secret_empire_promoYes, we are late after a weird weekend, but we still have a good show for you! A show barely prepared for, fueled by caffeine and alcohol, but as far as shows go: this is one!

Anyway, for the past few years, DC Films seems to have gauged whether or not to proceed making live action films of some of their lesser-known comics properties by releasing direct-to-video animated versions of them to see if they’ll stick. They did it with Suicide Squad three years ago, and now they’re doing it with the cast of the proposed Dark Universe movie with Justice League Dark, which was released last week.

We are big John Constantine fans (and kinda fans of the New 52 Justice League Dark), so we watched the movie and discuss the return of Matt Ryan to the role, how Batman fits into a mostly magical cast, why Black Orchid is almost literally filler, and why seeing Green Lantern being lightly tazed is almost always worth nearly any price of admission.

In addition: this week gave us the first two issues of what will become Marvel’s next event, Secret Empire. We have been nothing if not vocal here about how much a bummer Civil War II was, and now that we’re staring down the barrel of a story about a literal Nazi taking over the United States, well, we have strong opinions. And we even try to have those strong opinions without talking too much about current American politics.

As a palate cleanser, we also discuss Deathstroke #11, written by Priest, with pencils by Denys Cowan and inks by Bill Sienkiewicz!

But here’s the disclosures:

  • This show contains spoilers. If you don’t want to know why spending a few months with Nazi Captain America might be a depressing idea, you have been warned.
  • This show contains adult, profane language, and is therefore not safe for work. If you don’t want to explain to your mom why “catharsis: isn’t the same as some form of “reaching around”, then listen in your car or something.

Thanks for listening, suckers!

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amc_preacher_jesse_posterIt’s the end of the week of May 25th, 2016: the Wednesday the Big Two drooled on themselves, shrieked “Excelsior!” into the Black Void, and keeled over. At least if you believe the Internet comments.

But before we talk about that, there was one major positive for comics fans this week: AMC debuted the pilot episode of their adaptation of Garth Ennis’s and Steve Dillon’s Preacher this past Sunday. We’re big fans of the comic, which really meant something to us… back when we were in our twenties, same as the characters back in the original 1990s comic. Both we and the comic are older now, with different lifestyles and priorities, so the question is not only whether or not Preacher is a worthy adaptation of the classic Vertigo comic, but can it have the same effect as it did when we were in our twenties?

That’s the good news. The bad news is that we also discuss:

  • Steve Rogers: Captain America #1, written by Nick Spencer with art by Jesus Saiz, and:
  • DC Universe: Rebirth #1, written by Geoff Johns with art by, well, many, many people!

And, as always, the disclaimers:

  • This show contains spoilers. So be aware: if you haven’t been spoiled on the events of either Steve Rogers: Captain America #1 or DC Universe: Rebirth #1, then you clearly haven’t had any access to the Internet and therefore can’t read this warning anyway. But rest assured: we’ll be spoiling them.
  • This show contains adult, profane language, and is therefore not safe for work. We recite Preacher’s recipe for making a homemade bazooka in this episode. You don’t want your boss to hear that any more than we want this episode entered into evidence in a Felony Menacing trial. So get some headphones.

Thanks for listening, suckers!

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fix_1_coverConvention season has been underway for a few weeks now, but what with Image Expo happening this past Wednesday in Seattle, followed almost immediately by Emerald City Comicon happening only days later in the same city, this is one of the bigger weeks for comics news we’ve had in quite a while.

So while we tried to distract ourselves from our disappointment that we were unable to finagle a trip across the country to see these conventions in person with a viewing of The Death of Superman Lives: What Happened?, we still found ourselves following the comics news about the announcements coming from each event.

And there was a ton of announcements, from new crime comics from the creators of 100 Bullets, to a bunch of maps and financial documents surrounded by a comic book by Jonathan Hickman, to a story about the Six Million Dollar Man written by a man with experience writing about someone who wants to become a real boy.

We also discuss:

  • Black Panther #1, written by Ta-Nehisi Coates, with art by Brian Stelfreeze, and:
  • The Fix #1, written by Nick Spencer, with art by Steve Lieber!

And, the normal disclaimers:

  • This show contains spoilers. If you don’t want to hear why The Black Monday Murders by Jonathan Hickman will be the comic most likely to give you maps and sadness, tread lightly.
  • This show contains adult, profane language, and is therefore not safe for work. You want your boss to hear about why it’s awesome to consume Incompetence Porn? Then get some headphones.

Thanks for listening, suckers!

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dc_rebirth_second_teaserOpen registration for San Diego Comic-Con 2016 came to us on Saturday… and it left us in less than an hour. As has become the norm, the convention completely sold out in less than an hour, and, like many of you, we were frozen out. So we spend a few minutes talking about how SDCC attendance has basically become a lottery system over which we attendees have no control, and discuss various options for making the con more available, from moving it to another city, to expanding San Diego’s facilities, to engaging in a mutually assured destruction nuclear showdown with the United States Navy.

Otherwise, the big comics news of the week was that DC Comics finally shared some details about their long-teased Rebirth event. And while story details are still scarce, we talk about how DC swears this isn’t a reboot (Even as all but two of their titles are being renumbered to #1), why DC needs to do something like this, what titles we can look forward to starting in June, speculate about what creative teams we’d like to see on those books, and complain that none of those books are Ambush Bug.

We also discuss:

  • American Monster #2, written by Brian Azzarello with art by Juan Doe, and:
  • Standoff: Welcome to Pleasant Hill #1, written by Nick Spencer with art by Mark Bagley!

And, the disclaimers:

  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware that you will hear more theories than you would like about the unholy nature of PuppyMonkeyBaby.
  • This show contains adult, profane language, and this therefore not safe for work. You want your employer to hear about our devious plan that includes a Deadpool costume, Deely Bobbers and pointed questions about the toilet reading habits of particular members of DC Editorial? Then get some good headphones.

Thanks for listening, suckers!

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all_winners_4_coverIt was a big week for Marvel’s Cinematic Universe this week, as the first two episodes of the limited series Agent Carter debuted on Tuesday. So we spend some time talking about that episode, its themes of sexism, how its mid-40s setting is a blessing and an opportunity, and how an obscure comic from 1942 might hold some secrets about the series.

Agent Carter also featured the debut of the first teaser trailer for Marvel’s Ant-Man movie. We’ve made no secret that we’re looking far less forward to this movie now that Edgar Wright is no longer directing, so we talk about whether this trailer changes our mind at all. Short answer: watch the trailer with no audio, and see if it doesn’t look like a prison flick with Paul Rudd as a convicted child predator and Michael Douglas as his lovesick warden.

We also discuss:

  • Ant-Man #1, written by Nick Spencer with art by Ramon Rosanas, and:
  • The Unbeatable Squirrel Girl #1, written by Ryan North with art by Erica Henderson!

And now the legalese:

  • We record this show live to tape. While this might mean a looser show than you are used to from most comics podcasts, it also means that anything can happen. Like the definition of “Cream of Swede.” It’s not what you think! It’s far more disgusting!
  • This show contains spoilers. While we try to shout warnings ahead of time, just assume that we will ruin everything you care about.
  • This show contains adult, profane language, and is therefore not safe for work. I refer you again to the phrase “Cream of Swede.” You’re gonna want some headphones.

Enjoy the show, suckers!

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boston_comic_con_banner517491478We just returned from three days attending Boston Comic Con, meaning that we have spent eight of our last 18 days walking the floor at various comic conventions. That is a physical feat that no one should ever attempt. Co-host Amanda is now on a course of serious painkillers, and Rob isĀ  considering commissioning a Krazy-Straw long enough to allow him to drink beer without having to move at all.

But we survived, and spent some time this evening talking about the experience of Boston Comic Con on its journey from minor convention to regional powerhouse over the past few years, what worked and what could be made better, and the joys of arranging on-site art commissions from artists ranging from the gleefully professional to the simply brilliant and loose.

We also discussed:

  • The Superior Foes of Spider-Man #14, written by Nick Spencer with art by Steve Lieber and Rich Ellis, and
  • Kick-Ass 3 #8, written by Mark Millar with art by John Romita Jr. (as well as a discussion about the entire Kick-Ass saga and how well it worked)!

And now the disclaimers:

  • This show is recorded live to tape. While this means that the show might be a little looser than you are used to, it also means that anything can happen.
  • This show contains spoilers. Specifically, if you don’t want to be spoiled on the events of The Superior Foes of Spider-Man or Kick-Ass 3, please tread lightly.
  • This show contains adult, explicit language, and is therefore not safe for work. Simon Bisley was able to swear at us with impunity during the convention due to the background noise. Your cubicle does not have that noise. Get some cans.

Enjoy the show, suckers!

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