EDITOR’S NOTE: The first draft of this was written on Christmas Day while my parents were at church. They came back before I could finish, so I put it aside hastily, because I would rather have them believing that I was viewing pornography than running a comics Web site. So please forgive the dated references.

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Merry Christmas from deepest, darkest Florida! Being the holiday season, familial obligations have forced us to leave the Crisis In Infinite Midlives Home Office, with it’s convenient bars, restaurants, bars, liquor stores, bars, movie theaters, bars, comic store and bars. I am writing this from an area of Florida that, if you’re familiar with the adventures of Sonny Crockett and Ricardo Tubbs, well… they’re familiar with those adventures here too, because they also watched them on TV when they were younger and had less ear hair.

This is what they call a “snowbird community,” because to call it a “retirement community” brings uncomfortable connotations of Blade Runner, which their Generation X children forced them to watch repeatedly on grainy VHS tapes. Or at least my parents were forced, so we’ll stick with the snowbird thing. It’s a nice little town where you can get anything you need, provided it helps in maintaining regular bowel movements.

But one thing they don’t have is a comic store. If you ask a local where you can get a comic book, they think you’re asking for something by Andy Rooney, and then they remember that he’s dead, then they get quiet, and then they call you an ungrateful hippie.

So it seemed that my visit here would remain comicless, since I certainly didn’t pack any comics for my trip down here. Packing anything more subversive than an iPhone with a fart generator app is a non-starter when facing an interaction with a TSA “agent”, since the last comics-related story they’ve probably heard was that Superman renounced his American citizenship, and if they see a picture of Batman boning Catwoman, you will become intimately familiar with the second knuckle of the middle finger of a strange man making minimum wage. It’s a Christmas Miracle OH GOD WHY I’LL ADMIT ANYTHING YOU WANT I’M SORRY BATMAN IS A BIGGER PIMP THAN YOU YES THOSE ARE MAGNIFICENT DREADLOCKS FOR A FEDERAL AGENT NO NOT THE THIRD KNUCKLE

But I digress. I thought I was going to be comicless, but a couple of weeks ago, Barnes & Noble released an operating system update for their Nook Color e-reader that prominently touted the availability of digital comics, particularly Marvel Comics. So I thought I would give the new functionality a shot.

At last year’s SDCC, Amanda picked up the first two books of Van Jensen’s and Dusty Higgins’s Pinocchio, Vampire Slayer from the Slave Labor Graphics booth, partially because the title was cool, and partially because we needed something to read in the hotel bathroom while suffering through either travel-related constipiation or, eventually, crippling beer shits.

Turns out it was well worth the speculative purchase (Neither of us had heard of the book before buying it); it was a smart, funny story about a bad-assed Pinocchio who killed vampires by lying (Along the lines of, “I am going to take no joy in stabbing you in the Goddamned chest.”), breaking off his nose and staking vampires in the heart with it. It’s a hell of a clever conceit, and a damnsight less disturbing an idea than, say, Ron Jeremy, Vampire Slayer.

The second book ended on a cliffhanger – Pinocchio turned into a real boy, which is like taking The Punisher’s gun and replacing it with a My Little Pony plushie – and we have been patiently waiting for book three, Of Wood And Blood. Well, the wait is over: Slave Labor Graphics has released the complete first issue to Comic Book Resources’ Robot 6 for free, and the first and second issues will be available for download via the Slave Labor Graphics Web site and comiXology later this week.

It is the twenty-first century, and it has been a week, so that must mean that someone tried to do something tricky about digital comics that pissed almost everybody off.

Earlier this week, Dark Horse Comics announced that, like DC and Marvel’s Ultimate line, they were going to make their books available digitally on the same day as the print copies. The problem is that they didn’t specify any details about their pricing model, which, for older books that they’ve made available digitally to date, is generally a buck ninety-nine, compared to the normally $2.99 print editions.

And then the comics Internet shit its tubes.

EDITOR’S NOTE: This article is part 2 in a short series about downloading a digital comic book from Marvel’s online store. Actually, it’s a very short series considering this is the last part. You can find part 1 here. And if that doesn’t sound interesting, you can find cats talking to each other here.

After I muddled through figuring out how to give Marvel enough personal information to be able to read the digital copy of Avenging Spider-Man they’d offered to give me for free with my purchase of the print edition, and I finally was looking at the book in Marvel’s computer comic reader, it occurred to me that nothing in any of the Web pages I came through told me how to find the book again later. Lemme look at the app… aha! There’s something about subscriptions! Let’s click that!

Okay, so: digital comics! I think I’ve established that I’m not really a fan of the concept of digital comics. I like my weekly Wednesday trip to my local comics store, where my local comic store owner, who knows me by name and asks me if I’ve ever been told that pants are an always choice, hands me my books and recommends new ones for me.

However, Marvel was good enough to give those of us who bought Avenging Spider-Man #1 last week a code we could use to redeem for a free digital copy of the book. And as much as I like my stack of books every week, if I’m honest with myself, I’ve always considered myself an early adopter. And while I might be lurching into middle age, I like to believe it’s not so far in that I’m unwilling to try new things. Because if I am, it’s time to scratch “threesome” off my list and tag the list’s title with “bucket.”

So let’s download us a comic!

You thought we’d given up, didn’t you? No such luck; it’s a day, which means it’s time for another exciting episode of the Crisis On Infinite Midlives Podcast!

In this week’s episode, we talk about:

  • How to get comics into the hands of children (Give a store to Jerry Sandusky! What, too soon?)!
  • What to pay your kids for allowance (Or, Sundusky’s Lawsuit-Be-Gon)!
  • New Jersey Comic Conventions (or: SDCC with GTL and MPV meaning HEP3!)
  • F***ing Digital Comics: How Do They Work (Great, if you hate paper and reading comprehension)!
  • The pros, cons, Novas, Phoenixs (Phoenixes? Phoenices? Phoenicians? Penises?) and Wonder Twin clones of Marvel Point One!
  • Our favorite non-reviewed books of the week, and:
  • Fisting a ham (Oh, it’s in there)!

As usual, if you listen to this at work, you should wear headphones! Unless your boss is into that hot, sweet, man-on-piglet action (And if he is, thanks for listening, Coach Sandusky)!

Thanks for listening, suckers!

Yesterday, Barnes & Noble announced that they’ll be releasing the newest version of their Nook e-reader, the Nook Tablet (which sounds like something you take for a particularly virulent yeast infection) next Friday, November 18th. It’ll have a dual core chip, a gig of ram with 16 gig of onboard storage, integrated Netflix and Hulu Plus apps, and… something else

Marvel Entertainment announced today that the hotly-anticipated NOOK Tablet from Barnes & Noble (NYSE: BKS) will offer readers access to the greatest graphic novels of all time.

Wow! Marvel’s releasing Watchmen and The Dark Knight Returns?

Featuring the Avengers, Spider-Man, Wolverine and more of the world’s most popular super heroes, NOOK Tablet launches with a digital library of your favorite Marvel graphic novels—and more of your favorite stories are on the way!

Oh, okay. Those are pretty good, too.

We here at Crisis On Infinite Midlives finally kicked the cold and got healthy! And then we celebrated with cheap liquor and got sick a different way, so once again, here we are, a day late and a dollar… where’s our f***ing dollar!?

In this week’s episode, we drool over the new trailer for the Avengers movie, we thank DC Comics for announcing that they’ll be selling comics on the Amazon Kindle Fire (When we bought a f***ing Barnes & Noble Nook Color six months ago) by speculating which New 52 book will be canceled first (and which should be canceled first), and talk about our sleeper books of the week!

In addition:

  • Amanda would like to announce that she was incorrect when she said that Alex Maleev was the creator of Echo! She meant to say it was Jesus!
  • Here’s Rob’s review of The Strange Talent of Luther Strode!
  • While tomorrow we will be posting a full-on video of the Avengers trailer in family-friendly and buggy Flash video, here’s the Quicktime edition so that Steve Jobs can cockblock you with upgrade warnings from the grave!
  • And simply look up and to the left to see happens when you Google “Captain America Liefeld Boobs”! (via Grotesque Anatomy)

Enjoy the show, suckers! And if you don’t, we’ll show you what happens when you Google “Liefeld Mantits No Seriously Just Liefeld’s Mantits”!

Well, it’s official: Image Comics has announced that they’re going to make their most popular characters, including Spawn, The Savage Dragon and Witchblade, available via an alternative distribution channel. They’re taking the big step away from the comic store and into the arena that most teens are most enthusiastic about and are likely never to stray away from: Pogs!

Whoops! Sorry, flashed back to 1994 there… actually, if you replace “Pogs” with “digital downloads”, you have exactly the same story that broke earlier this week… including the likely longevity and outcome.

Image announced that starting this week they’ll be releasing all of their books, including Robert Kirkman’s The Walking Dead, Invincible, and Those Other Books You Don’t Care About, as day-and-date available downloads from Graphic.ly.

Graphic.ly isn’t a platform with which I’m familiar, so I decided to check it out. And I have to tell you: compared to Comixology, which I tried the other day, Graphic.ly’s digital reader is VASTLY superior in that it allows you to actually be able to read the book. It blows things up to readable sizes and automatically follows from panel to panel to keep each image at maximum size and legibility.

This is not always a good thing. Because after literally 15 seconds of poking around to see what kind of books Image would be keeping company with, well, I found:

MISTER MOTHERFUCKING T.

Cover to DC Comics The Fury of Firestorm: The Nuclear Men, written by Gail Simone and Ethan Van Sciver, penciled by Yildray CinarThe one thing I’ll give the first issue of Gail Simone and Ethan Van Sciver’s first issue of The Fury of Firestorm: The Nuclear Men is that it compelled me to go on an all-day hunt for the 1978 first issue of Firestorm: The Nuclear Man.

I called my local comic store owner, who knows me by name and asks me not to come in to the store until my sinus infection passes and I stop dribbling green snot on the copies of Obama The Barbarian (or at least until I start pretending that I’m not doing it on purpose), but as good as he and his store is, he didn’t have what amounts to an obscure back issue just lying around. Or maybe he had ten of them, but allow me to refer you back to the whole snot-dribbling thing.

I had reached the point where I was willing to purchase it as my first digital comic from Comixology, who has the issue available for less than a buck… right up until I reached the point in my registration process when I discovered that they don’t take my credit card and worse: that I don’t own an iPad, so I couldn’t read their comics even if I wanted to. Sure, they have a Web reader, but if I’m going to blind myself I’m going to do it the old fashioned way: frantic masturbating. But I digress.

The new Firestorm made me want to find the old 1978 origin issue, which I haven’t read since I was seven or eight years old, because I have vague memories that Gerry Conway wrote the relationship between Ronnie Raymond and Professor Stein as an examination of the generation gap. And why is that something so important that it made me spend a drinking day hunting for a 33-year-old comic that’s nobody’s idea of a classic and when at the time I liked Nova better anyway?

Because if that element to the characters were, in fact, there, then I can extrapolate that Simone and Van Sciver made high school race relations a cornerstone of Firestorm in an attempt to modernize Conway’s original character intentions. If it isn’t, then this book just is a ham-fisted racial parable that’s a sparkly vampire away from being Twilight with nukes. Which is, actually, a book I would line up to buy. The new Firestorm? Not so much.