A few weeks ago I reviewed a comic book about a video game that was actually a damn good Green Lantern story. By contrast, the latest issue of Green Lantern Corps is a Green Lantern comic that is, for all intents and purposes, a video game.

This book is what Green Lantern would be if it was a first person shooter in Hoard Mode.

You think I’m kidding? The whole video game vibe frankly bakes off of this book. For starters, look at that Alex Garner cover and tell me it doesn’t look like concept art from some FPS. The first person point of view, “your” hand coming into frame at right to shoot plasma beams at anonymous bad guys in armor with lightsabers… just replace the DC Comics slug with a health meter and the New 52 bullet with an ammo indicator and boom! You’ve got a shooter! A shooter designed by a focus group loaded with Asperger’s patients (“So how about we give stormtroopers lightsabers and have them fight Green Lanterns? Jesus, Bob; they’re all peeing!”), but a shooter nonetheless.

The whole video game vibe continues right into the story proper and doesn’t stop, from the weird aliens coming in multiple waves, to the Green Lanterns using their rings – weapons that can turn whatever you imagine into reality – to do nothing more than create a plethora of BFG9000’s to mow the aliens down. Part of me thinks that writer Peter J. Tomasi took a screen grab of an epic Red Bull-and-Stoli-fueled Gears of War session, emailed it to artist Geraldo Borges, and said, “Lightbox this, but make everything, y’know, green. But don’t trace the chainsaws on the ends of the guns; I don’t want to get sued.”

In the most recent reboot run of The Punisher series, Greg Rucka has chosen to take the tactic of letting Frank Castle’s actions tell the bulk of the story. As he told Comic Book Resources:

We’ve had so many people over the years do an amazing job of getting inside Frank’s head, it seemed to me that nobody needed my take on it because it would just be me aping somebody else really. We know Frank. He’s very straight-forward about what he wants, why he wants it and what he’s willing to do to get it. We ran with him not talking for as long as I think we could get away with in terms of the story. It’s not that we were trying to render him mute as much as, he’s a guy who doesn’t have a lot to say. He’s not the type to talk to hear himself talk. Plus, he doesn’t really surround himself with people that he’s going to converse with.

The rest of the story is told from the point of view of the characters on whom Frank’s actions have had an impact: a police officer, Walter Bolt, who receives a promotion after being perceived as a hero during a shootout in which Frank Castle actually was the one who saved Bolt’s life, a bride, Rachel Alves, who is the only survivor of a massacre that took place on her wedding day, and Norah Winters, who is covering Castle in an attempt to be taken more seriously as a reporter. It’s an interesting choice for Rucka; Castle is so involved in his one man war on crime that he either doesn’t care or have time to acknowledge the impact his actions have on the few people he has around him. Punisher #5 continues in this vein as the characters approach Thanksgiving in the 616.

Spoilers and small children after the jump!

EDITOR’S NOTE: Crisis On Infinite Midlives is proud to introduce our newest contributor: Pixiestyx. Pixiestyx is relatively new to reading comics, and therefore brings a different perspective to the comics world then Amanda and myself, who have been around the block enough to know who to curse at by name and general description. She’s been leaving great, interesting comments recently, and we’re glad to add her to the Crisis On Infinite Midlives team!

Does the comic industry really want to bring in new readers? If they did, one would think that the publishers would want to make it as easy as possible for a new reader to find a storyline that interests them, as well as figure out where to begin following that storyline. I have been an occasional comic reader for just over two years, yet when it comes to much of the comic world, I feel very much like Hal Jordan, having been told to speak the oath of the Green Lanterns without knowing what that oath is – completely lost.

I know how to do research; how to comparison shop, read reviews, and decide what to buy. However, most of the publishers’ websites have not been very helpful. They are good at listing the new books for this week and what’s coming out next week; but other than great cover art images, they do a very poor job of drawing me in and telling me why I should begin reading a series. They tend to have a busy layout and are unintuitive if you don’t already know what you are looking for. The UserWiki on Marvel’s site offers series background information, but the volume of information is inconsistent – a page and a half on some, non-existent on others. It appears that Marvel’s primary focus is on getting visitors to buy a Toyota Yaris instead of their comics anyway.

EDITOR’S NOTE: This review contains spoilers. But considering the comic this review is about wipes away just about the last persisting effects of the entire Fear Itself event storyline, it’s not like it fucking matters. However, you have been warned.

You want to talk to God? Let’s go see him together. I’ve got nothing better to do.”

Indiana Jones

The story in this comic book is horrible. It steals shamelessly from better comic stories by better writers, attempts to simulate depth by rehashing a philosophical point conveyed better in an 80’s teen sex comedy, and blows away any lasting effect of the Fear Itself event with a storytelling device that every writer since the ancient fucking Greeks – even the lowliest and worst hack –  has said, “Yeesh, I’d better not end it that way. The audience would kill me.”

EDITOR’S NOTE: This article is part 2 in a short series about downloading a digital comic book from Marvel’s online store. Actually, it’s a very short series considering this is the last part. You can find part 1 here. And if that doesn’t sound interesting, you can find cats talking to each other here.

After I muddled through figuring out how to give Marvel enough personal information to be able to read the digital copy of Avenging Spider-Man they’d offered to give me for free with my purchase of the print edition, and I finally was looking at the book in Marvel’s computer comic reader, it occurred to me that nothing in any of the Web pages I came through told me how to find the book again later. Lemme look at the app… aha! There’s something about subscriptions! Let’s click that!

Okay, so: digital comics! I think I’ve established that I’m not really a fan of the concept of digital comics. I like my weekly Wednesday trip to my local comics store, where my local comic store owner, who knows me by name and asks me if I’ve ever been told that pants are an always choice, hands me my books and recommends new ones for me.

However, Marvel was good enough to give those of us who bought Avenging Spider-Man #1 last week a code we could use to redeem for a free digital copy of the book. And as much as I like my stack of books every week, if I’m honest with myself, I’ve always considered myself an early adopter. And while I might be lurching into middle age, I like to believe it’s not so far in that I’m unwilling to try new things. Because if I am, it’s time to scratch “threesome” off my list and tag the list’s title with “bucket.”

So let’s download us a comic!

It’s Wednesday, and it’s several hours past whiskey o’clock, and you know what that means:

That’s right, it is the end of our broadcast day.

But with a weekly take that includes the new Justice League, Batman, X-Factor (Which we routinely love but have never yet reviewed), Atomic Robo, DC Universe Online Legends (Which pleasantly surprised us last month), and… Jesus Fuck; is that another fucking Fear Itself book? Oh, Fraction…

Well, either way, it’s a lot of books, and we need time to read them before we tell you if you should.

See you tomorrow, suckers!

It's probably not her telepathy that's turned you into a drooling vegetable.

Who knew that Emma Frost was actually being fashion forward and not a ginormous slut in her everyday battle wear of corsets and hooker boots? While plenty of super heroines have been outfitted, charitably, in questionable attire, outside of your typical convention cosplay and Halloween we don’t generally find super hero couture to be at the forefront of cutting edge fashion.

Until now.

Superhero couture will come to television on Tuesday, November 29, 2011 at 10pm (Eastern) on CBS.

Oooo, exciting!

Aren’t you excited?

You’re not excited.

Why aren’t you excited?

I can keep doing this, you know.

Real, live semi naked ladies with spandex and wings after the jump!

It’s time for my bi-fortnightly contribution to the site.   I just recently learned that bi-fortnightly actually means “every four weeks”, not “bisexual night in Rob’s blanket fort” as I was originally told.  Rob and I will be speaking further about this discovery and its implications. – Lance

So DC Comics’ MMORPG, DC Universe Online went free to play earlier in the month.  Thinking, “the price is right!” I grabbed my mouse, put on my Batman Underoos and dove right in.  And waited.  After about five days, DC got their hardware issues unscrewed and I was off to the races with PunchKicker, a Community-inspired hero.  I have to say, in terms of atmospherics DC really gets it right.  Metropolis feels like Metropolis.  It’s sunny, optimistic and full of life.  Gotham City, in turn, feels like the last gasping breath of a dying wino.  Seriously, it’s eerie how close they got on that one.  Come to Rob and Amanda’s house on Club-a-Wino-to-Death night and you’ll see.