After a couple of weeks off due to holidays, family travel, blizzards, arctic vortices, and professional obligations, and we’ve moved past holiday genre movies and into the pre-convention season lull. Meaning that until Marvel Studios’ Black Panther drops in about six weeks, there’s nothing to talk but comics.

And frankly, we’re kinda glad about that. Because as much as we like the comics-related visual entertainment, there’s nothing like a good, old-fashioned comic book to make you feel like a kid again. And sometimes, that kid is very, very angry about what has happened to the Watchmen universe.

So we talk about a few of this week’s new books, including:

  • Batman #38, written by Tom King with art by Travis Moore and Giulia Brusco,
  • Spider-Man #236, written by Brian Michael Bendis with art by Oscar Bazaldua, and
  • Justice League #36, written by Priest with art by Pete Woods!

But no calendar can stop Rob from chiming in on a comic book about the character from Watchmen, so we also discuss the December 27th release, Doomsday Clock #2, written by Geoff Johns with art by Gary Frank!

This show was recorded live to tape, with minimal editing. So if you want to find out what the mythical 102nd use for duct tape is (the dirty one), you’ve come to the right show!

Thanks for listening, suckers!

secret_empire_promoYes, we are late after a weird weekend, but we still have a good show for you! A show barely prepared for, fueled by caffeine and alcohol, but as far as shows go: this is one!

Anyway, for the past few years, DC Films seems to have gauged whether or not to proceed making live action films of some of their lesser-known comics properties by releasing direct-to-video animated versions of them to see if they’ll stick. They did it with Suicide Squad three years ago, and now they’re doing it with the cast of the proposed Dark Universe movie with Justice League Dark, which was released last week.

We are big John Constantine fans (and kinda fans of the New 52 Justice League Dark), so we watched the movie and discuss the return of Matt Ryan to the role, how Batman fits into a mostly magical cast, why Black Orchid is almost literally filler, and why seeing Green Lantern being lightly tazed is almost always worth nearly any price of admission.

In addition: this week gave us the first two issues of what will become Marvel’s next event, Secret Empire. We have been nothing if not vocal here about how much a bummer Civil War II was, and now that we’re staring down the barrel of a story about a literal Nazi taking over the United States, well, we have strong opinions. And we even try to have those strong opinions without talking too much about current American politics.

As a palate cleanser, we also discuss Deathstroke #11, written by Priest, with pencils by Denys Cowan and inks by Bill Sienkiewicz!

But here’s the disclosures:

  • This show contains spoilers. If you don’t want to know why spending a few months with Nazi Captain America might be a depressing idea, you have been warned.
  • This show contains adult, profane language, and is therefore not safe for work. If you don’t want to explain to your mom why “catharsis: isn’t the same as some form of “reaching around”, then listen in your car or something.

Thanks for listening, suckers!

civil_war_ii_7_cover_2016Last week was Thanksgiving in the United States, a holiday where family members travel for hours and miles to share a table with family members and take a moment to express gratitude for the good things in their life. Then they follow that moment with hours of barely-suppressed acrimony, sarcasm-dipped references to long-buried grievances, and barbed rejoinders about the political beliefs of family. They then disperse to Black Friday sales around the map, taking their frustrations out on fellow shoppers and leading to those awesome fight clips on YouTube.

Rob and Amanda did not go to any Black Friday sales. They did, however, read Civil War II #7, and they do have a comics podcast.

Due to vagaries of comics publishing (and the fact that Civil War II has been late almost since it was solicited), this week we not only discovered the result of the battle between Captain Marvel and Iron Man, but we began to learn the price that certain characters will apparently pay for their roles in suspending the Constitution, ignoring the First, Fourth, Fifth and Fourteenth Amendments, contributing to the deaths of at least three Avengers and arguably sending the Marvel Universe on the road to literal apocalypse.

And we found that price to be wanting.

So we spend a lot of time complaining bitterly about:

  • Civil War II #7, written by Brian Michael Bendis with art by David Marquez and Andrea Sorrentino,
  • Captain Marvel # 10, written by Ruth Fletcher Gage and Christos Gage with art by Thony Silas, and
  • The Ultimates 2 #1, written by Al Ewing with art by Travel Foreman.

But, since we can’t be negative about everything, we also discuss:

  • Deathstroke #7, written by Priest with art by Larry Hama and Carlo Pagulayan,
  • Buffy The Vampire Slayer Season 11 #1, written by Christos Gage with art by Rebekah Issacs, and:
  • A. D.: After Death Book 1, written by Scott Snyder with art by Jeff Lemire!

And, the usual disclaimers:

  • This show contains spoilers. If you don’t want to know what happens in Civil War II, just try to forget some of your biggest disappointments before reading it.
  • This show contains adult, profane language, and is therefore not safe for work. If you said to your mom what we say about Civil War Ii over the Thanksgiving table, you’d be disowned. So get yourself some headphones.

Thanks for listening, suckers!