all_new_captain_america_1_cover_variantThis week we added and installed a ton of new studio equipment for the show… and then used it to spend a few minutes laying in movie sound clips like middle-market Morning Zoo jocks.

Once we got that out of our system (and it is out of our system, we swear), we spent some time discussing the Doctor Who season finale, Death in Heaven. We talk about how the finale resembled a big comic book crossover event, whether the season theme of The Doctor-as-aristocrat really held water, the missed opportunity of Clara insisting that she was The Doctor, and why the English put so much stock in Christmas specials.

This week also brought us the solicitations for the first week of DC’s Convergence event on April 8th, so we go through each of the books and talk about what looks good, what looks great, and what it would take for us to even remotely care about some of the returning pre-New 52 characters (hi, Damian Wayne!).

On the comics front, we discuss:

  • Captain America and The Mighty Avengers, written by Al Ewing with art by Luke Ross,
  • Captain America #1, written by Rick Remender with pencils y Stuart Immonen, and
  • Superior Iron Man #1, written by Tom Taylor with art by Yildiray Cinar!

And now the warnings:

  • This show is recorded live to tape. While that might mean that this is a looser comics podcast than you are normally accustomed to, it also means that anything can happen.
  • This show contains spoilers. While we try to shout out warnings ahead of time, just assume that the spoilers you fear most will be uttered as the punchline to a dirty joke.
  • Speaking of dirty jokes, this show contains adult, profane language, and is not safe for work. Having just bought a crate of recording studio gear, I can state with some authority that headphones are cheap. Get some.

Enjoy the show, suckers!

tmp_flash_annual_3_cover_promo_20141927159733I have been to two San Diego Comic-Cons and one Boston Comic Con since DC kicked off their New 52 reboot (and one just before, when most of DC’s plans for the characters after the reboot had become public), and there has been one question asked almost more than any other: “Excuse me, sir? You, the middle aged guy with the ponytail? Where the hell are your pants?”

But that is not the most asked question. It is vastly surpassed by, “If you see a woman in a Batgirl costume, can you give me a quick heads-up? And also pretend to be me, Dan DiDio?”

But even more asked than those everyday questions is: “What happened to Wally West, and are when we going to see him again?” It seems like you can’t swing a dead cat at SDCC without hitting a pissed-off Wally West fan, or being screamed at by outraged furries.

And the answer has always been something along the lines of, “Barry Allen is The Flash now, and that’s that.”  Despite the fact that Wally West was The Flash for just about as long as Barry Allen ever was, and that there were two generations of comic book fans who only knew Barry as Flash if they’d read Crisis On Infinite Earths, it has seemed for about two and a half years that Wally West had been consigned to the quarter bin of history.

Except, yeah: apparently he’s coming back in The Flash Annual #3.