There is a convention going on in Toronto this weekend called Fan Expo Canada, which we were not able to attend since we are still paying off our attendance at San Diego Comic-Con, I have no valid passport, and because of that 1991 incident where the Montreal Police were forced to declare that particular location of Peel’s Pub “Unfit for human habitation” after five pitchers of Labatts and a plate of their poutine like it’s my fault that there was already a dude locked in the bathroom when the gravy and beer did what it does.

Anyhoo, there was a convention this weekend, and members of the DC Comics staff were there, and there was a pretty big announcement: writer Geoff Johns and current Batman: The Dark Knight artist David Finch will be collaborating on a new book: Justice League of America.

Ever since DC Comics revealed the cover to Green Lantern #0, and certainly during all the Green Lantern-related panels at SDCC, the big question has been: who is the new Green Lantern who’s carrying the gun? And how will he factor into the upcoming Third Army crossover event? And what does he have against sleeves? And will the man with his finger stuck through someone’s ring go off half-cocked against the angry, purple headed aliens? And why do I suddenly feel like I need a shower?

Well, thanks to the Diamond / Previews Website and its solicitation for Green Lantern #13, we have the answers to all your questions! Y’know, provided your only question is, “What’s the new Green Lantern’s first name?”

On one hand, Green Lantern #11 is an encouraging sign that the book might be returning to its glory days of  the spectacular Blackest Night crossover from a couple years ago… almost literally. We’ve got the return of that crossover’s villain Black Hand, he’s got his Black Lantern ring back and he’s bringing the dead back, getting ready to take over the world again. It’s exciting, even though it’s a story that maybe we’ve seen before.

On the other hand, Green Lantern is a sign that the book might be returning to another story from the past. That story is Army of Darkness.

This issue is very much a transition story, wrapping up the recent origin of the Indigo Tribe while laying the groundwork for the upcoming Third Army event, of which it appears that the returning Black Hand will be a big part of. Sinestro has been released from the thrall of the Indigo Lanterns, which is a shame, since on an infinite timeline we’d have see a lettering mistake having Indigo Sinestro muttering, “Nok. Kok. Nok kok. Kok nok. Kok.” Yes, I am emotionally twelve years old, why do you ask?

Editor’s Note: In Crisis On Infinite Midlives, super-heroes are taken from their usual settings and put into strange times and places – some that have existed, and others that can’t, couldn’t or shouldn’t exist. The result is spoilers that make characters who are as familiar as yesterday seem as ruined as, well, yesterday.

I want to start out by stipulating that Batman: Earth One, written by Geoff Johns and drawn by Gary Frank, is a damn fine graphic novel in almost every way. It takes characters and situations from the long history of the world of Batman and re-imagines then in ways that are generally compelling, interesting and ingenious. It adds a real-world feel to Batman that, while robbing the character of some of the most thrilling and stylized elements of the finest Batman tales, also grounds it and makes the stakes for Batman and everyone else in the story feel higher. And interestingly, it provides complete-feeling and satisfying story and character arcs for more than one character… Batman not necessarily being one of them. And the art is realistic and spectacularly detailed, to boot.

With that said, there are two character moments in this graphic novel that I had significant problems with, to the point where I feel that they irretreivably changed the nature of the character. For the better? Fucked if I know. It really depends on how much of a traditionalist you are… or how much you like Spider-Man. But we’ll get to that in a minute.

Justice League #7 is a weird fucking book. On one hand, it gives us a classic superhero team book… one might say that it’s so classic you’ve been reading it for years. And on the other hand, it gives a reimagined and modernized take on a classic hero, updating him by way of making you want to see him die screaming under a city bus. And on both hands, writer Geoff Johns shows us that superheroes are just like us: dicks. Selfish, irritating dicks.

Let’s start with the opening story, which opens with the Justice League in combat with with Isz. Seriously – on the very first page, we’re presented with what looks exactly like a black Isz from The Maxx if Sam Kieth had days upon end to ink them. Which is, in certain ways, a decent enough choice; God knows if I turned a corner and saw a bunch of those bastards swarming, I’d shit my pants. However, this is a comic book, and any comics fan older than 22 is probably gonna open this book and say, “Huh. That’s an Isz,” which started the book on it’s back foot for me right out of the gate.

In short order, we are reintroduced to Colonel Steve Trevor: manly-man soldier and leader of A.R.G.U.S., the Advanced Research Group Uniting Superhumans. This organization appears to be some kind of combination Government-sponsored supervillain armed response agency and liason to the DCU’s superhero community. And Trevor himself is portrayed as an ultra-competent yet cranky former soldier who has learned to kick ass and navigate Congressional committees without compromise. This kind of character is relatively new to the DC Universe, and would be an exciting development if it weren’t an eyepatch and the likeness of Samuel L. Jackson away from a crippling plagiarism lawsuit. Really, guys? Colonel Trevor, Agent of A.R.G.U.S.? What’s his next exciting adventure gonna be, pulling Uncle Sam from the Freedom Fighters out of a fucking iceburg?

DC Comics debuted a teaser image of the Gary Frank-redesigned Shazam (née Captain Marvel) in this morning’s New York Post. I’m guessing that writer / DC Chief Creative Officer Geoff Johns decided that the redesign of a niche character who’s been unable to carry his own book for around 20 years, and who’s appearing as a backup feature in Justice League, was news too earthshattering to relegate to the ghetto of the comics-related press… and further guessing that the Post ran with it due to a need to fill column inches thanks to a sudden unexpected dearth of Lindsay Lohan candid upskirt vagina pictures.

Justice League #6 is the most memorable and remarkable of the title’s relaunch for two reasons, the first being that it is packed with the kind of cover-to-cover superhero action that you want from a team comic book. The second is that it contains a splash page depicting Cyborg with a stance and facial expression that, minus any context, looks like he’s taking a savage and angry dump so terrible it might alter his religious beliefs. Which is as good an example of the schizo feeling this book has instilled in me for the past six months.

Let’s start off for a change on a positive note: this is one hell of a superhero fight. Writer Geoff Johns establishes the stakes early, showing a desperate family trying to escape the Armageddon that is occurring as Green Lantern, Flash, Wonder Woman, Aquaman and Cyborg battle Darkseid in the middle of a city. The battle is visceral, the feeling that the heroes are throwing every Goddamned thing they can think of at Darkseid, who is drawn by Jim Lee as solid, giant and implacable. This is the kind of epic throwdown that I’ve been wanting from Justice League from the word go… which is a damn good thing because many of the characters still act as if they’re recovering from a partial lobotomy.

Johns’s characterizations have been problematic throughout this arc. Yes, I understand this is a reboot, but the youngest character in this book, in terms of creation date, is Cyborg, who has almost a third of a century of previous characterization history behind him. And sometimes we get glimmers of the long-established behaviors of the characters, but other times they act like they were created by Rob Liefeld in a 1990 cocaine twitch. Sometimes within two panels.

A couple months ago, DC Comics announced that Geoff Johns and Gary Frank would be putting together a reboot of Captain Marvel as a backup feature in Justice League starting in issue 7 in March. Which, as an old school Captain Marvel fan dating back to that horrible CBS TV show back in the mid-70s, this was exciting news… provided the thing actually got done in time. After all, this is the same team that announced the Batman: Earth One original graphic novel… more than two years ago (Although to be fair, it is supposedly pretty much done and will be released sometime soon).

But the good news is that it looks like the work is coming in on schedule, because Newsarama scored some uncolored and unlettered pages from the first ten-page installment:

I think I finally have realized the reason behind the vague sense of dissatisfaction, if not downright unease, that I’ve been feeling reading Geoff Johns’s and Jim Lee’s Justice League: these characters don’t act right. At best, they act like versions of the original characters that have suffered an extended and untreated fever, or perhaps some period of natural gas-related asphyxia, or some other unknown cause of mild brain damage.

I get that these are supposed to be the members of the Justice League at the beginning of their careers, and therefore it’s probably to be expected that their personalities are somewhat different than we’re used to. Which, as ideas go, is not a bad way to go, and one that could drive many character-driven stories. Unfortunately, over the course of five issues, it’s become apparent that Johns has decided that the primary difference in character is that five years ago, the World’s Greatest Superheroes were Complete Motherfucking Idiots.

DC’s Justice League panel at the New York Comic Con was held earlier today – well, they called it the “Justice League” panel, but it pretty much had every creator on the New 52 except for Scott Lobdell, who rumor has it was unavilable due to a prior commitment to be in a fetal position, rocking, crying and ignoring the constant ring of the telephone.

There were a ton of revelations in the panel, one of which being that DC didn’t open the panel to questions from the audience until more than halfway through, which is a MAJOR departure from the DC panels we’ve see at SDCC since 2006, where Dan DiDio has historically said, “This is a panel about INSERT SUBJECT HERE! Let’s take questions!” Thanks again, San Diego Batgirl!

But one of the other bigger revelations was that DC is rebooting and relaunching Captain Marvel.