fault of the Nook platform; it is what the thing is. But given that limitation, the images are clear – either they’ve pulled in digital originals or they made a damn good scan. When held in the vertical position, you get a complete single page that’s imminently readable unless you’re farsighted or worried about being seen occasionally squinting like a furious masturbator on the city bus.

The problem here is the splash pages. When the Nook is held vertically, you get, like I said, one comic page, which means you only get half the splash. If you rotate the Nook, the page reloads into a two-page view that shows you everything, but is imminently unreadable. You can zoom in using the standard poke-your-fingers-and-spread-them as you know from the iPad and dating virgins in high school, all the way to full original page resolution. And you can drag the page around with one finger, as in other table apps or dating slutty skanks in college.